• <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. November 29, 2018</b>
    <b>Forum Auctions, Nov. 29:</b> Buffon (G.L.M.L., Comte de). <i>Histoire Naturelle des Oiseaux,</i> 10 vol., large paper copy, 973 hand-coloured engraved plates drawn and engraved by Franz Nicolaus Martinet, Paris, 1770-86. £70,000 to 90,000
    <b>Forum Auctions, Nov. 29:</b> Bible (English). The Holy Bible, first edition of the King James Bible, the Great 'He' Bible, [Robert Barker], 1611. £30,000 to 40,000
    <b>Forum Auctions, Nov. 29:</b> Marlborough (John Churchill, 1st Duke of).- [Parker (Robert, army officer)] <i>[Memoirs of the remarkable military transactions from the year 1688 to 1718],</i> ?autograph manuscript, 300pp., [c. 1718]. £20,000 to 30,000
    <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. November 29, 2018</b>
    <b>Forum Auctions, Nov. 29:</b> France.- Paris.- Turgot (Michel Etienne). <i>Plan de Paris,</i> engraved maps, contemporary red morocco, gilt, Paris, 1739. £10,000 to 15,000
    <b>Forum Auctions, Nov. 29:</b> Mongolia.- Pallas (Peter Simon). <i>Sammlungen Historischer Nachrichten uber die Mongolischen Volkerschaften,</i> first edition, complete with 31 plates, St. Petersburg, 1776-1801. £10,000 to 15,000
    <b>Forum Auctions, Nov. 29:</b> Brant (Sebastian). <i>Stultifera Navis... The Ship of Fooles, wherein is shewed the folly of all States...,</i> large woodcut title and numerous woodcuts in the text, [London], [John Cawood], 1570. £8,000 to 12,000
    <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. November 29, 2018</b>
    <b>Forum Auctions, Nov. 29:</b> Aldus.- Boccaccio (Giovanni). <i>Il Decamerone,</i> Venice, House of Aldus & Andrea Torresani, 1522. £8,000 to 12,000
    <b>Forum Auctions, Nov. 29:</b> Wallace (Alfred Russel). 77pp. of Autograph letters (and 1 postcard) to various people, 1894-1904, on various palaeontological, geological and natural history matters. £8,000 to 12,000
    <b>Forum Auctions, Nov. 29:</b> DNA.- Watson (James D.) and Francis Crick, <i>Molecular Structure of Nucleic Acids: A Structure for Deoxyribose Nucleic Acid,</i> 1953 [and others]. £5,000 to 7,000
    <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. November 29, 2018</b>
    <b>Forum Auctions, Nov. 29:</b> Optics.- Molyneux (William). <i>Dioptrica nova. A Treatise of Dioptricks, in Two Parts,</i> first edition, for Benj. Tooke, 1692. £5,000 to 7,000
    <b>Forum Auctions, Nov. 29:</b> Economics.- Mississippi & South Sea Bubbles.- <i>Het Groote Tafereel der Dwaasheid,</i> 74 engraved plates and 3 maps, Amsterdam, 1720. £4,000 to 6,000
    <b>Forum Auctions, Nov. 29:</b> Asia.- Clouet (Jean Baptiste Louis). <i>Carte D'Asie Divisée en ses Principaux Etats,</i> engraved map with hand-colouring, on wooden rollers, 1782. £3,000 to 5,000
  • <b>Bonhams New York: Fine Books and Manuscripts Including the World of Hilary Knight. December 5, 2018</b>
    <b>Bonhams, Dec 5:</b> KNIGHT, HILARY. The Original Portrait of Eloise that Hung at the Plaza Hotel. $100,000 to 150,000
    <b>Bonhams, Dec 5:</b> WARHOL, ANDY. "Iced Lemon Delight," an Original Watercolor Presented to Hilary Knight's cat, Phoebe $8,000 to 12,000
    <b>Bonhams, Dec 5:</b> SENDAK, MAURICE. <i>Where the Wild Things Are.</i> PRESENTATION COPY, INSCRIBED with drawing to Hilary Knight in the month following publication. $10,000 to 15,000
    <b>Bonhams New York: Fine Books and Manuscripts Including the World of Hilary Knight. December 5, 2018</b>
    <b>Bonhams, Dec 5:</b> NOLAND, KENNETH. Original circle painting, untitled, acrylic and ink on cloth, for cover of monograph $8,000 to 12,000
    <b>Bonhams, Dec 5:</b> TOULOUSE-LAUTREC. <i>Histoires Naturelles,</i> 1899. With 22 original lithographs. $10,000 to 15,000
    <b>Bonhams, Dec 5:</b> SHAKESPEARE, WILLIAM. <i>A Collection of Poems,</i> [1711]. The first authoritative and complete collected Sonnets.$15,000 to 20,000
    <b>Bonhams New York: Fine Books and Manuscripts Including the World of Hilary Knight. December 5, 2018</b>
    <b>Bonhams, Dec 5:</b> LONDON, JACK. <i>The Call of the Wild.</i> 1903. First edition, first state jacket. $2,000 to 3,000
    <b>Bonhams, Dec 5:</b> FROST, ROBERT. Autograph Manuscript of "Build Soil," 12 pp, 1932-1936. $15,000 to 20,000
    <b>Bonhams, Dec 5:</b> GOULD, GLENN. Glenn Gould's extensively annotated copy of Bach's Goldberg Variations $100,000 to 150,000
    <b>Bonhams New York: Fine Books and Manuscripts Including the World of Hilary Knight. December 5, 2018</b>
    <b>Bonhams, Dec 5:</b> PLATH, SYLVIA. EARLY Autograph Letter Signed, about her beginnings as a writer, Northampton, MA, 1951. $7,000 to 10,000
    <b>Bonhams, Dec 5:</b> HOUDINI, HARRY. A collection of 11 cast iron shackle and lock items from Houdini's personal collection. $20,000 to 30,000
    <b>Bonhams, Dec 5:</b> M4 ENGIMA MACHINE, with very rare RARE HYDRA KEY ENVELOPE. $400,000 to 600,000
  • <b>Christie’s London, 28 November:</b><br>The first edition, in the original wrappers, of the first part of Pushkin’s masterpiece – ‘a bibliographical rarity of the highest order’ (Smirnov-Sokol’skii). £25,000 to £35,000
    <b>Christie’s London, 28 November:</b><br>The very rare first edition of Gogol’s first masterpiece and his first obtainable book. £50,000 to £70,000
    <b>Christie’s London, 28 November:</b><br>The first edition of Dostoevsky's <i>Brat'ia Karamazovy</i> (1830) in a superb contemporary cloth presentation binding. £22,000 to £30,000
    <b>Christie’s London, 28 November:</b><br>The first edition of the first version of the opening of <i>War and Peace,</i> with the original paper covers. £15,000 to £20,000
    <b>Christie’s London, 28 November:</b><br>An early corrected typescript of Akhmatova's <i>Poema bez geroia</i> (July 1946) £20,000 to £30,000
    <b>Christie’s London, 28 November:</b><br>A presentation copy of the first edition of <i>Kamen</i> (1913) inscribed by Mandel'shtam to his early mentor the poet Viacheslav Ivanov. £60,000 to £90,000
    <b>Christie’s London, 28 November:</b><br>Rare autograph correspondence from Vladislav Khodasevich, including a manuscript of his long poem 'Sorrento Photographs' (1921). £10,000 to £15,000
    <b>Christie’s London, 28 November:</b><br>An important letter from Marina Tsvetaeva to the poet Nikolai Tikhonov (1935) in which she challenges Pasternak and his views on poetry. £12,000 to £18,000
  • <b>19th Century Shop:</b> Charles Darwin on sexuality and the transmission of hereditary characteristics: Autograph Letter Signed to Lawson Tait. Down, 17 January [1877].
    <b>19th Century Shop:</b> MILTON, JOHN. <i>Paradise Lost. A Poem written in ten books.</i> London: 1667. A very rare example with the contemporary binding untouched and with a 1667 title page.
    <b>19th Century Shop:</b> Hamilton secures the ratification of the Constitution: <i>The Debates and Proceedings of the Convention of the State of New-York, assembled at Poughkeespsie, on the 17th June, 1788.</i>
    <b>19th Century Shop:</b> The social contract “Man is born free, and everywhere he is in chains”: ROUSSEAU, JEAN-JACQUES. <i>Principes du Droit Politique [Du Contract Social]</i>. Amsterdam: Michel Rey, 1762
    <b>19th Century Shop:</b> “The first English textbook on geometrical land-measurement and surveying”: BENESE, RICHARD. <i>This Boke Sheweth the Maner of Measurynge All Maner of Lande…</i>

Rare Book Monthly

Articles - October - 2016 Issue

Daillant de la Touche... Do You Have What It Takes?

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Caprices Poétiques

There are men whose silhouettes vanish in time,” writes Cristina Trinchero in the collective study La ricerca della verità. Jean_Daillant_de_La_Touche “That’s what happened to François-Jean Daillant de la Touche, who is totally forgotten today.” Well, not totally. First, some people like Miss Trinchero do remember him. Then, a few old books are still going around that testify of the tribulations of this “bel esprit” from the 18th century.

 

The French “bel esprit”

 

The guy from whom I bought my copy of Daillant de la Touche’s Caprices Poétiques1, or Poetical Fancies (Londres, 1784), was somewhat amused. “How did you get to hear about this author?” he asked. Well, I had never heard about him. But I read a few of his poems, and I was seduced.

 

The Woman Child

 

The old Hébert was talking to her daughter Eliante,

When you were 8—between you and me—,

You were nippy, quite mean,

And you would break all your toys.”

The husband, with an indolent voice,

Answered: “To her early tastes Madam has

Remained quite faithful.”

 

Daillant de la Touche’s poems are typical of the French “bel esprit”, a very hard notion to define—I know of no authoritative definition. It is a sort of ferocious wit covered with a layer of good manners and courtesy—a sort of word of iron in silky verses. They gave birth, in the 17th century, to many short and witty poems that embody the good taste of the day, and ridicule social blunders. The notion of “bel esprit” evolved during the 18th century, but remained at the heart of the French spirit until the Révolution of 1789 put an end to it. Thus, according to the date of publication of his poems, not only was Daillant de la Touche a “bel esprit”, but he was also one of the last.

 

To My Book

 

So you want to see the light,

My little one, and know Paris?

Well, then—to the haughty Duchess you go!

To the insipid businessman,

To the bourgeois and the “beaux esprits”,

The upstarts and their servants.

Have some fun with the satirists,

The imposters, the lawyers,

The abbots, and the politicians.

Better you than me.

 

There is also a lot of romance in his “poetical fancies”, as expected; but always with a flavour of derision, or causticity.

 

The Way of the World

 

Lise had just married Dorans,

And I dared not showing up.

I had pluck her flower when she was 15,

And I feared I might embarrass her.

She was so young! At last, I meet her.

She is full of wit, self-assured, and graceful.

She laughs, chatters, she irritates me,

And I am the one who is embarrassed.

 

Daillant de la Touche was 40 when these poems came out. At the back of the title page, the printer mentioned that a second edition of his Tales in verse was in the process of being printed. In fact, Daillant de la Touche had already a long and chaotic career behind him. Fortunately, he left many letters—they are gathered in the Pierre-Louis Ginguené Funds at the National Library of France. In 1808, he wrote: “I should say that it is now 40 years since I first came to Paris, being young, rich, and the happy owner of 900 pounds, free from debts and with a lot of ambition.” He soon found his way to the literary society of Paris, working for Fréron’s famous publication, L’Anné Littéraire. A conservative at heart, he wrote an anonymous eulogy of Molière (Eloge de Molière, Paris 1771) and various essays between 1768 and 1780. “He was among those many ambitious young men who, having left their native countryside, made good use of the good education they had received by turning preceptors in Paris,” says Trinchero. Of course, at the bottom of his heart, he was hoping for some aristocrat to grant him a pension as a writer. But it never happened, and by 1780, he was a ruined man—and he had to run from his creditors, seeking refuge in the North of France. “Paris,” he then wrote to a friend, “is the city of good fortune. But will you find it? Do you have what it takes to find it?

 

Paris and the countryside

 

Paris, this “chaos of wonders”, was the centre of social life. The courtesans had no respect for those who lived in the countryside, and regarded them as mere peasants. Whether you existed in Paris—and Versailles, of course—or you did not exist. But Paris was a demanding mistress, who favoured only a few of her numerous suitors. And no matter how rudely she treated the others, once they had fallen in love with her, there was no way out. “My happiness is to be my own master / I love calm above everything, the shadow of the woods / The banks of a lake, claims Daillant de la Touche in his poem entitled About Me. Yet, he felt like an exile while forced to work as a preceptor in the countryside. “There are no games, here; no friends, no conversations, no walks, nothing. I’ve ended up in a cruel family. These people are more bourgeois than Mr Jourdain (the famous character in Molière—editor’s note), ignorant, old and dull; I take care of five boys, who are noisy, mean and vicious.”

 

At the time, poetry saved him from despair. He wrote his first verses, and hope sprung again. “Daillant put all his heart and ambition in his Caprices Poétiques,” underlines Trinchero. She quotes one of his letters: “With a touch of sensibility, a touch of taste, I could have become a poet. Unfortunately, I thought it too difficult. My laziness convinced me of it; but forced to write some verses, as I tried to escape death by boredom, I found what I had been after! What a joy to read a few good verses in my works—because I dare say that some of them are well-written.” Daillant was ready to ride the merry-go-round of Paris again! “He then had to contact the King’s censor, to look for a bookseller, to collect the necessary money for the printing, and to find some journalists willing to give him some publicity,” writes Trinchero. His collection of tales in verses came out first, and got a good review in Le Mercure—but it was a poor seller. Notwithstanding, Daillant de la Touche decided to print his poems, and they were very well received. The famous Almanach des Muses described them as “natural, graceful and light.” Yet, nothing happened for him. Consequently, he gave up poetry to focus on novels. He wrote Kerfolin (Amsterdam, 1785), inspired by Voltaire’s Candid. In fact, it was a satire, designed to fight the Philosopher’s influence—Daillant de la Touche was a close friend to Fréron, one of Voltaire’s deadly enemies. “The novel came out anonymously,” says Tricheron, “and met with no success. The author stopped writing for two years.” Do you have what it takes?

 

Philosophy

 

In 1788, Daillant de la Touche grew fascinated with the Swedish philosopher Emanuel Swedenborg, and he eventually put out an abridged version of his works in French, Abrégé des Ouvrages d’Em. Swédenborg (Stockholm, 1788). “It is the only piece of work that was really successful, and which brought him some financial reward thanks to several reprints,” underlines Tricheron. But the Révolution found him on the wrong side of the fence and nothing is heard from him until 1808, when he is seen roaming the streets of Paris in want, begging for bread and work. This is the sad part of the story. Getting old, disillusioned and probably quite lonely, Daillant de la Touche was exhausted. His fight for survival and recognition had driven him to a dead-end, yet he remained “proud” (Tricheron) and refused for many years to enter an auspice—“until he gladly accepted a room at Bicêtre, in 1816, where he met his death eleven years later. Daillant’s silhouette disappears in this sinister building that sheltered the crippled and the wretches, who died from hunger in the streets of Paris.”

 

Thus vanish our dreams and aspirations under the sun, crushed by the wheel of Fortune. Nothing remains of them—or of Daillant de la Touche, but a few books, including a beautiful copy of his Caprices Poétiques bound in full morocco, the reminder of better times, when we were young and strong. Daillant’s story is a sad one. But it is also quite inspiring. People of a certain age know that success is not only a matter of “having it” or not; Fortune is whimsical, and life is like a river that continuously runs through our fingers—catch it if you can! Daillant de la Touche did not take it all, all right—but he did his best. And, faithful to the “bel esprit”—a derisory rampart against the nakedness of man—, he did it with style.

 

No, no, you could not die, Amante,

And you would still be alive,

Had you ever been.

(...) Your charm and my passion,

Were nothing but lies,

A flattering illusion.

Nothing exists down here,

Life is but a dream.

 

 1Caprices PoétiquesÁ Londres et se trouve à Paris (1784). One in-18° volume, 123 pages, title page included. According to the National Library of Australia, this is a fake location of printing, like almost all Daillant’s books, and it was printed in Paris—which is quite likely.

 

Thibault Ehrengardt

 

Rare Book Monthly

  • <b>Swann Auction Galleries Dec 6:</b> Maria Louise Kirk, 4 pen, ink, watercolor & gouache illustrations for <i>Alice’s Adventures in Wonderland,</i> 1904. $5,000 to $7,500.
    <b>Swann Auction Galleries Dec 6:</b> H.A. Rey, <i>“Do You Want To Get Across?”</i> colored pencil, charcoal & watercolor, 1939. $10,000 to $15,000
    <b>Swann Auction Galleries Dec 6:</b> Norman Rockwell, <i>The Pharmacist,</i> study for cover of <i>The Saturday Evening Post,</i> 1939. $70,000 to $100,000.
    <b>Swann Auction Galleries Dec 6:</b> Sir William Russell Flint, illustration for Homer’s <i>Odyssey,</i> gouache & watercolor, 1914. $10,000 to $15,000.
    <b>Swann Auction Galleries Dec 6:</b> Ludwig Bemelmans, <i>“And everyone was in his bed,"</i> gouache, watercolor & ink on board, 1961. $30,000 to $40,000.
    <b>Swann Auction Galleries Dec 6:</b> Charles M. Shulz, <i>Woodstock is Searching for His Identity,</i> original pen & ink 4-panel <i>Peanuts</i> comic strip, 1972. $7,000 to $10,000.
    <b>Swann Auction Galleries Dec 6:</b> Eric Carle, <i>The Very Hungry Caterpillar,</i> painted collage, 1990. $8,000 to $12,000.
    <b>Swann Auction Galleries Dec 6:</b> Jerry Pinkney, <i>The Lion & The Mouse,</i> watercolor & graphite, illustration for <i>School Library Journal,</i> 2009. $7,000 to $10,000.
    <b>Swann Auction Galleries Dec 6:</b> Maurice Sendak, watercolor & graphite illustration for <i>Little Bear's New Friend,</i> 2001. $30,000 to $40,000.
    <b>Swann Auction Galleries Dec 6:</b> Peter Arno, <i>Circus Tricks,</i> ink, wash & watercolor, cover illustration for <i>The New Yorker,</i> 1964. $4,000 to $6,000.
    <b>Swann Auction Galleries Dec 6:</b> Garry Trudeau, Doonesbury: <i>“Is Rufus Ready for his Lesson?”,</i> watercolor, pen & ink, circa 1970s. $6,000 to $9,000.
  • <b>Chiswick Auctions: Rare Books and Works on Paper, including Judaica. November 28, 2018</b>
    <b>Chiswick Auctions, Nov 28:</b> Huttich (Johann) & Grynaeus (Simon). <i>Novus orbis regionum ac insularum veteribus …</i> FIRST EDITION, large woodcut folding map, text illustrations, folio, 1532. £8,000 to 12,000
    <b>Chiswick Auctions, Nov 28:</b> Warhol (Andy) and Frankfurt (Suzie). <i>Wild Raspberries,</i> ONE OF FEWER THAN 100 COPIES, PRESENTATION COPY, inscribed by Warhol in pencil, 1959. £10,000 to 12,000
    <b>Chiswick Auctions, Nov 28:</b> Meulen (Adam Frans, van der). Collection of Hunting, Genre and Battle Scenes, 27 copper-engraved views, folio, Paris [c. 1685]. £8,000 to 12,000
    <b>Chiswick Auctions: Rare Books and Works on Paper, including Judaica. November 28, 2018</b>
    <b>Chiswick Auctions, Nov 28:</b> Tyndale's Bible.- Bible, English. <i> [The Newe Testament yet once agayne Corrected by Willyam Tindale],</i> many woodcut text illustrations and initials, 1536. £8,000 to 10,000
    <b>Chiswick Auctions, Nov 28:</b> Jacobson (Ruth Taylor, artist). <i>Messiah's Feast,</i> original stained glass panel, image approx. 1020 x 615 mm., [c.1990]. £8,000 to 10,000
    <b>Chiswick Auctions, Nov 28:</b> Wallerstein-Braun (Gitl, sculptor-photographer). 'Jeremiah', original bronze of the Jewish prophet, approx. 210 x 470 (at base) mm., [c. 2010]. £6,000 to 8,000
    <b>Chiswick Auctions: Rare Books and Works on Paper, including Judaica. November 28, 2018</b>
    <b>Chiswick Auctions, Nov 28:</b> Kadishman (Menashe, artist). <i>Goats Head,</i> original acrylic on canvas painting, [Israel], 2002. £2,000 to 3,000
    <b>Chiswick Auctions, Nov 28:</b> Wyllie (W. L.) & Brewer (H. W.). <i>Bird's Eye View of London as seen from a balloon,</i> hand-coloured wood engraving, image 870 x 1100 mm., 1884. £1,800 to 2,200
    <b>Chiswick Auctions, Nov 28:</b> Stained glass window of Jewish interest.- Pilkington glass stained glass window from a demolished synagogue, approx. 580 x 1430 mm. [c.1950]. £1,500 to 2,000
    <b>Chiswick Auctions: Rare Books and Works on Paper, including Judaica. November 28, 2018</b>
    <b>Chiswick Auctions, Nov 28:</b> Auerbach (Tauba, artist). <i>[2,3],</i> #129 of 1000 copies, with card numbered and signed by the artist/author, 6 vol., one cut-out pop-up figure in each volume, different coloured boards. £1,500 to 2,000
    <b>Chiswick Auctions, Nov 28:</b> Costumes. <i>Costumi di Roma e dei Contorni,</i> engraved vignette title and 30 plates, Santarello, Rome, 1846; and 3 others (4). £1,000 to 1,500
    <b>Chiswick Auctions, Nov 28:</b> Morris (William). <i>The Well at the World’s End,</i> one of 350 copies, The Kelmscott Press, 1896. £800 to 1,200
  • <b>Sotheby’s New York: History of Science & Technology, Including the Nobel Prize and Papers of Richard P. Feynman. November 30, 2018</b>
    <b>Sotheby’s NY, Nov 30:</b> FEYNMAN, RICHARD P. "WORK OUT TR E-?A*I ...", CA 1959. Feynman’s operator calculus on a place mat from one of his favorite hangouts. $10,000 to $15,000
    <b>Sotheby’s NY, Nov 30:</b> FEYNMAN, RICHARD P. "[I] WOULD LIKE TO TALK ABOUT WHAT NEW Q.[UANTUM] ELECTR.[RODYNAMICS] PREDICTS....", 1948. Draft for an early, experimentally-motivated conference talk on QED. $15,000 to $20,000
    <b>Sotheby’s NY, Nov 30:</b> Hevelius, Johannis. <i>PRODROMUS ASTRONOMIÆ, EXHIBENS... NOVAS & CORRECTIORES TABULAS SOLARES....</i> GEDANI [DANZIG]: JOHANNIS-ZACHARIÆ STOLLII, 1690. $40,000 to $60,000
    <b>Sotheby’s NY, Nov 30:</b> Gallucci, Giovanni Paolo. <i>SPECULUM URANICUM IN QUO VERA LOCA OCTAVAE SPHAERAE</i>... VENICE: DAMIANUS ZENARUS, 1593. $10,000 to $15,000
    <b>Sotheby’s NY, Nov 30:</b> [Albert Einstein]. THE HOLY BIBLE. NEW YORK, [CIRCA 1930]. The only Bible signed and inscribed by Einstein to be offered at auction. $200,000 to $300,000
  • <b>Ketterer Kunst Hamburg, Rare Books Auction on November 26th</b>
    <b>Ketterer Rare Books, November 26:</b><br>H. Schedel, <i>Buch der Chroniken,</i> 1493. Est: € 120,000
    <b>Ketterer Rare Books, November 26:</b> Latin and Book of Hours, around 1500. Est: € 50,000
    <b>Ketterer Rare Books, November 26:</b> Biblia latina, Koberger printing 1493. Est: € 4,000
    <b>Ketterer Kunst Hamburg, Rare Books Auction on November 26th</b>
    <b>Ketterer Rare Books, November 26:</b><br>P. de Medina, <i>Libro de grandezas,</i> 1549. Est: € 6,000
    <b>Ketterer Rare Books, November 26:</b><br>C. J. Trew, <i>Plantae selectae,</i> 1750-73. Est: € 28,000
    <b>Ketterer Rare Books, November 26:</b><br>A. de Laborde, <i>Voyage pittoresque,</i> 1806-20. Est: € 8,000
    <b>Ketterer Kunst Hamburg, Rare Books Auction on November 26th</b>
    <b>Ketterer Rare Books, November 26:</b><br>G. Klimt, <i>Eine Nachlese,</i> 1931.<br>Est: € 10,000
    <b>Ketterer Rare Books, November 26:</b><br>W. Kandinsky, <i>Klänge,</i> 1913.<br>Est: € 20,000
    <b>Ketterer Rare Books, November 26:</b><br>F. Léger, <i>Les illuminations,</i> 1949.<br>Est: € 2,000
    <b>Ketterer Kunst Hamburg, Rare Books Auction on November 26th</b>
    <b>Ketterer Rare Books, November 26:</b> Master binding by E. Maylander, 1945. Est: € 1,000
    <b>Ketterer Rare Books, November 26:</b> Master binding by G. Cretté, 1934. Est: € 6,000
    <b>Ketterer Rare Books, November 26:</b><br>S. Dalí, <i>Après 50 ans des surréalisme,</i> 1974. Est: € 8,000
  • <b>Sotheby’s New York: Space Exploration. November 29, 2018</b>
    <b>Sotheby’s NY, Nov 29:</b> Apollo 9 — Flown Launch Abort Checklist. STORED IN LMP RUSTY SCHWEICKART'S SPACESUIT PRESSURE GARMENT ASSEMBLY POCKET THROUGHOUT THE ENTIRE MISSION. $12,000 to $18,000
    <b>Sotheby’s NY, Nov 29:</b> Apollo 11 Check List Sheet Used on the Lunar Surface. THE FINAL STEPS TO ENABLE MEN TO WALK ON THE MOON. $50,000 to $80,000
    <b>Sotheby’s NY, Nov 29:</b> Kennedy, John F.. TYPED MEMORANDUM SIGNED ("JOHN KENNEDY") AS THIRTY-FIFTH PRESIDENT, DISCUSSING THE SPACE RACE WITH NASA ADMINISTRATOR JAMES E. WEBB. $10,000 to $15,000
    <b>Sotheby’s NY, Nov 29:</b> VON BRAUN, WERNHER. "WHAT IS AN OPTIMUM PROGRAM?", 1960. HEAVILY ANNOTATED AUTOGRAPH MANUSCRIPT BY WERNHER VON BRAUN, THE ARCHITECT OF THE AMERICAN SPACE PROGRAM. $20,000 to $30,000
    <b>Sotheby’s NY, Nov 29:</b> Very Large Earth Side Lunar Chart, Signed by 20th Century Surface Explorers. LANDING SITE NAME AND TOUCHDOWN DATE INSCRIPTIONS BY A MEMBER OF EVERY APOLLO LUNAR LANDING CREW. $25,000 to $35,000
  • <b>Sotheby’s Paris: Livres et Manuscrits. November 21, 2018</b>
    <b>Sotheby’s Paris, Nov, 21:</b> ANDRÉ BRETON, <i>La Lampe dans l’horloge.</i> Paris, Robert Marin, 1948. Binding by Rose Adler, dated 1959. €15,000 to €20,000
    <b>Sotheby’s Paris, Nov, 21:</b> ARTHUR RIMBAUD, <i>Une Saison en enfer.</i> Bruxelles, Alliance typographique, 1873. Binding by Rose Adler. €25,000 to €35,000
    <b>Sotheby’s Paris, Nov, 21:</b> TRISTAN TZARA, <i>La Bonne heure.</i> Paris, Raymond Jacquet 1955. Binding by Rose Adler, dated 1958. €8,000 to €12,000
    <b>Sotheby’s Paris: Livres et Manuscrits. November 21, 2018</b>
    <b>Sotheby’s Paris, Nov, 21:</b> PIERRE REVERDY, <i>La Lucarne ovale.</i> Paris, 1916. Binding by Rose Adler, dated 1949. €20,000 to €30,000
    <b>Sotheby’s Paris, Nov, 21:</b> RENÉ CHAR, PABLO PICASSO, <i>Le Marteau sans maître and Moulin Premier.</i> 1927-1935. Paris, José Corti, 1945. Binding by Rose Adler, dated 1947. €20,000 to €30,000
    <b>Sotheby’s Paris, Nov, 21:</b> MARCEL PROUST, Friendly correspondence to the count Louis Gautier-Vignal. 1914-1921. €20,000 to €30,000
    <b>Sotheby’s Paris: Livres et Manuscrits. November 21, 2018</b>
    <b>Sotheby’s Paris, Nov, 21:</b> JEAN COCTEAU, Portrait of the Baron de Charlus, circa 1921-1923. Original drawing signed. €7,000 to €10,000
    <b>Sotheby’s Paris, Nov, 21:</b> PAUL ÉLUARD, JOAN MIRÓ, <i>À toute épreuve.</i> Genève, Gérald Cramer, 1958. First illustrated edition. €15,000 to €25,000
    <b>Sotheby’s Paris, Nov, 21:</b> PAUL VERLAINE, PIERRE BONNARD, <i>Parallèlement.</i> Paris, Imprimerie nationale, Ambroise Vollard, 1900. €15,000 to €25,000
    <b>Sotheby’s Paris, Nov, 21:</b> GUILLAUME APOLLINAIRE, ANDRÉ DERAIN, <i>L’Enchanteur pourrissant.</i> Paris, Henry Kahnweiler, 1909. €30,000 to €50,000

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