• <b>19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy!</b>
    <b>19th Century Shop:</b> Walt Whitman. Poetical manuscript from <i>Leaves of Grass</i> (1865)
    <b>19th Century Shop:</b> (Daniel Boone.) Filson. <i>The Discovery ... of Kentucke</i> (1784)
    <b>19th Century Shop:</b> Edgar A. Poe. <i>Tales</i> (1845) original cloth
    <b>19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy!</b>
    <b>19th Century Shop:</b> Emerson. Autograph letter signed on his philosophy of poetry (1841)
    <b>19th Century Shop:</b> Fitzgerald. <i>This Side of Paradise</i> (1920) presentation copy
  • <b>Swann Auction Galleries Dec 5:<br>Maps & Atlases, Natural History & Color Plate Books</b>
    <b>Swann Auction Galleries Dec 5:</b><br>John Norman, <i>The American Pilot</i>, complete copy with 11 folding charts, Boston, 1810. $80,000 to $120,000.
    <b>Swann Auction Galleries Dec 5:</b><br>John Smith, <i>New England</i>, London, 1616. $20,000 to $30,000.
    <b>Swann Auction Galleries Dec 5:</b><br>Plancius Petrus, <i>Orbis Terrarum Typus de Integro Multis in Locis Emendatus</i>, Amsterdam, 1594. $10,000 to $15,000.
    <b>Swann Auction Galleries Dec 5:<br>Maps & Atlases, Natural History & Color Plate Books</b>
    <b>Swann Auction Galleries Dec 5:</b><br>Martin Waldseemüller, <i>Tabula Terre Nove</i>, woodcut, Strasbourg, 1513. $30,000 to $40,000.
    <b>Swann Auction Galleries Dec 5:</b><br>Forlani & Zaltieri, <i>Il Disegno del Discoperto della Noua Franza</i>, Venice, 1566. $30,000 to $50,000.
    <b>Swann Auction Galleries Dec 5:</b><br>Richard Hakluyt, <i>Novus Orbis</i>, first appearance of "Virginia" on a printed map, Paris, 1587. $40,000 to $60,000.
    <b>Swann Auction Galleries Dec 5:<br>Maps & Atlases, Natural History & Color Plate Books</b>
    <b>Swann Auction Galleries Dec 5:</b><br>Pieter van den Keere, <i>Nova Totius Terrarum Orbis Geographica</i>, Amsterdam, 1608. $8,000 to $12,000.
    <b>Swann Auction Galleries Dec 5:</b><br>Abraham Ortelius, <i>Theatrum Orbis Terrarum</i>, Antwerp, 1584. $25,000 to $35,000.
    <b>Swann Auction Galleries Dec 5:</b><br>George B. Goode & Samuel A. Kilbourne, <i>Game Fishes of the United States</i>, New York, 1879. $10,000 to $15,000.
    <b>Swann Auction Galleries Dec 5:<br>Maps & Atlases, Natural History & Color Plate Books</b>
    <b>Swann Auction Galleries Dec 5:</b><br>William Faden, <i>The Province of New Jersey</i>, London, 1777. $10,000 to $15,000.
    <b>Swann Auction Galleries Dec 5:</b><br>James Gillray, <i>The Plumb-Pudding in Danger</i>, hand-colored etching, London, 1805. $8,000 to $12,000.
    <b>Swann Auction Galleries Dec 5:</b><br>Pierre Belon, <i>L'Histoire de la Nature des Oyseaux</i>, with woodcut illustrations, Paris, 1555. $8,000 to $12,000.
  • <b>Announcing a new Books for Sale platform hosted by Biblio!</b>
    <b>List your books simultaneously on Rare Book Hub and Biblio!</b>
  • <b>Fonsie Mealy: Rare Books, Literature, Manuscripts. December 5, 2017</b>
    <b>Fonsie Mealy, Dec. 5:</b> With Fine Contemporary Hand-Coloured Folding Maps Atlas: MOLL (Hermann). <i>The World Described</i>. 15,000 to 20,000 €
    <b>Fonsie Mealy, Dec. 5:</b> The Holy Grail of Early Photographic Illustrated Irish Books: HEMPHILL (William Despard). <i>Stereoscopic Illustrations of Clonmel, and the Surrounding Country</i>… 7,000 to 10,000 €
    <b>Fonsie Mealy, Dec. 5:</b> "The Nugent Manuscript Archive" including letters on 1798 rebellion In Co. 7,000 to 9,000 €
    <b>Fonsie Mealy: Rare Books, Literature, Manuscripts. December 5, 2017</b>
    <b>Fonsie Mealy, Dec. 5:</b> The Greatest Irish Coloured Plate Book Original Coloured Copy: MALTON (James). <i>A Picturesque and Descriptive View of the City of Dublin Described</i>. 7,000 to 9,000 €
    <b>Fonsie Mealy, Dec. 5:</b> BLAEU (Johannes). <i>Atlas Hibernia</i>, Amsterdam? c. 1662. 1,750 to <br>2,500 €
    <b>Fonsie Mealy, Dec. 5:</b> Rare Limited Edition: YEATS (W.B.). Arion Press, San Francisco. <i>Poems of W.B. Yeats.</i> 1,700 to 2,200 €
    <b>Fonsie Mealy: Rare Books, Literature, Manuscripts. December 5, 2017</b>
    <b>Fonsie Mealy, Dec. 5:</b> [YEATS, W.B.]. Cradle of Genius. Original drawing, pen-and-ink and wash. 1,500 to 2,500 €
    <b>Fonsie Mealy, Dec. 5:</b> W.B. Yeats Meets James Bond? YEATS (W. B.). <i>Selected Poems, Lyrical and Narrative</i>. 1,400 to 1,600 €
    <b>Fonsie Mealy, Dec. 5:</b> Rare Unauthorized U.S. Edition of <i>Ulysses</i>: JOYCE (James). <i>Ulysses</i> - [Two World Monthly, Vol. 1 (No. 1) - vol. 3 (no.3)]. 1,200 to 1,500 €
    <b>Fonsie Mealy: Rare Books, Literature, Manuscripts. December 5, 2017</b>
    <b>Fonsie Mealy, Dec. 5:</b> With Original Holograph Passage by the Author: HEANEY (Seamus). <i>Door Into the Dark</i>. 1,000 to 1,500 €
    <b>Fonsie Mealy, Dec. 5:</b> First American Edition: JOYCE (James). <i>Dubliners</i>, 8vo N. York (B.W. Huebsch) 1916. 600 to 800 €
    <b>Fonsie Mealy, Dec. 5:</b> Rare American Photographs of Niagara Falls: ZYBACK (J.). Photographer, Niagara. Two large original photographs. 300 to 400 €

Rare Book Monthly

Articles - September - 2016 Issue

Tom Lecky: the next stage

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Tom Lecky, consultant to Christie's, and proprietor of Riverrun Books & Manuscripts

Tom Lecky – until recently Department Head, Books & Manuscripts at Christie’s New York – has moved on, if not far, to establish himself in business. This summer he assumed control of Riverrun Books & Manuscripts in Hastings-on-Hudson, NY, a firm that, since 1978, has specialized in fine material from all periods. He works both as a bookseller and appraiser, and maintains a close relationship with Christie’s as a consultant. His career has been meteoric.

 

His resume, beyond his 17 years at Christie’s, includes four and a half years as Head of Books and Prints at William Doyle Galleries, now Doyle New York, as well as a master’s degree from Stanford and a bachelor’s degree from Columbia.  At 44 years old, he enters this next phase of his career.

 

I recently asked Tom for his perspective on the rare book field.

 

Books, manuscripts, maps and ephemera are all part of the same game but dealers tend to specialize in one or two categories.  Will you maintain the focus on books and manuscripts?

 

Diversity has always driven me further in this field. I never sought to pigeonhole myself in a particular area, or narrow focus. I suppose my tastes and interests are too eclectic – I have always considered myself a generalist (and I have been fortunate to handle outstanding material in virtually every category imaginable). In books and manuscripts – especially in the auction world – one can’t afford to be too specialized. You may have just sent a catalog of medical books to the printer, and the next phone call offers a collection of atlases. Or children’s books. Or incunables. It’s natural to gravitate to certain areas that are of greater interest – for me those are American literature, historical Americana, travel, art, science and technology – but the diversity keeps me going everyday. I’ve never met a good book I haven’t liked.

 

At Christie’s you mastered the high end.  Do you expect to stay in that realm? If so, how will that fit with the inventory you acquired? For more than a generation dealers have been able to sell their best examples while increasingly struggling to sell the more common collectibles. What’s your view?

 

Christie’s is my auction home, and continuing there as a consultant means that I maintain a role at the highest level of the market. Riverrun gives me access to the entire breadth of the market. I became interested in book collecting as a teenager trying to read Black Mountain School poets. Their books were printed in one edition only, and although they were affordable ($10-50 at the time), they were hard to track down. I understand the desire to seek books at every level.  A great copy of a $10 book can be as rewarding as a great copy of a $10 million book. I am lucky that my career has allowed me to handle many examples at both ends of that spectrum!

 

I’m biased, but I believe that books represent the greatest technological invention in human history – allowing the spread of knowledge, freedom, and democracy. It was their democratic purpose that first excited me. Combine that with their ability to change the world, influence thought, and – not of minor importance – to be beautiful and you understand what motivates me to keep moving forward.

 

 

Your principal experience is on the auction side and in acquiring Riverrun you are moving over to the dealer side. Auctions have been on a tear while dealers have been finding the going tougher. Your view?

 

I want a strong market for books, regardless of the venue. The book market is centuries old, and will continue for many more. Certain books are more suited to auction, others to private sale, and many more to being part of the immense stocks available through independent dealers. Lamenting a past that is no more does not help the booksellers’ cause. My focus is on what I am doing today, and in the future, to buy, sell, and promote books.

 

The rare book world is undergoing systemic change. Over the past ten years the majority of shops have closed and their inventories posted on line. In taking over an existing firm you’ve come down with two feet on the shop side. What does the future look like to you?

 

The majority of Riverrun’s sales come through the Internet, and there are so many online venues available to booksellers. I take advantage of all of them. Daily sales of modest material are the foundation of the business. The pre-existing inventory had over 13,000 items already listed and I’ve added 500 since taking over two months ago. One has to keep building. The store has a steady stream of people coming to buy and sell books, so a portion of the inventory turns over quickly.

 

The invention of the book led to the invention of the Internet. They are entwined technological leaps-forward. I hear a lot of talk about how “people don’t read anymore.” It is not true. I believe people read as much if not more than ever, just not in the same way. They may read digital texts more than books, but they are reading. And reading somehow always leads to more reading. And reading always leads to books. People still collect candlesticks and Tiffany lamps even though residential electricity and LEDs are far more efficient and practical. I think people, the market, the world, and a collector’s urges are far too complicated to define.

 

I grew up in the Adirondack region of Upstate New York. It was largely rural and isolated, and in the pre-Internet days it was hard to satisfy a hunger to read unusual books or listen to obscure music, both of which are my life-long passions. There was one used bookstore that had a lot of tired stock. An occasional gem would walk in. I learned the thrill of the hunt. But I also learned how limiting the world could be. It is easy for those of us in urban areas to take for granted the diversity of everything available. I moved to it, but the Internet has allowed us to move things and ideas to everyone. At 38 I released my first album. How? I met a like-minded musician online who lived in Wales and he inspired me to keep recording. He released that album on his label. I met more people, and released three more albums. Two years later I performed with him at Café Oto in London, and I count him as one of my best friends. Having left a limited world, I find this kind of access to real-life change and contact immensely rewarding. This relates to Riverrun because it is about keeping books available, to all, and perpetuating their spread through the market.

 

For years people talked about the death of the music industry in the wake of the Internet revolution. Yes, part of it died, or was terminally wounded: the corporate behemoth part.  Yet we have more access to more music now than at any time in human history. And what is the area of greatest growth in physical sales? Vinyl LPs. Record plants were over-booked with production in the last few years, encouraging more plants to be built. For me, that indicates just how important the physical object is to some people. The LP demands attention, care, and tending to deliver its content. It is intimate, and personal. Sounds a lot like a book to me.

 

The number of auction lots has been increasing while realizations in the rooms for the majority of items offered in the print field have been declining.  And dealers generally accept David Lilburne’s recent characterization of the rare book business over the past five years as “working harder to make less.” I think there are some strong reasons to be optimistic but the interregnum will be difficult. You’ve taken over a shop so I assume you too are optimistic. Your perspective?

 

In my first two months at Riverrun I have shipped books to over 30 different countries. There are people all over the world, at every moment, looking for books. Some of these books are well known, and a very surprising number of them are very obscure. They are of modest value, generally niche scholarly subjects, or by lesser-known literary authors – the kind that drew me into book collecting when I was young. I have been coming to Riverrun at intervals for fifteen years and have seen the flow of material. With 30,000 books in stock, there is usually something here that will appeal to someone, at some level. Buying a pre-existing inventory of this size, scope, quality and condition provided an attractive opportunity, as opposed to founding “Thomas Lecky, bookseller” and trying to build a stock one book at a time. I have so much on hand already that I can be selective and thoughtful with what I add. The shop offers a place for people to come talk, look at, sell, and purchase books. But the marketplace that supports the business is in 24 time zones.

 

The rare book business needs to sell itself anew to collectors. Shops long provided the doors through which fledgling collectors first encountered dealers and their stock.  You’ll potentially be providing a local presence. Do you have plans to make this effective?

 

Absolutely. Hastings is an artistic, intellectual, and literary town. Five Nobel Laureates have lived here. Jasper Cropsey’s studio was here (and is open to the public). Jacques Lipschitz’s studio is visible while walking along the Old Aqueduct Trail. Writers and thinkers as diverse as Martin Gardner, Kenneth B. Clark, Giuseppe Garibaldi, Lewis Hine, and Margaret Sanger all called Hastings home. The observatory where Henry Draper took the first photographs of the moon can be visited at the park that bears his name. And not one, but two, actors from The Wizard of Oz lived here: Billie Burke and the Wizard himself, Frank Morgan.

 

Frank Scioscia, who founded Riverrun, knew many authors through his other career as a sales executive for Harper & Row. He held readings and discussions at the shop, and I plan to carry on that tradition. In fact, I am already planning our first talk for October.

 

Do you plan to join trade organizations and, if so, do shows?

 

Joining the ABAA/ILAB is an important goal. I have made a lot of friends in the trade over the past 25 years, and I hope to join them as a colleague. As I grow into things I may find that shows are a valuable component of my outreach, but I don’t have any immediate plans.

 

I believe we are entering a market bottom that, by bits and starts, should take hold over the next three years.  The rare book business is actually more than a dozen collecting categories and while some have barely slowed others seem destined for life-support. How do you see this and how will you adapt? 

 

I’m reminded of the well-worn adage, “a tool is only as good as the person using it.” Booksellers are only as good as the books they bring to market, how they bring them, and with whom they share them. I see myself in three tiers: the highest-end of the auction market with Christie’s; working directly with private collectors seeking specific things in specific fields; and fulfilling orders to a vast and immeasurable world of book buyers – not collectors per se – who buy books for the information they contain. I feel I have a good grasp and reputation in that first tier. My job is to develop my role in the second, and continue to buy interesting, diverse and plentiful stock to fulfill the needs of the third. Again, books from $10 to $10 million.

 

What does the future overall look like to you? Where do you see strengths and weaknesses? What needs to happen?

 

I am a forward-looking person and have always liked to solve problems. In the auction world, we work with vast amounts of material in a defined time-span. Since we are agents for the owner, there is a great sense of responsibility, but also pride in how we present things to market. I see myself in the private market in a similar way, only now I represent myself. I believe in the field that has made my career. And I am proud to be one more name in a list of names that goes back centuries in the book trade. I will represent that lineage the best that I can:  no matter what book I am discussing nor to whom I am speaking.  Books are not for the elite, they are for everyone.

 

Our strength as booksellers is our memory. Luckily we can build more of it everyday. Our weakness is that we can lose sight of the forest when we fall too in love with a tree. I guess I am more of a park ranger than an arborist. We need to keep at it, haul heavy boxes from one place to another, unpack them, and keep bringing books in front of people whether to their hands or their screens. And, of course, we need to occasionally prune and put out any fires.

 

Tom Lecky. Proprietor

 

Riverrun Books & Manuscripts

12 Washington Avenue

Hastings-on-Hudson, New York 10706

 

Open by appointment

 

(914) 216-1336

Email:  info@riverrunbookshop.com

Rare Book Monthly

  • <b>Bonhams: History of Science and Technology. Wednesday, December 6, 2017. New York</b>
    <b>Bonhams, Dec. 6:</b> Lot 95. Turing. <i>Systems of Logic Based on Ordinals</i>. Offprint. London, 1939. Robin Gandy's Copy. $20,000 to $30,000
    <b>Bonhams, Dec. 6:</b> Lot 98. Zernike, Fritz. The 1953 Nobel Prize for Physics: The Invention of the Phase-Contrast Microscope. $100,000 to $150,000
    <b>Bonhams, Dec. 6:</b> Lot 111. Apple 1 Computer, operational, with exceptional provenance. $400,000 to $600,000
    <b>Bonhams: Voices of the 20th Century. Wednesday, December 6, 2017. New York</b>
    <b>Bonhams, Dec. 6:</b> Lot 1074. Bruce, Lenny. An unreleased 16 mm film by "Count" Lewis DePasquale featuring Lenny Bruce. $7,000 to $10,000
    <b>Bonhams, Dec. 6:</b> Lot 1254. Hirohito. Manuscript in Japanese, "The Emperor's Monologue," transcribed by Terasaki Hidenari. $100,000 to $150,000
    <b>Bonhams, Dec. 6:</b> Lot 1095. Goldman. Emma. Large archive of correspondence, much of it to Warren Starr Van Valkenburgh. $70,000 to $100,000
    <b>Bonhams: History of Science and Technology. Wednesday, December 6, 2017. New York</b>
    <b>Bonhams, Dec. 6:</b> Lot 109. Wozniak and Jobs. The First Digital "Blue Box", Berkeley, 1972. $30,000 to $50,000
    <b>Bonhams, Dec. 6:</b> Lot 46. Newton, Isaac. <i>Philosophiae naturalis principia mathematica</i>. 1st issue. London, 1687. $300,000 to $500,000
    <b>Bonhams, Dec. 6:</b> Lot 49. Newton. Autograph Manuscript in English, a portion of a draft of Newton's study on revelation. $15,000 to $20,000
    <b>Bonhams: Voices of the 20th Century. Wednesday, December 6, 2017. New York</b>
    <b>Bonhams, Dec. 6:</b> Lot 1027. Fitzgerald, F. Scott. The Great Gatsby. 1st edition, 1st issue. Scribners, 1925. $40,000 to $60,000
    <b>Bonhams, Dec. 6:</b> Lot 1042. Hemingway., Ernest. For Whom the Bell Tolls. Presentation copy, one of 15 copies. Scribners, 1940. $25,000 to $35,000
    <b>Bonhams, Dec. 6:</b> Lot 1215. A 48-star American Flag, flown from LCT-703, sunk on Omaha Beach, December 1944. $15,000 to $20,000
  • <b>ALDE - Modern Illustrated Books - Original Drawings. 22 November 2017</b>
    <b>ALDE, Nov. 22:</b> DEGAS (Edgar). Danseuses au repos. Charcoal drawing. 30,000€ to 40,000€
    <b>ALDE, Nov. 22:</b> ERNST (Max). Une Semaine de bonté ou Les Sept éléments capitaux. Deuxième cahier. L'Eau. 1934. With an original collage signed by Max Ernst. 15,000€ to 20,000€
    <b>ALDE, Nov. 22:</b> BALZAC (Honoré de). Le Chef-d’œuvre inconnu. 1931. Illustrated edition by Pablo Picasso of 12 original etchings. 20,000€ to 30,000€
    <b>ALDE, Nov. 22:</b> GIACOMETTI (Alberto). Paris sans fin. 1969. Last illustrated book of Giacometti. 15,000€ to 20,000€
  • <b>Christie’s Paris, Nov. 28:</b> Seba, Albertus. <i>Locupletissimi rerum naturalium thesauri.</i> Amsterdam: J. Wetsten, 1734[-1769]. €350,000–550,000
    <b>Christie’s Paris, Nov. 28:</b> Janssonius, Joannes. <i>Novus Atlas Absolutissimus</i>. Amsterdam: J Jansson, 1658 [after 1664]. €250,000–450,000
    <b>Christie’s Paris, Nov. 28:</b> Goya, Francisco de. <i>[La Tauromaquia.] Treinta y tres estampas, que representan diferentes suertes y actitudes del arte de lidiar los Toros</i>. Madrid: [Rafael Esteve, 1816]. €150,000–250,000
    <b>Christie’s Online, Nov. 29 – Dec. 06:</b> Einstein, Albert. <i>On residual rays – and guilt about an old girlfriend</i>. Prague, 26 December 1911. US$10,000–15,000
    <b>Christie’s Online, Nov. 29 – Dec. 06:</b> Einstein, Albert. <i>‘What is logically simple is so difficult mathematically'</i>. Princeton, 16 August 1949. US$20,000–30,000
    <b>Christie’s New York, Dec. 5:</b> Yorktown Campaign manuscript map. ‘No 1 Carte générale de l’Isle de New York et des Environs...No 2. Reconnoissance Geometrique…’ n.p., c. 1781–1782. US$150,000–200,000
    <b>Christie’s New York, Dec. 5:</b> Le Hay, Jacques and Ferriol, Charles de (1637–1722). <i>Recueil de cent estampes représentant differentes nations du Levant</i>. Paris: Le Hay and Duchange, 1714. US$30,000–40,000
    <b>Christie’s New York, Dec. 7:</b> Cresswell, Samuel Gurney. <i>A Series of Eight Sketches … of the Voyage of the H.M.S. Investigator during the Discovery of the North-west Passage</i>. London: 1854. US$30,000–40,000.
    <b>Christie’s New York, Dec. 7:</b> Veer, Gerrit de. <i>Diarium nauticum seu vera descriptio trium navigationum admirandarum</i>. Amsterdam: Cornelius [Claesz], 1598. US$25,000–35,000

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