• <b>19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop:</b> Exodus 10:10 to 16:15. Complete Biblical scroll sheet in Hebrew, a Torah scroll panel. Middle East, ca. 10th or 11th century.
    <b>19th Century Shop:</b> Copernicus Refuted. (Astronomy.). Scientific manuscript of a course of studies at Collège de la Trinité, Lyon. 1660s.
    <b>19th Century Shop:</b> Israel’s War of Independence and the Early Days of the IDF. 58 photographs presented to Israel Ber, IDF officer and later convicted spy.
    <b>19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop:</b> Early Unpublished Darwin letter on the races of man. Autograph Letter Signed [to Henry Denny]. Down, Kent, June 1, [1844].
    <b>19th Century Shop:</b> Classic Image of American Slavery. Kimball, M. H. <i>Emancipated Slaves</i>. New York: George Hanks, 1863.
    <b>19th Century Shop:</b> (Underground Railroad.) Scaggs, Isaac. Important Runaway Slave Poster: $500 Reward Ran away, or decoyed from the subscriber…
  • <b>Results from Bonhams’ sale of <i>Fine Books & Manuscripts Featuring Exploration and Travel</i></b>
    <b>Bonhams, Sep. 26:</b> Columbus. De Insulis nuper in mari Indico repertis. Basel, 1494. SOLD for $751,500
    <b>Bonhams, Sep. 26:</b> Cook in Tahiti. [Playbill]. [Germany, c.1840.] SOLD for $6,250
    <b>Bonhams, Sep. 26:</b> Aa, Pieter van der. Naaukeurige versameling der gedenk-waardigste zee en land-reysen. Leyden, 1706-8. SOLD for $35,000
    <b>Bonhams, Sep. 26:</b> Dürer. Underweysung der messung [and two more]. Nuremberg, 1525-8. SOLD for $175,000
    <b>Bonhams, Sep. 26:</b> Cortes, Hernan. A Pleito signed by Antonio de Mendoza in the case of Hernan Cortes. 1542. SOLD for $8750
    <b>Results from Bonhams’ <i>The Air and Space Sale</i></b>
    <b>Bonhams, Sep. 27:</b> Russian Kholod 5D67 HFL Rocket Engine. SOLD for $25,000
    <b>Bonhams, Sep. 27:</b> Neil Armstrong Apollo Era Training Glove. SOLD for $50,000
    <b>Bonhams, Sep. 27:</b> Full Scale Sputnik-1 EMC/EMI Lab Model. SOLD for $847,500
    <b>Bonhams, Sep. 27:</b> SOLRAD GREB Spy Satellite Engineering Dummy. SOLD for $10,000
    <b>Bonhams, Sep. 27:</b> Soviet LK-3 Lunar Lander Model. SOLD for $25,000
  • <b>Sotheby’s Paris: Books & Manuscripts. 30 October 2017</b>
    <b>Sotheby’s Paris, Oct. 30:</b> MARCEL PROUST. Du côté de chez Swann. Grasset, 1913. First edition. One of 5 copies on Japan paper, inscribed by the author to Louis Brun. Est. €400,000 - 600,000
    <b>Sotheby’s Paris, Oct. 30:</b> Saint-Exupéry. <i>25 Autograph Illustrated Letters to his Friend Charles Sallès</i>. Est. €30,000-50,000
    <b>Sotheby’s Paris, Oct. 30:</b> French Revolution, 1793. Déclaration des droits de l’Homme. 2,55 x 1,30m. A monumental wallpaper poster of the 1793 version, with hand-colored highlights. Unique copy. Est. €100,000 - 150,000
    <b>Sotheby’s Paris, Oct. 30:</b> GIAMBATTISTA PIRANESI. <i>Vedute di Roma</i>, 1748-1775. 107 etchings. An exceptional copy, printed and bound before 1780. Est. €50,000 - 80,000
    <b>Sotheby’s Paris, Oct. 30:</b> Picasso, Pablo -- Fernando de Rojas. LA CÉLESTINE. [PARIS, EDITIONS DE L'ATELIER CROMMELYNCK, 1971.] One of the 30 copies hors commerce (n° X). 66 original etchings by Picasso. Signed. Est. €30,000 - €35,000
  • <b>Announcing a new Books for Sale platform hosted by Biblio!</b>
    <b>List your books simultaneously on Rare Book Hub and Biblio!</b>

Rare Book Monthly

Articles - June - 2016 Issue

The Last of The Monks

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A recent discussion with a few book lovers on social media ended up with the listing of the last known copy of an alleged extinct ‘edition’ on French soil: the rarest translation of Matthew G. Lewis’ The Monk—Le Moine. The only other known copy—with a prestigious provenance—lies on a shelf of the library of the University of Virginia. This is all about various editions and reversed engravings.

 

Matthew G. Lewis was only 20 when, in March 1796, he first published The Monk, a cornerstone of the Gothic Novel. As acknowledged, the dreadful plot of The Monk was inspired by various popular myths from Germany, Denmark or Spain. Yet, its modern style and narrative format make it unique. It contains the classical ingredients of a Gothic novel such as black masses, underground tunnels, blood, sex and supernatural manifestations. Of course, the critics were outraged by the so-called depraved content of the book. In the meantime, it became hugely popular with the public. It crossed the English Channel as soon as Year V (1797, revolutionary style), where it gave birth to a play in 5 acts (Barda, Year VI)— “inspired by the English novel,” reads the title page. The novel itself was picked up by Claude-François Maradan (1762-1823), whose bookshop was, interestingly, located “rue du cimetière / Street of the Cemetery.” Until the publication of the famous catalogue of Gérard Oberlé, in 1972 (De Horace Walpole à Jean Ray. Romans gothiques anglais, romans noirs), most bibliophilists considered that the 4 in-16°-volume set of 1797, with 4 engravings, was the first French edition. However, Oberlé reminded that Maradan was always following the same pattern when it came to publishing a book; first, he would put out an in-12° edition without illustration; then he would put out an in-16° edition with some engravings. Le Moine was no exception. So that the 3 in-12°-volume set of 1797 is now believed to be the very first edition.

 

According to the National Library of France (BNF), Maradan became an apprentice in 1787, and a bookseller a few months later. He went bankrupt in 1790—probably because of the Revolution of 1789—and a next time in 1803; but he was still publishing books by 1819, as testified by an edition of Le Moine in 3 volumes that came out that very year. “He was probably related to the Parisian engraver François Maradan (1766-circa 1816),” reads the website of the BNF. Le Moine apparently sold quite well, since it was reprinted the same year; but this time with 4 engravings. The identity of the engraver is unknown. Did Maradan call upon his alleged relative from Paris, François? One thing is for sure, the engraver did a very good job. Gorgeous and attractive, the plates represent the most dramatic scenes from the book: Ambrosio trying to resist a half-naked nun, a bloody black mass held in an underground passage, a mysterious masked woman stepping out of a creepy castle, or the devil grabbing Ambrosio by the hair under a stormy sky.

 

The bookseller made sure the clients who had bought the first edition could upgrade their copy by buying the engravings separately; consequently, he featured the page numbers of both editions on them. In the top right-hand corner of the digitalized copy available at googlebooks, (AN V, 1797) the plate reads: “Tome 3e. in 12 Page...” And in the top left-hand corner: “Tome 4e”. The page number is also to be found in the bottom right-hand corner: “Page 186.” As a matter of fact, it is quite common to find the first edition bound with the engravings of the second one.

 

The ‘Inversed set’

 

Florian Balduc is a French bookseller and the head publisher of Otrante editions, who recently listed the various sets of engravings of Le Moine on his website. Indeed, when he compared the engravings, he realized that they vary from one edition to the other. Here are the ascertained sets:

 

 

1) The original one, featuring the page number of the second edition. “The most common,” says Florian Balduc.

2) The same set as above, featuring the page numbers of both the first and the second editions—so the buyers of the first edition could upgrade their copies.

3) The same set, with no page number at all, as reported by another bookseller.

4) The engravings of the edition of Year VI (1798), which are slightly different. “They are more ‘raw’ and certain parts have been drawn with less details.”

5) What we will call ‘the inversed set’, since the four plates are printed in reversed orientation. “I only know one copy in the world to feature these plates,” said Florian Balduc. “And it is the copy of the late Maurice Lévy.” In the early 1960s, Lévy, who was studying at La Sorbonne, went for three months to Virginia, USA. There, he read the entire Sadleir-Black Collection of Gothic Fiction in order to complete his memoir entitled The English ‘Gothic’ Novel, 1764-1824. It “became a standard source and helped to revive scholarly interest in the field,” writes Nicole Bouché, Director of Albert and Shirley Small Special Collections Library. “And Lévy became a recognized authority on the gothic genre. Maurice’s final work, a scholarly edition of Matthew Gregory Lewis’ classic gothic tale, The Monk, was published posthumously in 2012.”

 

Before he passed away in 2012, he bequeathed his collection—“which, although relatively modest in size when compared to others,” as he once described it, “has the advantage of illustrating the extraordinary vogue of the 'roman noir' during the French Revolutionary period”—to the Library of Virginia where he had enjoyed such a good time. Among these treasures are several French editions of Le Moine, including one with the reversed engravings. Of course, this detail didn’t escape Lévy’s scrutiny. “He was fascinated by the illustrations found in French Gothic novels,” writes David Whitesell on the website of the Library of Virginia, “and in 1973 he published a book on the subject, Images du roman noir.” According to Whitesell—who seems to still consider the 4 in-16° volume set as the first edition—, the success of the book took Maradan by surprise: “It is likely that the publisher, not anticipating the need for a second edition, neglected to save the copperplate and therefore had to commission a new plate of the same image.  In copying the original frontispiece (which printed in reverse orientation from the design as etched on the copperplate), the etcher necessarily reversed the image!” It makes sense, except that Maradan was used to put out a second in-16° edition of his publications; unless he had not anticipated the need for a second second edition.

 

Anyway, the plates are reversed so that the characters of the first one are walking in the opposite direction, the masked woman of the second one is right-handed, the nun is bleeding from the left arm on the third one, and on the last one, the devil is holding the parchment of Ambrosio’s damnation in his left hand, not in the right one. But there are other differences as well: the engravings have no frame and no page number, for instance. A simple number, from 1 to 4, indicates the volume they relate to, as they were the frontispieces of each volume. The captions, for their part, have remained the same. 


Posted On: 2016-07-31 16:55
User Name: wklimon

Neither the Sadleir-Black Collection of Gothic Fiction nor the Maurice Lévy Collection of French Gothic are at the "Library of Virginia" ( http://www.lva.virginia.gov ), but they are instead at the Albert and Shirley Small Special Collections Library at the University of Virginia ( http://small.library.virginia.edu ), where there is currently an exhibition of items from those collections: http://www.library.virginia.edu/blog/exhibits/fearsome-ink-the-english-gothic-novel-to-1830


Rare Book Monthly

  • <b>Sotheby’s London: Fine Autograph Letters and Manuscripts from a Distinguished Private Collection. Part I: Music. 26 October 2017</b>
    <b>Sotheby’s London Oct 26:</b> Beethoven, Ludwig van. Autograph Manuscript of the Canon "Ewig Dein" Woo 161, signed at the end ("...[Ewig] Dein...Freund Ludwig Van Beethowen"). Est. £120,000 to £150,000
    <b>Sotheby’s London Oct 26:</b> Brahms, Johannes. Autograph Manuscript of the "Geistliches Wiegenlied", Op.91 No.2, for Contralto, Viola And Piano, the original version of 1864, signed and inscribed at the end by the composer. Est. £200,000 to £250,000
    <b>Sotheby’s London Oct 26:</b> Chopin, Frédéric. Autograph Manuscript of the Opening of the Étude Op.25 No.2, in A-Flat Major, signed and dated ("Paris Ce 28 Avril F. Chopin"). Est. £100,000 to £150,000
    <b>Sotheby’s London: Fine Autograph Letters and Manuscripts from a Distinguished Private Collection. Part I: Music. 26 October 2017</b>
    <b>Sotheby’s London Oct 26:</b> Haydn, Joseph. Autograph Letter Signed ("Jos Haydn[Paraph]"), to the Baden Choirmaster Anton Stoll, 30 July 1802. Est. £20,000 to £30,000
    <b>Sotheby’s London Oct 26:</b> Verdi, Giuseppe. Autograph Working Manuscript of a scene from Ernani. Est. £100,000 to £150,000
    <b>Sotheby’s London Oct 26:</b> Verdi, Giuseppe. Highly Important Series of Thirty-Six Autograph Letters Signed to The Librettist Salvadore Cammarano, written between 1844 And 1851, the greater part unpublished and unrecorded. Est. £250,000 to £300,000
  • <b>Sotheby’s New York: The Magnificent Botanical Library of D. F. Allen. October 26, 2017</b>
    <b>Sotheby’s NY, Oct. 26:</b> Redouté, Pierre Joseph, and Claude Antoine Thory. <i>Les Roses</I>. Paris: Firmin Didot, 1817–1824. Est. $225,000 to $325,000
    <b>Sotheby’s NY, Oct. 26:</b> Trew, Jakob Christoph. <i>Hortus Nitidissimis Omnen Per Annum Superbiens Floribus</i>… Nuremberg: Johann Joseph Fleischmann, 1750 [–1786]. Est. $200,000 to $300,000
    <b>Sotheby’s NY, Oct. 26:</b> Trew, Christoph Jakob, and Benedict Christian Vogel. <i>Plantæ Selectæ</i>…[Nuremberg:] 1750–1773; Supplement, [Augsburg:] 1790 [–1792]. Est. $200,000 to $300,000
    <b>Sotheby’s New York: The Magnificent Botanical Library of D. F. Allen. October 26, 2017</b>
    <b>Sotheby’s NY, Oct. 26:</b> Jacquin, Nikolaus Joseph von. <i>Plantarum Rariorum Horti Caesarei Schönbrunnensis Descriptiones Et Icones.</i>Vienna; London; Leiden, 1797–1804. Est. $180,000 to $250,000
    <b>Sotheby’s NY, Oct. 26:</b> Weinmann, Johann Wilhelm. <i>Phytanthoza Iconographia; Sive Conspectus Aliquot Millium, Tam Indigenarum Quam Exoticarum</i>… Regensburg, 1735–1737–1745. Est. $120,000 to $180,000
  • <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b><br><i>The Centenary Edition of the Works of Ian Fleming</i>, one of 26 lettered sets, 18 volumes, London, 2008. $25,000 to $30,000.
    <b>Swann Auction Galleries Nov 14:</b> William Faulkner, <i>The Marble Faun</i>, first edition, signed & inscribed to Dorothy Wilcox by Faulkner & Phil Stone, Boston, 1924. $18,000 to $25,000.
    <b>Swann Auction Galleries Nov 14:</b> Maurice Sendak, <i>Where the Wild Things Are</i>, first edition, signed & inscribed to William Archibald, New York, 1963. $10,000 to $15,000.
    <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b> Anne Frank, <i>Het Achterhuis</i>, first edition, in first state jacket, Amsterdam, 1947. $12,000 to $18,000.
    <b>Swann Auction Galleries Nov 14:</b> Roald Dahl, <i>Charlie and the Chocolate Factory</i>, first edition, signed, New York, 1964. $6,000 to $9,000.
    <b>Swann Auction Galleries Nov 14:</b><br>Ray Bradbury, <i>Fahrenheit 451</i>, first limited edition bound in Johns-Manville Quinterra, New York, 1953. $7,000 to $10,000.
    <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b> Benjamin Graham, <i>The Intelligent Investor</i>, first edition, in original dust jacket, New York, 1949. $4,500 to $6,000.
    <b>Swann Auction Galleries Nov 14:</b> Anna Sewell, <i>Black Beauty</i>, first edition, inscribed, London, 1877. $7,000 to $10,000.
    <b>Swann Auction Galleries Nov 14:</b> Arthur Conan Doyle, <i>A Study in Scarlet</i>, first American edition, Philadelphia, 1890. $6,000 to $9,000.
    <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b> James Fenimore Cooper, <i>The Last of the Mohicans</i>, first edition, two volumes, Philadelphia, 1826. $5,000 to $7,500.
    <b>Swann Auction Galleries Nov 14:</b> Amelia Earhart, <i>20 hrs. 40 mins. Our Flight in Friendship</i>, limited first edition, signed, New York, 1928. $4,000 to $6,000.
    <b>Swann Auction Galleries Nov 14:</b> Philip K. Dick, <i>World of Chance</i>, first edition, signed, London, 1956. $3,000 to $4,000.

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