• <b>Now in press: 19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop.</b> <i>The First American Magna Carta. English Liberties.</i> Boston, 1721.
    <b>19th Century Shop.</b> Babbage presentation to Peel, the man who killed the Difference Engine 1832
    <b>19th Century Shop.</b> The Stamp Act. 1765
    <b>Now in press: 19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop.</b> Central Park Photographs by Prevost 1862
    <b>19th Century Shop.</b> Salem Witch Trials. Wonders of the Invisible World 1693
    <b>19th Century Shop.</b> Mammoth print of Millie-Christine, "The Carolina Twins" c. 1868
  • <b>Seth Kaller:</b> “America the Beautiful”
    <b>Seth Kaller:</b> George Washington, Tongue-in-Cheek, Writes James McHenry About His Wife or Mistress—But Funding the Continental Army is the Real Topic
    <b>Seth Kaller:</b> Young’s Map of the United States
    <b>Seth Kaller:</b> President Lincoln & His Most Profitable Client, the Illinois Central Railroad
    <b>Seth Kaller:</b> Lincoln Thanks Former Pro-Slavery and Newly Republican Congressman for a Fiery Anti-Slavery Speech at a Philadelphia Campaign Rally
    <b>Seth Kaller:</b> “A Visit From St. Nicholas” - great association copy inscribed by Clement C. Moore
    <b>Seth Kaller:</b> Einstein Agrees to Allow “a Short Book on the Hydrogen Bomb” to Use His Statement Made on Eleanor Roosevelt’s TV Show
    <b>Seth Kaller:</b> The Building Blocks of Albert Einstein’s Creative Mind
    <b>Seth Kaller:</b> A Unique Manuscript Map of Block Island Sound Including Fisher’s and Gardiner’s Islands, the Hamptons, and Montauk Point
    <b>Seth Kaller:</b> J.R.R. Tolkien Writes his Proofreader with a Lengthy Discussion of the Lord of the Rings, Including Criticism of Radio Broadcasts of his Work
    <b>Seth Kaller:</b> Six Benjamin Franklin Signed Receipts – Including his Earliest Obtainable Autograph — Acknowledging a Donation to the Famous Library Company He Founded, and Five Payments for His Pennsylvania Gazette
    <b>Seth Kaller:</b> Sherman Dishes on Lincoln & Thomas, Meade, Sheridan, Halleck & Grant
  • <b>Bonhams, March 9. Fine Books and Manuscripts, Including the Kennedy Years</b>
    <b>Bonhams Mar. 9:</b> BROWNING, ELIZABETH BARRETT. Autograph Manuscript Initialed ("E.B.B."), being the working notebook for the poems contained in <i>The Seraphim and Other Poems</i>. $400,000 to 600,000
    <b>Bonhams Mar. 9:</b> WILDE, OSCAR. Two leaves, pp 31-34, from the first appearance of <i>The Picture of Dorian Gray in Lippincott's Monthly Magazine for July, 1890</i>, with Wilde's autograph revisions. $40,000 to 60,000
    <b>Bonhams Mar. 9:</b> SHAKESPEARE, WILLIAM. <i>Comedies, Histories and Tragedies; Published according to the true Originall Copies. Second Impression. [THE SECOND FOLIO.]</i> $200,000 to 300,000
    <b>Bonhams, March 9. Fine Books and Manuscripts, Including the Kennedy Years</b>
    <b>Bonhams Mar. 9:</b> KENNEDY, JOHN FITZGERALD. Photograph Signed ("John F. Kennedy") and Inscribed, 8 x 10 inch gelatin silver print, of Senator Kennedy and Miss Barelli, at the swearing of the secretarial oath for Miss Barelli. $1,200 to 1,800
    <b>Bonhams Mar. 9:</b> COOPER, JAMES FENIMORE. Autograph Manuscript, being Chapter XXVII of <i>Afloat and Ashore</i>. $15,000 to 20,000
    <b>Bonhams Mar. 9:</b> IRVING, WASHINGTON. Autograph Manuscript, being Chapter 20 from Volume IV of <i>The Life of George Washington</i>. $20,000 to 30,000
    <b>Bonhams, March 9. Fine Books and Manuscripts, Including the Kennedy Years</b>
    <b>Bonhams Mar. 9:</b> VERNE, JULES. Autograph Manuscript Signed ("Jules Verne"), being the complete short story "<i>Une fantaisie de docteur Ox</i>". $100,000 to 150,000
    <b>Bonhams Mar. 9:</b> ALCHEMY. <i>[The Crowning of Nature, or Coronatio Naturae.]</i> Original alchemical manuscript on paper, ruled in red, with watermark of the arms of Schieland. $100,000 to 150,000
    <b>Bonhams Mar. 9:</b> DE JODE, CORNELUS. 1568 - 1600. <i>Quivirae Regnu, Cum Alija Versus Borea</i>. [Antwerp: Arnoldum Coninx, 1593]. $7,000 to 10,000
    <b>Bonhams, March 9. Fine Books and Manuscripts, Including the Kennedy Years</b>
    <b>Bonhams Mar. 9:</b> HOOKER, JOSEPH DALTON. <i>The Rhododendrons of Sikkim-Himalaya; Being an Account, Botanical and Geographical, of the Rhododendrons Recently Discovered in the Mountains of Eastern Himalaya</i>… $7,000 to 10,000
    <b>Bonhams Mar. 9:</b> CATLIN, GEORGE. <i>North American Indian Portfolio. Hunting scenes and amusements of the Rocky Mountains and prairies of America. From drawings and notes of the author, made during eight years' travel.</i> $20,000 to 30,000
    <b>Bonhams Mar. 9:</b> LINCOLN, ABRAHAM. HESLER, ALEXANDER. Platinum print, 8 3/4 x 6 3/4 in, of a beardless Lincoln, 1860.<br>$2,000 to 3,000
  • <b>Doyle, Apr. 26:</b> THE PAPERS OF BREVET MAJOR GENERAL JOHN GROSS BARNARD (1815-1882), Chief Engineer of the Army of the Potomac. Estimate: $75,000-100,000
    <b>Doyle, Apr. 26:</b> ALVIN LANGDON COBURN. London. With 20 photogravures by Coburn and text by Hilaire Belloc, London and New York: 1909. First edition. Est: $4,000-6,000
    <b>Doyle, Apr. 26:</b> WILLIAM FADEN, A Plan of New York Island, with part of Long Island, Staten Island & East New Jersey. London: 1776. Estimate: $5,000-8,000
    <b>Doyle, Apr. 26:</b> MAX BEERBOHM, Lord Curzon delivering an oration. Original drawing with collage. London, 1912. Est: $2,000-3,000
    <b>Doyle, Apr. 26:</b> AMERICAN REVOLUTION, Recueil des Loix Constitutives des Colonies Angloises. A Philadelphie, et se vend a Paris: Cellot & Jombert, 1778. First collected edition in French. Estimate: $500-800
    <b>Doyle, Apr. 26:</b> WILLIAM TECUMSEH SHERMAN, Confederate General Joseph Johnston's copy of Sherman's General Orders No. 65 announcing the final agreement of Surrender, 27 April 1865. Est: $4,000-6,000
    <b>Doyle, Apr. 26:</b> JOHN KEATS, Lamia, Isabella, the Eve of Saint Agnes and Other Poems. London: Taylor and Hessey, 1820. First edition of Keats’s third book.. Estimate: $5,000-7,000
    <b>Doyle, Apr. 26:</b> M. T. Cicero's Cato Major, or his discourse of Old-age: With Explanatory Notes. Philadelphia: Benjamin Franklin, 1744. Est: $5,000-8,000
    <b>Doyle, Apr. 26:</b> WINSTON S CHURCHILL, History of the English Speaking Peoples. London: Cassell, 1956-58. First editions. Est: $1,500-2,500

Rare Book Monthly

Articles - June - 2016 Issue

The Last of The Monks

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A recent discussion with a few book lovers on social media ended up with the listing of the last known copy of an alleged extinct ‘edition’ on French soil: the rarest translation of Matthew G. Lewis’ The Monk—Le Moine. The only other known copy—with a prestigious provenance—lies on a shelf of the library of the University of Virginia. This is all about various editions and reversed engravings.

 

Matthew G. Lewis was only 20 when, in March 1796, he first published The Monk, a cornerstone of the Gothic Novel. As acknowledged, the dreadful plot of The Monk was inspired by various popular myths from Germany, Denmark or Spain. Yet, its modern style and narrative format make it unique. It contains the classical ingredients of a Gothic novel such as black masses, underground tunnels, blood, sex and supernatural manifestations. Of course, the critics were outraged by the so-called depraved content of the book. In the meantime, it became hugely popular with the public. It crossed the English Channel as soon as Year V (1797, revolutionary style), where it gave birth to a play in 5 acts (Barda, Year VI)— “inspired by the English novel,” reads the title page. The novel itself was picked up by Claude-François Maradan (1762-1823), whose bookshop was, interestingly, located “rue du cimetière / Street of the Cemetery.” Until the publication of the famous catalogue of Gérard Oberlé, in 1972 (De Horace Walpole à Jean Ray. Romans gothiques anglais, romans noirs), most bibliophilists considered that the 4 in-16°-volume set of 1797, with 4 engravings, was the first French edition. However, Oberlé reminded that Maradan was always following the same pattern when it came to publishing a book; first, he would put out an in-12° edition without illustration; then he would put out an in-16° edition with some engravings. Le Moine was no exception. So that the 3 in-12°-volume set of 1797 is now believed to be the very first edition.

 

According to the National Library of France (BNF), Maradan became an apprentice in 1787, and a bookseller a few months later. He went bankrupt in 1790—probably because of the Revolution of 1789—and a next time in 1803; but he was still publishing books by 1819, as testified by an edition of Le Moine in 3 volumes that came out that very year. “He was probably related to the Parisian engraver François Maradan (1766-circa 1816),” reads the website of the BNF. Le Moine apparently sold quite well, since it was reprinted the same year; but this time with 4 engravings. The identity of the engraver is unknown. Did Maradan call upon his alleged relative from Paris, François? One thing is for sure, the engraver did a very good job. Gorgeous and attractive, the plates represent the most dramatic scenes from the book: Ambrosio trying to resist a half-naked nun, a bloody black mass held in an underground passage, a mysterious masked woman stepping out of a creepy castle, or the devil grabbing Ambrosio by the hair under a stormy sky.

 

The bookseller made sure the clients who had bought the first edition could upgrade their copy by buying the engravings separately; consequently, he featured the page numbers of both editions on them. In the top right-hand corner of the digitalized copy available at googlebooks, (AN V, 1797) the plate reads: “Tome 3e. in 12 Page...” And in the top left-hand corner: “Tome 4e”. The page number is also to be found in the bottom right-hand corner: “Page 186.” As a matter of fact, it is quite common to find the first edition bound with the engravings of the second one.

 

The ‘Inversed set’

 

Florian Balduc is a French bookseller and the head publisher of Otrante editions, who recently listed the various sets of engravings of Le Moine on his website. Indeed, when he compared the engravings, he realized that they vary from one edition to the other. Here are the ascertained sets:

 

 

1) The original one, featuring the page number of the second edition. “The most common,” says Florian Balduc.

2) The same set as above, featuring the page numbers of both the first and the second editions—so the buyers of the first edition could upgrade their copies.

3) The same set, with no page number at all, as reported by another bookseller.

4) The engravings of the edition of Year VI (1798), which are slightly different. “They are more ‘raw’ and certain parts have been drawn with less details.”

5) What we will call ‘the inversed set’, since the four plates are printed in reversed orientation. “I only know one copy in the world to feature these plates,” said Florian Balduc. “And it is the copy of the late Maurice Lévy.” In the early 1960s, Lévy, who was studying at La Sorbonne, went for three months to Virginia, USA. There, he read the entire Sadleir-Black Collection of Gothic Fiction in order to complete his memoir entitled The English ‘Gothic’ Novel, 1764-1824. It “became a standard source and helped to revive scholarly interest in the field,” writes Nicole Bouché, Director of Albert and Shirley Small Special Collections Library. “And Lévy became a recognized authority on the gothic genre. Maurice’s final work, a scholarly edition of Matthew Gregory Lewis’ classic gothic tale, The Monk, was published posthumously in 2012.”

 

Before he passed away in 2012, he bequeathed his collection—“which, although relatively modest in size when compared to others,” as he once described it, “has the advantage of illustrating the extraordinary vogue of the 'roman noir' during the French Revolutionary period”—to the Library of Virginia where he had enjoyed such a good time. Among these treasures are several French editions of Le Moine, including one with the reversed engravings. Of course, this detail didn’t escape Lévy’s scrutiny. “He was fascinated by the illustrations found in French Gothic novels,” writes David Whitesell on the website of the Library of Virginia, “and in 1973 he published a book on the subject, Images du roman noir.” According to Whitesell—who seems to still consider the 4 in-16° volume set as the first edition—, the success of the book took Maradan by surprise: “It is likely that the publisher, not anticipating the need for a second edition, neglected to save the copperplate and therefore had to commission a new plate of the same image.  In copying the original frontispiece (which printed in reverse orientation from the design as etched on the copperplate), the etcher necessarily reversed the image!” It makes sense, except that Maradan was used to put out a second in-16° edition of his publications; unless he had not anticipated the need for a second second edition.

 

Anyway, the plates are reversed so that the characters of the first one are walking in the opposite direction, the masked woman of the second one is right-handed, the nun is bleeding from the left arm on the third one, and on the last one, the devil is holding the parchment of Ambrosio’s damnation in his left hand, not in the right one. But there are other differences as well: the engravings have no frame and no page number, for instance. A simple number, from 1 to 4, indicates the volume they relate to, as they were the frontispieces of each volume. The captions, for their part, have remained the same. 


Posted On: 2016-07-31 16:55
User Name: wklimon

Neither the Sadleir-Black Collection of Gothic Fiction nor the Maurice Lévy Collection of French Gothic are at the "Library of Virginia" ( http://www.lva.virginia.gov ), but they are instead at the Albert and Shirley Small Special Collections Library at the University of Virginia ( http://small.library.virginia.edu ), where there is currently an exhibition of items from those collections: http://www.library.virginia.edu/blog/exhibits/fearsome-ink-the-english-gothic-novel-to-1830


Rare Book Monthly

  • <b>Auction Pierre Bergé & associés in association with Sotheby’s: Important Books and Manuscripts from the Library of Jean A. Bonna from the 15th to the 20th Century. Sale on April 26, 2017. Exhibition in London March 28-30</b>
    <b>Pierre Bergé & Associés, Apr. 26:</b> Galileo, <i>Discorsi e Dimostrazioni matematiche.</i> Leyde, Elzevier, 1638. Original edition: only known copy of the first state. €700,000 – 900,000
    <b>Pierre Bergé & Associés, Apr. 26:</b> Fables illustrated by Benjamin Rabier. Paris, Tallandier, without date [ca. 1910]. Superb binding doubled in vellum decorated with painted and mosaic decors by André Mare illustrating four fables. €10,000 – 15,000
    <b>Pierre Bergé & Associés, Apr. 26:</b> Gustave Flaubert, draft for the preface of the <i>Memoir for the defense of Madame Bovary</i>, 15-30 January 1857. Exceptiona signed autograph manuscript. €40,000 – 60,000
    <b>Auction Pierre Bergé & associés in association with Sotheby’s: Important Books and Manuscripts from the Library of Jean A. Bonna from the 15th to the 20th Century. Sale on April 26, 2017. Exhibition in London March 28-30</b>
    <b>Pierre Bergé & Associés, Apr. 26:</b> Boccace, <i>The Book of Praise and the Virtue of the Noble and Cleric Ladies.</i> Verard, 1493. First edition of the French version attributed to Laurent de Premierfait. €40,000 – 60,000
    <b>Pierre Bergé & Associés, Apr. 26:</b> Exceptional set of 15 original bindings by Jean de Gonet, on rare editions illustrated by Picasso, Matisse, Miro or original editions of Bataille or Radiguet.
  • <b>Swann Auction Galleries Mar. 30: Printed & Manuscript African Americana</b>
    <b>Swann Auction Galleries Mar. 30:</b> Malcolm X, typed manuscripts for the <i>LA Herald Dispatch</i> column "God's Angry Men," 1957.<br>$200,000 to $300,000.
    <b>Swann Auction Galleries Mar. 30:</b> Frederick Douglass, Autograph Letter Signed to George Alfred Townsend, Washington, 1880.<br>$40,000 to $60,000.
    <b>Swann Auction Galleries Mar. 30:</b> Carte-de-visite album featuring a previously unrecorded image of Harriet Tubman, 1860s.<br>$20,000 to $30,000.
    <b>Swann Auction Galleries Mar. 30: Printed & Manuscript African Americana</b>
    <b>Swann Auction Galleries Mar. 30:</b> Collection of documents from the Montgomery Improvement Association, Alabama, 1955-63. $20,000 to $30,000.
    <b>Swann Auction Galleries Mar. 30:</b> Martin Luther King, Jr., working draft of the "Letter from Birmingham Jail," Alabama, 1963. $10,000 to $15,000.
    <b>Swann Auction Galleries Mar. 30:</b> <i>Benjamin Bannaker's Almanac</i> for 1795, Baltimore. $30,000 to $40,000.
    <b>Swann Auction Galleries Mar. 30: Printed & Manuscript African Americana</b>
    <b>Swann Auction Galleries Mar. 30:</b> Collection of 41 letters addressed to Rebecca Primus, 1854-72.<br>$20,000 to $30,000.
    <b>Swann Auction Galleries Mar. 30:</b> Abby Fisher, <i>What Mrs. Fisher Knows About Old Southern Cooking</i>, first edition, San Francisco, 1881.<br>$10,000 to $15,000.
    <b>Swann Auction Galleries Mar. 30:</b> Victor H. Green, <i>The Negro Motorist Green-Book for 1941</i>, New York, 1940. $8,000 to $12,000.
    <b>Swann Auction Galleries Mar. 30:</b> Toni Morrison, <i>The Bluest Eye, </i>reviewer's copy, New York, 1971. $4,000 to $6,000.
  • <b>Forum Auctions: Fine Books and Works on Paper. March 30, 2017</b>
    <b>Forum Auctions Mar. 30:</b> Potter (Beatrix). The Tale of Peter Rabbit, first edition, first issue, [1901]. Part of an extensive, private Beatrix Potter collection. £15,000 - 20,000
    <b>Forum Auctions Mar. 30:</b> Dodgson (Charles Lutwidge). The Hunting of the Snark, first edition, with original printed dust-jacket, 1876.<br>£7,000 - 9,000
    <b>Forum Auctions Mar. 30:</b> Buckland Wright (John). Pervigilium Veneris: The Vigil of Venus, number 1 of 100 copies (Christopher Sandford's copy), Golden Cockerel Press, 1939.<br>£2,000 - 3,000
    <b>Forum Auctions: Fine Books and Works on Paper. March 30, 2017</b>
    <b>Forum Auctions Mar. 30:</b> Kelmscott Press. Keats (John). The Poems, one of 300, orig. vellum, 8vo, Kelmscott Press, 1894. £1,800 - 2,200
    <b>Forum Auctions Mar. 30:</b> Greenhill (Elizabeth).- Morison (Stanley) and Kenneth Day. The Typographic Book, 1450-1935, bound in dark green goatskin by Elizabeth Greenhill, 1963. £6,000 - 8,000
    <b>Forum Auctions Mar. 30:</b> Fitzgerald (F. Scott). The Great Gatsby, first edition, first state dust-jacket, New York, 1925. £25,000 - 35,000
    <b>Forum Auctions: Fine Books and Works on Paper. March 30, 2017</b>
    <b>Forum Auctions Mar. 30:</b> Dionysius, <i>Halicarnassensis</i>. Antiquitates Romanae, Editio princeps, Treviso, Bernardinus Celerius, 24 or 25 February, 1480. £4,000 - 6,000
    <b>Forum Auctions Mar. 30:</b> Canon Law. [Laurentius Puldericus. Breviarum decreti], manuscript in Latin, on paper, [?Germany], [c. 1450].<br>£5,000 - 7,000
    <b>Forum Auctions Mar. 30:</b> Swimming. Percey (William) The Compleat Swimmer: or, the Art of Swimming, first and only edition, by J.C. for Henry Fletcher, 1658. £5,000 - 7,000
    <b>Forum Auctions: Fine Books and Works on Paper. March 30, 2017</b>
    <b>Forum Auctions Mar. 30:</b> Binding with silverwork by Anthony Nelme. The Holy Bible, containing the Old Testament and the New: : newly translated out of the original tongues, Oxford, John Baskett, 1716. £10,000 - 15,000
    <b>Forum Auctions Mar. 30:</b> George IV's copy. Nash (John, architect). The Royal Pavilion at Brighton, one of 10 copies, 1826. £8,000 - 10,000
    <b>Forum Auctions Mar. 30:</b> Blake (William, 1757-1827). "With Dreams upon my bed thou scarest me & affrightest me with Visions", 1825. £700 - 1,000

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