• <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. November 29, 2018</b>
    <b>Forum Auctions, Nov. 29:</b> Buffon (G.L.M.L., Comte de). <i>Histoire Naturelle des Oiseaux,</i> 10 vol., large paper copy, 973 hand-coloured engraved plates drawn and engraved by Franz Nicolaus Martinet, Paris, 1770-86. £70,000 to 90,000
    <b>Forum Auctions, Nov. 29:</b> Bible (English). The Holy Bible, first edition of the King James Bible, the Great 'He' Bible, [Robert Barker], 1611. £30,000 to 40,000
    <b>Forum Auctions, Nov. 29:</b> Marlborough (John Churchill, 1st Duke of).- [Parker (Robert, army officer)] <i>[Memoirs of the remarkable military transactions from the year 1688 to 1718],</i> ?autograph manuscript, 300pp., [c. 1718]. £20,000 to 30,000
    <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. November 29, 2018</b>
    <b>Forum Auctions, Nov. 29:</b> France.- Paris.- Turgot (Michel Etienne). <i>Plan de Paris,</i> engraved maps, contemporary red morocco, gilt, Paris, 1739. £10,000 to 15,000
    <b>Forum Auctions, Nov. 29:</b> Mongolia.- Pallas (Peter Simon). <i>Sammlungen Historischer Nachrichten uber die Mongolischen Volkerschaften,</i> first edition, complete with 31 plates, St. Petersburg, 1776-1801. £10,000 to 15,000
    <b>Forum Auctions, Nov. 29:</b> Brant (Sebastian). <i>Stultifera Navis... The Ship of Fooles, wherein is shewed the folly of all States...,</i> large woodcut title and numerous woodcuts in the text, [London], [John Cawood], 1570. £8,000 to 12,000
    <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. November 29, 2018</b>
    <b>Forum Auctions, Nov. 29:</b> Aldus.- Boccaccio (Giovanni). <i>Il Decamerone,</i> Venice, House of Aldus & Andrea Torresani, 1522. £8,000 to 12,000
    <b>Forum Auctions, Nov. 29:</b> Wallace (Alfred Russel). 77pp. of Autograph letters (and 1 postcard) to various people, 1894-1904, on various palaeontological, geological and natural history matters. £8,000 to 12,000
    <b>Forum Auctions, Nov. 29:</b> DNA.- Watson (James D.) and Francis Crick, <i>Molecular Structure of Nucleic Acids: A Structure for Deoxyribose Nucleic Acid,</i> 1953 [and others]. £5,000 to 7,000
    <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. November 29, 2018</b>
    <b>Forum Auctions, Nov. 29:</b> Optics.- Molyneux (William). <i>Dioptrica nova. A Treatise of Dioptricks, in Two Parts,</i> first edition, for Benj. Tooke, 1692. £5,000 to 7,000
    <b>Forum Auctions, Nov. 29:</b> Economics.- Mississippi & South Sea Bubbles.- <i>Het Groote Tafereel der Dwaasheid,</i> 74 engraved plates and 3 maps, Amsterdam, 1720. £4,000 to 6,000
    <b>Forum Auctions, Nov. 29:</b> Asia.- Clouet (Jean Baptiste Louis). <i>Carte D'Asie Divisée en ses Principaux Etats,</i> engraved map with hand-colouring, on wooden rollers, 1782. £3,000 to 5,000
  • <b>Bonhams New York: Fine Books and Manuscripts Including the World of Hilary Knight. December 5, 2018</b>
    <b>Bonhams, Dec 5:</b> KNIGHT, HILARY. The Original Portrait of Eloise that Hung at the Plaza Hotel. $100,000 to 150,000
    <b>Bonhams, Dec 5:</b> WARHOL, ANDY. "Iced Lemon Delight," an Original Watercolor Presented to Hilary Knight's cat, Phoebe $8,000 to 12,000
    <b>Bonhams, Dec 5:</b> SENDAK, MAURICE. <i>Where the Wild Things Are.</i> PRESENTATION COPY, INSCRIBED with drawing to Hilary Knight in the month following publication. $10,000 to 15,000
    <b>Bonhams New York: Fine Books and Manuscripts Including the World of Hilary Knight. December 5, 2018</b>
    <b>Bonhams, Dec 5:</b> NOLAND, KENNETH. Original circle painting, untitled, acrylic and ink on cloth, for cover of monograph $8,000 to 12,000
    <b>Bonhams, Dec 5:</b> TOULOUSE-LAUTREC. <i>Histoires Naturelles,</i> 1899. With 22 original lithographs. $10,000 to 15,000
    <b>Bonhams, Dec 5:</b> SHAKESPEARE, WILLIAM. <i>A Collection of Poems,</i> [1711]. The first authoritative and complete collected Sonnets.$15,000 to 20,000
    <b>Bonhams New York: Fine Books and Manuscripts Including the World of Hilary Knight. December 5, 2018</b>
    <b>Bonhams, Dec 5:</b> LONDON, JACK. <i>The Call of the Wild.</i> 1903. First edition, first state jacket. $2,000 to 3,000
    <b>Bonhams, Dec 5:</b> FROST, ROBERT. Autograph Manuscript of "Build Soil," 12 pp, 1932-1936. $15,000 to 20,000
    <b>Bonhams, Dec 5:</b> GOULD, GLENN. Glenn Gould's extensively annotated copy of Bach's Goldberg Variations $100,000 to 150,000
    <b>Bonhams New York: Fine Books and Manuscripts Including the World of Hilary Knight. December 5, 2018</b>
    <b>Bonhams, Dec 5:</b> PLATH, SYLVIA. EARLY Autograph Letter Signed, about her beginnings as a writer, Northampton, MA, 1951. $7,000 to 10,000
    <b>Bonhams, Dec 5:</b> HOUDINI, HARRY. A collection of 11 cast iron shackle and lock items from Houdini's personal collection. $20,000 to 30,000
    <b>Bonhams, Dec 5:</b> M4 ENGIMA MACHINE, with very rare RARE HYDRA KEY ENVELOPE. $400,000 to 600,000
  • <b>Christie’s London, 28 November:</b><br>The first edition, in the original wrappers, of the first part of Pushkin’s masterpiece – ‘a bibliographical rarity of the highest order’ (Smirnov-Sokol’skii). £25,000 to £35,000
    <b>Christie’s London, 28 November:</b><br>The very rare first edition of Gogol’s first masterpiece and his first obtainable book. £50,000 to £70,000
    <b>Christie’s London, 28 November:</b><br>The first edition of Dostoevsky's <i>Brat'ia Karamazovy</i> (1830) in a superb contemporary cloth presentation binding. £22,000 to £30,000
    <b>Christie’s London, 28 November:</b><br>The first edition of the first version of the opening of <i>War and Peace,</i> with the original paper covers. £15,000 to £20,000
    <b>Christie’s London, 28 November:</b><br>An early corrected typescript of Akhmatova's <i>Poema bez geroia</i> (July 1946) £20,000 to £30,000
    <b>Christie’s London, 28 November:</b><br>A presentation copy of the first edition of <i>Kamen</i> (1913) inscribed by Mandel'shtam to his early mentor the poet Viacheslav Ivanov. £60,000 to £90,000
    <b>Christie’s London, 28 November:</b><br>Rare autograph correspondence from Vladislav Khodasevich, including a manuscript of his long poem 'Sorrento Photographs' (1921). £10,000 to £15,000
    <b>Christie’s London, 28 November:</b><br>An important letter from Marina Tsvetaeva to the poet Nikolai Tikhonov (1935) in which she challenges Pasternak and his views on poetry. £12,000 to £18,000
  • <b>19th Century Shop:</b> Charles Darwin on sexuality and the transmission of hereditary characteristics: Autograph Letter Signed to Lawson Tait. Down, 17 January [1877].
    <b>19th Century Shop:</b> MILTON, JOHN. <i>Paradise Lost. A Poem written in ten books.</i> London: 1667. A very rare example with the contemporary binding untouched and with a 1667 title page.
    <b>19th Century Shop:</b> Hamilton secures the ratification of the Constitution: <i>The Debates and Proceedings of the Convention of the State of New-York, assembled at Poughkeespsie, on the 17th June, 1788.</i>
    <b>19th Century Shop:</b> The social contract “Man is born free, and everywhere he is in chains”: ROUSSEAU, JEAN-JACQUES. <i>Principes du Droit Politique [Du Contract Social]</i>. Amsterdam: Michel Rey, 1762
    <b>19th Century Shop:</b> “The first English textbook on geometrical land-measurement and surveying”: BENESE, RICHARD. <i>This Boke Sheweth the Maner of Measurynge All Maner of Lande…</i>

Rare Book Monthly

Articles - February - 2017 Issue

The Dealers’ Daughter Revisited

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At one time the Antiquarian Bookman was the bible of the book trade.

I grew up in a family where book selling was a well established business. By the time I was a little girl I was drafted into it.

 

From the 1950s through the mid-60s I was introduced to all the traditions of the trade by my two very different parents and earned my spending money working for them. They were specialists and did most of their business by mail. We did not have an open shop.

 

My father was the buyer and the cataloger. He was the person who never met a Goodwill Store he didn’t like and if buying some books there (or anywhere) was good, buying more books (many more) was better. In those days I did not know the meaning of the terms “not enough inventory” or “no new inventory.”

 

There was inventory on every flat surface of our home and shop. The problem was never “Do we have it?” rather, “Do we remember where we put it? Where did you see it last?” Deciding what to buy was my father’s department. His idea of “shopping” was to buy everything that appealed to him.

 

My mother’s job was to apply the brakes. She was the seller, the packer (or rather the boss of generations packers including me). She was the issuer of catalogs and lists (which my father would write) and the schmoozer of librarians. In my youth some of our best customers were formidable people, mainly women, who ran the acquisitions sections of university libraries and bought books for academics and scholars. Our field was South East Asia. When the Vietnam war came along interest in books about SE Asia grew considerably, but that is a different story.

 

I grew up reading the AB - short for Antiquarian Bookman (I read it in the john where back issues were kept. The current issue lived on my father’s night table.) The john was also the location of any stray Maggs or Quaritch catalogs that my dad was done with. It took me quite a while to catch on that some of these catalogs were out of date by maybe 30 or 40 years, so unfortunately it was no longer possible to buy a Rembrandt etching for 9 pounds, but that also is a different story.

 

The AB was the way that book people stayed in touch with each other. We read this digest size weekly magazine. It was printed entirely in black and white, with grainy halftone photos, zillions of little want ads for book sellers and generally an article or two aimed at the trade. We all read it and we all did business through it.

 

What wasn’t done via the AB was done by sending out postcards, known as “quotes” through the US mail, issuing catalogs, taking buying trips to other towns, or attending shows. Not only was there no Internet, but the fax machine had yet to be invented.

 

There was, however, the mimeograph with its gorgeous semi-indelible purple ink that left stains on your hands and clothing that took a long time to come off. Children in the book business were expected to turn the handle of that mimeograph frequently, and also to pack to the standard that would pass muster with their very particular mother, who had a long and specific list on how this task should be done.

 

I packed my way through junior high school, high school and college, standing under a single light bulb working on a board over a wash tub in a basement room shared with jars of homemade pickles that smelled of garlic and dill. The mail carrier (in those days all men) came every day to take the fruits of my labor off into the world. Some of my earliest memories are my mother and her ongoing soap opera with the post office and its employees, none of whom (like me) were quite up to her specs.

 

However, if she is looking down from the great beyond, she will be pleased to read the many and frequent feedback comments on my “superior” packing skills left by satisfied customers.

 

We sold a lot of books that way, enough to put two kids through college, to take regular trips abroad, and to enjoy the lifestyle and camaraderie that went with having a lot of books. But as you probably know, it isn’t done that way any more.

 

I know this because as I start on my taxes for 2016 I realize that though my parents are both dead and I have been in the business myself going on 40 years, what I have to show for this long running enterprise seems like pretty thin soup compared to the time and energy I’ve invested in it. It pays my health insurance, covers some of my expenses but, at best, it is a pale shadow of the robust business my parents had back then.

 

My dad always said it took five generations to make a really good dealer, the first four were to lay in and age the inventory and the fifth to cash in on the good instincts of the earlier members of the tribe. Sitting here at the tail end of the second generation I predict there aren’t going to be too many more of us in that mold, if only because taste has changed so rapidly and the definition of what is valuable or worth having has changed even more.

 

My dad’s favorite book was “Jurgen” by James Branch Cabell, and ‘Yes’, I still own his copy, and ‘No,’ it’s been many decades since I even attempted to read it. History has not been kind to some of the writers my dad liked: Sinclair Lewis, Booth Tarkington, William Carlos Williams to name a few. I could not give away Wordsworth, one of his favorite poets (“The world is too much with us late and soon; Getting and spending we lay waste our powers….”). So if you’re holding on to an inventory of books that nobody reads or wants anymore, life is not so beautiful. If, on the other hand, you are completely out of inventory and relying on what comes to you via the free boxes, well here's my two cents on that subject.

 

My favorite sale of 2016 was the auction for a little paperback book of poetry autographed by Seamus Heaney that I found in the free box at a church rummage sale, and after 14 bids sold for $76 on eBay. It made my day.

 

Aside from the obvious differences in the technology, taste and value, the whole idea of “inventory” has changed a lot too. Last year my best sales involved inventory I didn’t own and only passed briefly through my hands. Some of the best and most profitable transactions were done with the help and cooperation of colleagues, and those same colleagues were some of my best customers.

 

This year my lowest sale was under $10 and my best one over $4,000. In between was every other possible permutation and combination. Less and less of it was books, especially big books, and more and more it was ephemera, magazines, photographs, and similar items. If it was books, they were mostly small enough to fit in a flat rate priority envelope. The value of my individual average gross sale was just shy of $60. Adjusted for fees, shipping and other costs it looked a lot more like $39.

 

Of the books I inherited from my dad, including that once long shelf of humor, especially vintage New Yorker cartoon albums, I have one broken lonely item I’m keeping to remind me of the years of pleasure I had reading and re-reading them. Of the dozens of volumes of the Bureau of American Ethnology from 1879-1935 or so I have only a few disbound items left. Not only are they all gone, but if I had them again today I don’t know if there would be buyers?

 

My dad’s advice about the 19th century continues to be true: he thought it was the great underrated century and I couldn’t agree more. The 19th century, especially the pre-Civil War 19th century in America, continues to be one of the last places to find really good material at what I think are still pretty reasonable prices.

 

Though the dealers’ daughter is not as upbeat as she once was, neither is she quite as gloomy as it may sound. In 2016 I had a serious illness, “life threatening” as they say, and I pulled through. I didn’t work from mid-May until August. When you almost but not quite die, everything that comes next looks beautiful.

 

Wiki for the Antiquarian Bookman at:

https://en.wikipedia.org/wiki/AB_Bookman's_Weekly


Posted On: 2017-02-03 00:54
User Name: TwelfthStreetBo

Susan, your article was a delight, with so many delicious details, a veritable feast of bookseller lore. It touched me for you speak of issues past and present affecting me, an old school, old timer of 31 years. My wishes for you are to be well, continue to thrive, and continue to write more bookseller tales. Thank you.
Lillian Cole
Twelfth Street Booksellers


Rare Book Monthly

  • <b>Swann Auction Galleries Dec 6:</b> Maria Louise Kirk, 4 pen, ink, watercolor & gouache illustrations for <i>Alice’s Adventures in Wonderland,</i> 1904. $5,000 to $7,500.
    <b>Swann Auction Galleries Dec 6:</b> H.A. Rey, <i>“Do You Want To Get Across?”</i> colored pencil, charcoal & watercolor, 1939. $10,000 to $15,000
    <b>Swann Auction Galleries Dec 6:</b> Norman Rockwell, <i>The Pharmacist,</i> study for cover of <i>The Saturday Evening Post,</i> 1939. $70,000 to $100,000.
    <b>Swann Auction Galleries Dec 6:</b> Sir William Russell Flint, illustration for Homer’s <i>Odyssey,</i> gouache & watercolor, 1914. $10,000 to $15,000.
    <b>Swann Auction Galleries Dec 6:</b> Ludwig Bemelmans, <i>“And everyone was in his bed,"</i> gouache, watercolor & ink on board, 1961. $30,000 to $40,000.
    <b>Swann Auction Galleries Dec 6:</b> Charles M. Shulz, <i>Woodstock is Searching for His Identity,</i> original pen & ink 4-panel <i>Peanuts</i> comic strip, 1972. $7,000 to $10,000.
    <b>Swann Auction Galleries Dec 6:</b> Eric Carle, <i>The Very Hungry Caterpillar,</i> painted collage, 1990. $8,000 to $12,000.
    <b>Swann Auction Galleries Dec 6:</b> Jerry Pinkney, <i>The Lion & The Mouse,</i> watercolor & graphite, illustration for <i>School Library Journal,</i> 2009. $7,000 to $10,000.
    <b>Swann Auction Galleries Dec 6:</b> Maurice Sendak, watercolor & graphite illustration for <i>Little Bear's New Friend,</i> 2001. $30,000 to $40,000.
    <b>Swann Auction Galleries Dec 6:</b> Peter Arno, <i>Circus Tricks,</i> ink, wash & watercolor, cover illustration for <i>The New Yorker,</i> 1964. $4,000 to $6,000.
    <b>Swann Auction Galleries Dec 6:</b> Garry Trudeau, Doonesbury: <i>“Is Rufus Ready for his Lesson?”,</i> watercolor, pen & ink, circa 1970s. $6,000 to $9,000.
  • <b>Chiswick Auctions: Rare Books and Works on Paper, including Judaica. November 28, 2018</b>
    <b>Chiswick Auctions, Nov 28:</b> Huttich (Johann) & Grynaeus (Simon). <i>Novus orbis regionum ac insularum veteribus …</i> FIRST EDITION, large woodcut folding map, text illustrations, folio, 1532. £8,000 to 12,000
    <b>Chiswick Auctions, Nov 28:</b> Warhol (Andy) and Frankfurt (Suzie). <i>Wild Raspberries,</i> ONE OF FEWER THAN 100 COPIES, PRESENTATION COPY, inscribed by Warhol in pencil, 1959. £10,000 to 12,000
    <b>Chiswick Auctions, Nov 28:</b> Meulen (Adam Frans, van der). Collection of Hunting, Genre and Battle Scenes, 27 copper-engraved views, folio, Paris [c. 1685]. £8,000 to 12,000
    <b>Chiswick Auctions: Rare Books and Works on Paper, including Judaica. November 28, 2018</b>
    <b>Chiswick Auctions, Nov 28:</b> Tyndale's Bible.- Bible, English. <i> [The Newe Testament yet once agayne Corrected by Willyam Tindale],</i> many woodcut text illustrations and initials, 1536. £8,000 to 10,000
    <b>Chiswick Auctions, Nov 28:</b> Jacobson (Ruth Taylor, artist). <i>Messiah's Feast,</i> original stained glass panel, image approx. 1020 x 615 mm., [c.1990]. £8,000 to 10,000
    <b>Chiswick Auctions, Nov 28:</b> Wallerstein-Braun (Gitl, sculptor-photographer). 'Jeremiah', original bronze of the Jewish prophet, approx. 210 x 470 (at base) mm., [c. 2010]. £6,000 to 8,000
    <b>Chiswick Auctions: Rare Books and Works on Paper, including Judaica. November 28, 2018</b>
    <b>Chiswick Auctions, Nov 28:</b> Kadishman (Menashe, artist). <i>Goats Head,</i> original acrylic on canvas painting, [Israel], 2002. £2,000 to 3,000
    <b>Chiswick Auctions, Nov 28:</b> Wyllie (W. L.) & Brewer (H. W.). <i>Bird's Eye View of London as seen from a balloon,</i> hand-coloured wood engraving, image 870 x 1100 mm., 1884. £1,800 to 2,200
    <b>Chiswick Auctions, Nov 28:</b> Stained glass window of Jewish interest.- Pilkington glass stained glass window from a demolished synagogue, approx. 580 x 1430 mm. [c.1950]. £1,500 to 2,000
    <b>Chiswick Auctions: Rare Books and Works on Paper, including Judaica. November 28, 2018</b>
    <b>Chiswick Auctions, Nov 28:</b> Auerbach (Tauba, artist). <i>[2,3],</i> #129 of 1000 copies, with card numbered and signed by the artist/author, 6 vol., one cut-out pop-up figure in each volume, different coloured boards. £1,500 to 2,000
    <b>Chiswick Auctions, Nov 28:</b> Costumes. <i>Costumi di Roma e dei Contorni,</i> engraved vignette title and 30 plates, Santarello, Rome, 1846; and 3 others (4). £1,000 to 1,500
    <b>Chiswick Auctions, Nov 28:</b> Morris (William). <i>The Well at the World’s End,</i> one of 350 copies, The Kelmscott Press, 1896. £800 to 1,200
  • <b>Sotheby’s New York: History of Science & Technology, Including the Nobel Prize and Papers of Richard P. Feynman. November 30, 2018</b>
    <b>Sotheby’s NY, Nov 30:</b> FEYNMAN, RICHARD P. "WORK OUT TR E-?A*I ...", CA 1959. Feynman’s operator calculus on a place mat from one of his favorite hangouts. $10,000 to $15,000
    <b>Sotheby’s NY, Nov 30:</b> FEYNMAN, RICHARD P. "[I] WOULD LIKE TO TALK ABOUT WHAT NEW Q.[UANTUM] ELECTR.[RODYNAMICS] PREDICTS....", 1948. Draft for an early, experimentally-motivated conference talk on QED. $15,000 to $20,000
    <b>Sotheby’s NY, Nov 30:</b> Hevelius, Johannis. <i>PRODROMUS ASTRONOMIÆ, EXHIBENS... NOVAS & CORRECTIORES TABULAS SOLARES....</i> GEDANI [DANZIG]: JOHANNIS-ZACHARIÆ STOLLII, 1690. $40,000 to $60,000
    <b>Sotheby’s NY, Nov 30:</b> Gallucci, Giovanni Paolo. <i>SPECULUM URANICUM IN QUO VERA LOCA OCTAVAE SPHAERAE</i>... VENICE: DAMIANUS ZENARUS, 1593. $10,000 to $15,000
    <b>Sotheby’s NY, Nov 30:</b> [Albert Einstein]. THE HOLY BIBLE. NEW YORK, [CIRCA 1930]. The only Bible signed and inscribed by Einstein to be offered at auction. $200,000 to $300,000
  • <b>Ketterer Kunst Hamburg, Rare Books Auction on November 26th</b>
    <b>Ketterer Rare Books, November 26:</b><br>H. Schedel, <i>Buch der Chroniken,</i> 1493. Est: € 120,000
    <b>Ketterer Rare Books, November 26:</b> Latin and Book of Hours, around 1500. Est: € 50,000
    <b>Ketterer Rare Books, November 26:</b> Biblia latina, Koberger printing 1493. Est: € 4,000
    <b>Ketterer Kunst Hamburg, Rare Books Auction on November 26th</b>
    <b>Ketterer Rare Books, November 26:</b><br>P. de Medina, <i>Libro de grandezas,</i> 1549. Est: € 6,000
    <b>Ketterer Rare Books, November 26:</b><br>C. J. Trew, <i>Plantae selectae,</i> 1750-73. Est: € 28,000
    <b>Ketterer Rare Books, November 26:</b><br>A. de Laborde, <i>Voyage pittoresque,</i> 1806-20. Est: € 8,000
    <b>Ketterer Kunst Hamburg, Rare Books Auction on November 26th</b>
    <b>Ketterer Rare Books, November 26:</b><br>G. Klimt, <i>Eine Nachlese,</i> 1931.<br>Est: € 10,000
    <b>Ketterer Rare Books, November 26:</b><br>W. Kandinsky, <i>Klänge,</i> 1913.<br>Est: € 20,000
    <b>Ketterer Rare Books, November 26:</b><br>F. Léger, <i>Les illuminations,</i> 1949.<br>Est: € 2,000
    <b>Ketterer Kunst Hamburg, Rare Books Auction on November 26th</b>
    <b>Ketterer Rare Books, November 26:</b> Master binding by E. Maylander, 1945. Est: € 1,000
    <b>Ketterer Rare Books, November 26:</b> Master binding by G. Cretté, 1934. Est: € 6,000
    <b>Ketterer Rare Books, November 26:</b><br>S. Dalí, <i>Après 50 ans des surréalisme,</i> 1974. Est: € 8,000
  • <b>Sotheby’s New York: Space Exploration. November 29, 2018</b>
    <b>Sotheby’s NY, Nov 29:</b> Apollo 9 — Flown Launch Abort Checklist. STORED IN LMP RUSTY SCHWEICKART'S SPACESUIT PRESSURE GARMENT ASSEMBLY POCKET THROUGHOUT THE ENTIRE MISSION. $12,000 to $18,000
    <b>Sotheby’s NY, Nov 29:</b> Apollo 11 Check List Sheet Used on the Lunar Surface. THE FINAL STEPS TO ENABLE MEN TO WALK ON THE MOON. $50,000 to $80,000
    <b>Sotheby’s NY, Nov 29:</b> Kennedy, John F.. TYPED MEMORANDUM SIGNED ("JOHN KENNEDY") AS THIRTY-FIFTH PRESIDENT, DISCUSSING THE SPACE RACE WITH NASA ADMINISTRATOR JAMES E. WEBB. $10,000 to $15,000
    <b>Sotheby’s NY, Nov 29:</b> VON BRAUN, WERNHER. "WHAT IS AN OPTIMUM PROGRAM?", 1960. HEAVILY ANNOTATED AUTOGRAPH MANUSCRIPT BY WERNHER VON BRAUN, THE ARCHITECT OF THE AMERICAN SPACE PROGRAM. $20,000 to $30,000
    <b>Sotheby’s NY, Nov 29:</b> Very Large Earth Side Lunar Chart, Signed by 20th Century Surface Explorers. LANDING SITE NAME AND TOUCHDOWN DATE INSCRIPTIONS BY A MEMBER OF EVERY APOLLO LUNAR LANDING CREW. $25,000 to $35,000
  • <b>Sotheby’s Paris: Livres et Manuscrits. November 21, 2018</b>
    <b>Sotheby’s Paris, Nov, 21:</b> ANDRÉ BRETON, <i>La Lampe dans l’horloge.</i> Paris, Robert Marin, 1948. Binding by Rose Adler, dated 1959. €15,000 to €20,000
    <b>Sotheby’s Paris, Nov, 21:</b> ARTHUR RIMBAUD, <i>Une Saison en enfer.</i> Bruxelles, Alliance typographique, 1873. Binding by Rose Adler. €25,000 to €35,000
    <b>Sotheby’s Paris, Nov, 21:</b> TRISTAN TZARA, <i>La Bonne heure.</i> Paris, Raymond Jacquet 1955. Binding by Rose Adler, dated 1958. €8,000 to €12,000
    <b>Sotheby’s Paris: Livres et Manuscrits. November 21, 2018</b>
    <b>Sotheby’s Paris, Nov, 21:</b> PIERRE REVERDY, <i>La Lucarne ovale.</i> Paris, 1916. Binding by Rose Adler, dated 1949. €20,000 to €30,000
    <b>Sotheby’s Paris, Nov, 21:</b> RENÉ CHAR, PABLO PICASSO, <i>Le Marteau sans maître and Moulin Premier.</i> 1927-1935. Paris, José Corti, 1945. Binding by Rose Adler, dated 1947. €20,000 to €30,000
    <b>Sotheby’s Paris, Nov, 21:</b> MARCEL PROUST, Friendly correspondence to the count Louis Gautier-Vignal. 1914-1921. €20,000 to €30,000
    <b>Sotheby’s Paris: Livres et Manuscrits. November 21, 2018</b>
    <b>Sotheby’s Paris, Nov, 21:</b> JEAN COCTEAU, Portrait of the Baron de Charlus, circa 1921-1923. Original drawing signed. €7,000 to €10,000
    <b>Sotheby’s Paris, Nov, 21:</b> PAUL ÉLUARD, JOAN MIRÓ, <i>À toute épreuve.</i> Genève, Gérald Cramer, 1958. First illustrated edition. €15,000 to €25,000
    <b>Sotheby’s Paris, Nov, 21:</b> PAUL VERLAINE, PIERRE BONNARD, <i>Parallèlement.</i> Paris, Imprimerie nationale, Ambroise Vollard, 1900. €15,000 to €25,000
    <b>Sotheby’s Paris, Nov, 21:</b> GUILLAUME APOLLINAIRE, ANDRÉ DERAIN, <i>L’Enchanteur pourrissant.</i> Paris, Henry Kahnweiler, 1909. €30,000 to €50,000

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