• <b>Sotheby’s New York: The Magnificent Botanical Library of D. F. Allen. October 26, 2017</b>
    <b>Sotheby’s NY, Oct. 26:</b> Redouté, Pierre Joseph, and Claude Antoine Thory. <i>Les Roses</I>. Paris: Firmin Didot, 1817–1824. Est. $225,000 to $325,000
    <b>Sotheby’s NY, Oct. 26:</b> Trew, Jakob Christoph. <i>Hortus Nitidissimis Omnen Per Annum Superbiens Floribus</i>… Nuremberg: Johann Joseph Fleischmann, 1750 [–1786]. Est. $200,000 to $300,000
    <b>Sotheby’s NY, Oct. 26:</b> Trew, Christoph Jakob, and Benedict Christian Vogel. <i>Plantæ Selectæ</i>…[Nuremberg:] 1750–1773; Supplement, [Augsburg:] 1790 [–1792]. Est. $200,000 to $300,000
    <b>Sotheby’s New York: The Magnificent Botanical Library of D. F. Allen. October 26, 2017</b>
    <b>Sotheby’s NY, Oct. 26:</b> Jacquin, Nikolaus Joseph von. <i>Plantarum Rariorum Horti Caesarei Schönbrunnensis Descriptiones Et Icones.</i>Vienna; London; Leiden, 1797–1804. Est. $180,000 to $250,000
    <b>Sotheby’s NY, Oct. 26:</b> Weinmann, Johann Wilhelm. <i>Phytanthoza Iconographia; Sive Conspectus Aliquot Millium, Tam Indigenarum Quam Exoticarum</i>… Regensburg, 1735–1737–1745. Est. $120,000 to $180,000
  • <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b><br><i>The Centenary Edition of the Works of Ian Fleming</i>, one of 26 lettered sets, 18 volumes, London, 2008. $25,000 to $30,000.
    <b>Swann Auction Galleries Nov 14:</b> William Faulkner, <i>The Marble Faun</i>, first edition, signed & inscribed to Dorothy Wilcox by Faulkner & Phil Stone, Boston, 1924. $18,000 to $25,000.
    <b>Swann Auction Galleries Nov 14:</b> Maurice Sendak, <i>Where the Wild Things Are</i>, first edition, signed & inscribed to William Archibald, New York, 1963. $10,000 to $15,000.
    <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b> Anne Frank, <i>Het Achterhuis</i>, first edition, in first state jacket, Amsterdam, 1947. $12,000 to $18,000.
    <b>Swann Auction Galleries Nov 14:</b> Roald Dahl, <i>Charlie and the Chocolate Factory</i>, first edition, signed, New York, 1964. $6,000 to $9,000.
    <b>Swann Auction Galleries Nov 14:</b><br>Ray Bradbury, <i>Fahrenheit 451</i>, first limited edition bound in Johns-Manville Quinterra, New York, 1953. $7,000 to $10,000.
    <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b> Benjamin Graham, <i>The Intelligent Investor</i>, first edition, in original dust jacket, New York, 1949. $4,500 to $6,000.
    <b>Swann Auction Galleries Nov 14:</b> Anna Sewell, <i>Black Beauty</i>, first edition, inscribed, London, 1877. $7,000 to $10,000.
    <b>Swann Auction Galleries Nov 14:</b> Arthur Conan Doyle, <i>A Study in Scarlet</i>, first American edition, Philadelphia, 1890. $6,000 to $9,000.
    <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b> James Fenimore Cooper, <i>The Last of the Mohicans</i>, first edition, two volumes, Philadelphia, 1826. $5,000 to $7,500.
    <b>Swann Auction Galleries Nov 14:</b> Amelia Earhart, <i>20 hrs. 40 mins. Our Flight in Friendship</i>, limited first edition, signed, New York, 1928. $4,000 to $6,000.
    <b>Swann Auction Galleries Nov 14:</b> Philip K. Dick, <i>World of Chance</i>, first edition, signed, London, 1956. $3,000 to $4,000.
  • <b>Announcing a new Books for Sale platform hosted by Biblio!</b>
    <b>List your books simultaneously on Rare Book Hub and Biblio!</b>
  • <b>Results from Bonhams’ sale of <i>Fine Books & Manuscripts Featuring Exploration and Travel</i></b>
    <b>Bonhams, Sep. 26:</b> Columbus. De Insulis nuper in mari Indico repertis. Basel, 1494. SOLD for $751,500
    <b>Bonhams, Sep. 26:</b> Cook in Tahiti. [Playbill]. [Germany, c.1840.] SOLD for $6,250
    <b>Bonhams, Sep. 26:</b> Aa, Pieter van der. Naaukeurige versameling der gedenk-waardigste zee en land-reysen. Leyden, 1706-8. SOLD for $35,000
    <b>Bonhams, Sep. 26:</b> Dürer. Underweysung der messung [and two more]. Nuremberg, 1525-8. SOLD for $175,000
    <b>Bonhams, Sep. 26:</b> Cortes, Hernan. A Pleito signed by Antonio de Mendoza in the case of Hernan Cortes. 1542. SOLD for $8750
    <b>Results from Bonhams’ <i>The Air and Space Sale</i></b>
    <b>Bonhams, Sep. 27:</b> Russian Kholod 5D67 HFL Rocket Engine. SOLD for $25,000
    <b>Bonhams, Sep. 27:</b> Neil Armstrong Apollo Era Training Glove. SOLD for $50,000
    <b>Bonhams, Sep. 27:</b> Full Scale Sputnik-1 EMC/EMI Lab Model. SOLD for $847,500
    <b>Bonhams, Sep. 27:</b> SOLRAD GREB Spy Satellite Engineering Dummy. SOLD for $10,000
    <b>Bonhams, Sep. 27:</b> Soviet LK-3 Lunar Lander Model. SOLD for $25,000
  • <b>Sotheby’s London: Fine Autograph Letters and Manuscripts from a Distinguished Private Collection. Part I: Music. 26 October 2017</b>
    <b>Sotheby’s London Oct 26:</b> Beethoven, Ludwig van. Autograph Manuscript of the Canon "Ewig Dein" Woo 161, signed at the end ("...[Ewig] Dein...Freund Ludwig Van Beethowen"). Est. £120,000 to £150,000
    <b>Sotheby’s London Oct 26:</b> Brahms, Johannes. Autograph Manuscript of the "Geistliches Wiegenlied", Op.91 No.2, for Contralto, Viola And Piano, the original version of 1864, signed and inscribed at the end by the composer. Est. £200,000 to £250,000
    <b>Sotheby’s London Oct 26:</b> Chopin, Frédéric. Autograph Manuscript of the Opening of the Étude Op.25 No.2, in A-Flat Major, signed and dated ("Paris Ce 28 Avril F. Chopin"). Est. £100,000 to £150,000
    <b>Sotheby’s London: Fine Autograph Letters and Manuscripts from a Distinguished Private Collection. Part I: Music. 26 October 2017</b>
    <b>Sotheby’s London Oct 26:</b> Haydn, Joseph. Autograph Letter Signed ("Jos Haydn[Paraph]"), to the Baden Choirmaster Anton Stoll, 30 July 1802. Est. £20,000 to £30,000
    <b>Sotheby’s London Oct 26:</b> Verdi, Giuseppe. Autograph Working Manuscript of a scene from Ernani. Est. £100,000 to £150,000
    <b>Sotheby’s London Oct 26:</b> Verdi, Giuseppe. Highly Important Series of Thirty-Six Autograph Letters Signed to The Librettist Salvadore Cammarano, written between 1844 And 1851, the greater part unpublished and unrecorded. Est. £250,000 to £300,000
  • <b>19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop:</b> Exodus 10:10 to 16:15. Complete Biblical scroll sheet in Hebrew, a Torah scroll panel. Middle East, ca. 10th or 11th century.
    <b>19th Century Shop:</b> Copernicus Refuted. (Astronomy.). Scientific manuscript of a course of studies at Collège de la Trinité, Lyon. 1660s.
    <b>19th Century Shop:</b> Israel’s War of Independence and the Early Days of the IDF. 58 photographs presented to Israel Ber, IDF officer and later convicted spy.
    <b>19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop:</b> Early Unpublished Darwin letter on the races of man. Autograph Letter Signed [to Henry Denny]. Down, Kent, June 1, [1844].
    <b>19th Century Shop:</b> Classic Image of American Slavery. Kimball, M. H. <i>Emancipated Slaves</i>. New York: George Hanks, 1863.
    <b>19th Century Shop:</b> (Underground Railroad.) Scaggs, Isaac. Important Runaway Slave Poster: $500 Reward Ran away, or decoyed from the subscriber…

Rare Book Monthly

Articles - January - 2017 Issue

Voyage de Paris à Saint Cloud, The Perilous and Bold Adventures of a Badaud

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Map of the voyage to St. Cloud.

According to the authoritative Larousse dictionary, the French word “badaud” refers to someone who “wanders around town, being curious of the various spectacles of life, and stopping to contemplate them.” But in the 18th century, a “badaud” was a simpleton, a typical Parisian character depicted in a funny booklet entitled Le Voyage de Saint-Cloud par Mer & par Terre (La Haye—in fact, Paris—, 1748). We could hardly give a better description of the ridiculous amazement of a young man without experience, who leaves the maternal house for the first time,” states the preface of the recent Douin Editions’ reprint. The “bel-esprit” was, according to the Parisians, endemic to the capital and Versailles—of course—, and couldn’t reach beyond what they called the barriers of Paris—where taxes were collected from entering goods.

 

 

Travel books, loaded with extraordinary tales of unknown and remote regions, have always commanded the unconditional respect of the public; but they have also generated an apocryphal literature made of utopic fables, fake tales of made-up travels, as well as satirical works. As a matter of fact, Louis Balthazar Néel (1695-1754) enjoyed considerable success with his 66-page long satirical work: Voyage de Paris à Saint-Cloud par Mer & par Terre / Voyage From Paris to Saint-Cloud by Sea and Land.Néel apparently had two ideas when writing it,” comments the preface of the Douin’s edition. “First, he meant to mock the obvious pedantry of these travel books, in which the reader is spared no detail, except the useful and agreeable ones. Second, to laugh at the ignorance of the “bourgeois” of Paris, who stupidly wondered at any casual thing as soon as they stepped out of their houses.

 

The narrator of this voyage is invited to visit his fiancée’s family in the nearby town of Saint Cloud—it touches Paris—, and has no choice but to face the raging elements. He sees the Seine River as a pitiless ocean, and Saint Cloud seems to stand at the ends of the world. No wonder the world is so unintelligible to him, he was born a Parisian—hence his condition of true “badaud”. “Before my travel,” he admits, “I thought that everything grew on trees (...), from the wheat to the grapes to the vegetables of all sorts. (...) The roasters, I thought, built their own poultry, just like the soft drinks manufacturers make their chocolate.”

 

En route to Saint Cloud, our narrator has a very loose idea of where he really is—the author added a map to the fifth edition of his book, thus reinforcing its satirical dimension; indeed, travel books have always been valued for their maps. “I asked whether the Company of the Indies was sailing the very same river while going to Japan, where it buys those beautiful clothes that are sold in Paris? Were we still far from Cap Breton1? Was there not a risk to come across some Russian sailors on their way to the Netherlands?(...) I noticed that everyone was laughing at me when I asked questions. But it didn’t matter to me, as long as I was taught new things.”

 

Reaching the city of Chaillot, “I pointed to an abbot beside me that, at the time of the Crusades, this town had probably been almost taken by the Turks, since their ladders were still laying against the walls; or was it what our most eminent voyagers call the “ladders of the Levant” 2? But he answered that (...) these ladders belonged to the laundresses, who used them to wash their clothes.” The said laundresses soon disabuse our voyager by cursing him like savages from the riverbank, and even showing what might be described as the “bottom of the Levant”! Afterwards, upon reaching the neighbouring city of Passy, the narrator starts to panic: “I jumped on the upper deck to search for Paris with my telescope. I found her, but couldn’t recognize her. She was but loads of stones and chimneys. Where had my Paris gone? I could make out no street, not even Geoffroi l’Asnier Street, where I resided. I was surrounded by nothing but a threatening sea ready to swallow me up; and in the remote, some unknown southern lands, and pure fields! I turned towards Paris and said: Ô you, who has bred me, sublime Paris! Why are you drifting away from me? (...) I’ll be back soon—so help me God! —, and I shall spend the rest of my life in your bosom.” Poor little “badaud”...

 

The little author of a little book

 

Néel defines himself, in the preface of the 5th edition of his book (Paris, 1783), as “the little author of a little book.” He points out that, upon writing it, he had no other ambition but to entertain others while entertaining himself. A true satirist, he then adds: “And I’d rather have my book sold in the blue collection (the very popular peddling books—writer’s note) than confidentially read in a full morocco binding.”

 

His voyage was very well received. The Observateur Littéraire reads: “This is quite an entertaining booklet, and I advise you to add it to your collection among your best books. There’s more spirit in these 66 pages than in the chaos of most of the in-folio books you’ve read.” Néel underlines in the aforementioned preface: “Several of my friends complain that my book seems to ridicule the people of Paris. Truly, the portrait I’ve drawn of the “badauds” is so striking that it is like, so to speak, catching life red-handed!” Furthermore, he adds that the first edition had already become quite rare in 1748: “If a handful of copies are still around, they are but very few.” The book was printed five times between 1748 and 1783. The 5th edition even features a lovely map—see illustration—, an unnecessary second part written by Lottin L’Aîné (it was published as soon as 1750), as well as a serious—and thus totally off-topic—chronology of the history of the city of Saint Cloud.

 

The 1844 edition (Lahure, Paris) is also valued today, thanks to Jeanniot’s illustrations; and as previously mentioned, it was recently reprinted. This satirical portrait of the Parisians is what makes it so attractive, as underlined by Mercier in 1783, in his Tableau de Paris (Amsterdam): “It mocks both the ignorance and indolence of some Parisians, who have never left their homes but to go to their nurses’ and back, who dare not venture beyond the Pont Neuf3, and who confuse the most remote places on Earth with some neighbouring cities.” This gives you a true definition of what was then a “badaud”. “He thinks,” resumes Mercier, “that the Bois de Boulogne4 is the ancient forest where the Druids used to live; he mistakes the Mount Valérien5with the Calvary upon which Jesus Christ spilled His precious blood (...). Back to Paris, he is warmly welcomed by his relatives, and his aunts, who haven’t ever been further than the Tuileries6, consider him as the boldest traveller ever.” The idiocy of the Parisians was apparently proverbial. “Some bourgeois,” reads H. Audifre’s Dictionnaire de la conversation... (Paris, 1833), “because of the paintings, the statues and the engravings they see daily in Paris, believe that the Sphinx, the mermaids, the unicorns and the Phoenix do exist. Their credulity is exploited, not only by the crooks and the acrobats on public places, where the herds of “badauds” gather, but also in society.” Could the “badaud” be that stupid?

 

Bushmen strike back

 

This voyage is also a victory in the war raging between the Parisians and the rest of the French people—the Provinciaux. In 1699, the “bel-esprit” Jean-Jacques Brillon explains in Le Theopraste Moderne (Paris): “We Parisians call a “provincial” any one who was born two leagues away from Paris.” And he saw those people as, well—savages. “A leopard never changes its spots,” adds Brillon, “mostly if it was born in the middle of a field, or in a city surrounded by woods: such men are savages, a little bit less fierce than the real ones. (...). But let’s cut it short, and let’s not disrespect the inhabitants of the Province—I almost wrote the inhabitants of the bush.” There is something raw about the Provinciaux that irritates people of “good taste”. “For want of politeness, the Provincial makes you uneasy with his civilities; for want of “esprit”, he exhausts you with his compliments,” deplores Brillon. Yet, he confesses: “They don’t have enough consideration for us; probably because we don’t say many nice things about them.” Indeed, if the “badaud” mistakes Chaillot for Jerusalem, the Provincial, for his part, “thinks the King is 30 inches taller than them; and the courtesans look like half-gods to him,” sniggers Brillon. So, who’s an idiot now, uh? This little war is still going on today. Everywhere the Parisian kids go, they are greeted with the traditional song: “Parigots, têtes de veaux!—something like, caring for the rhyme: Parisians, ruffians!; literally, “calves’ heads”. They usually answer by calling their new friends: “pécores!”—the French word for “rednecks”. Charming little bovines’ heads...

 

Travel books have various forms, and utopias or satirical relations are not only entertaining, they also give us valuable information about the way our ancestors lived among themselves. And it is sort of reassuring—or not—to see that, notwithstanding a few details, be it in the southern lands or in the nearby Chaillot, they used to live—well, just like we do.

 

 

(c) Thibault Ehrengardt

 

 

1: Cap Breton. This city is 750 kilometres away from Paris.

2: The ladders of the Levant, or Les échelles du Levant, were some ports and cities of the Ottoman empire, located in the Middle-East and on the North coast of Africa, where the French had the right to trade during the 16th century—the term “ladder” apparently comes from the Latin word scala, and describes the ladders used to unload the ships.

3: Pont Neuf. The oldest bridge in Paris.

4: Bois de Boulogne. A wood in the western outskirts of Paris.

5: Mont Valérien. A hill in the western outskirts of Paris.

6: Les Tuileries. A royal palace located in the heart of Paris.


Posted On: 2017-01-08 19:54
User Name: edgewear

The Oldest Bridge--The Newest Tourist: Over 50 years ago, I was a young American visiting Paris for the first time with my Dutch husband who had business there for the day. He gave me some francs at breakfast in a café about a block from the small hotel which I later discovered was out the alley of a tiny, dark street directly across from Pont Neuf. Alas, I'd had a glass of wine after a very small meal and was fairly tipsy and tired from little sleep and had forgotten how far we'd walked to get there. Later, he took a photo of me hanging over the Pont looking like the world traveler I was not, and I still have it. I spent the day discovering my Parisian street, learned about ten very important words (and several silly ones), bought a bottle of wine, some cheese, a book in English at a store on the same street, and had my hair put up in a coiffure suitable to the city. Several natives actually spoke a few words to me in English as I struggled to use my new French words, and in the spirit of the game, taught me several more, and a joke or two. I thought, "What's this about the French looking down on American tourists?" I also had a frightening time finding Pont Neuf and our tiny hotel back in the dark alley where it was hidden. When my husband came back from his meeting, he discovered me lounging in my slip with my chic hairdo which I later found contained at least 20 hairpins, reading my book, and having cheese and wine. Bonjour ma cheri, I grinned--how was YOUR day? He was entranced. This is basically all I still know about Paris, and I still don't remember the name of the street where I was. But I do remember never to assume a country or its people are snobbish or difficult from what I read in, yes, books..... Pat Baumgartner, la badaud


Rare Book Monthly

  • <b>Sotheby’s Paris: Books & Manuscripts. 30 October 2017</b>
    <b>Sotheby’s Paris, Oct. 30:</b> MARCEL PROUST. Du côté de chez Swann. Grasset, 1913. First edition. One of 5 copies on Japan paper, inscribed by the author to Louis Brun. Est. €400,000 - 600,000
    <b>Sotheby’s Paris, Oct. 30:</b> Saint-Exupéry. <i>25 Autograph Illustrated Letters to his Friend Charles Sallès</i>. Est. €30,000-50,000
    <b>Sotheby’s Paris, Oct. 30:</b> French Revolution, 1793. Déclaration des droits de l’Homme. 2,55 x 1,30m. A monumental wallpaper poster of the 1793 version, with hand-colored highlights. Unique copy. Est. €100,000 - 150,000
    <b>Sotheby’s Paris, Oct. 30:</b> GIAMBATTISTA PIRANESI. <i>Vedute di Roma</i>, 1748-1775. 107 etchings. An exceptional copy, printed and bound before 1780. Est. €50,000 - 80,000
    <b>Sotheby’s Paris, Oct. 30:</b> Picasso, Pablo -- Fernando de Rojas. LA CÉLESTINE. [PARIS, EDITIONS DE L'ATELIER CROMMELYNCK, 1971.] One of the 30 copies hors commerce (n° X). 66 original etchings by Picasso. Signed. Est. €30,000 - €35,000

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