• <b>Christie’s Paris, Nov 20:</b> GAZA, Theodorus. <i>Introductivae grammatices libriquatuor.</i> Venice: Aldus Manutius, 25 December 1495. €40,000 to 50,000
    <b>Christie’s Paris, Nov 20:</b> MACHIAVELLI, Niccolo. <i>Historie di Nicolo Machiavegli cittadino, et segretario fiorentino</i>... Rome: Antonio Blado, 25 March 1532. €15,000 to 20,000
    <b>Christie’s Paris, Nov 20:</b> BELLMER, Hans -- ELUARD, Paul. <i>Les Jeux de la Poupée. Illustrés de textes par Paul Eluard.</i> Paris : les Editions Premieres, 1949. €30,000 to 40,000
    <b>Christie’s Paris, Nov 20:</b> [BONNARD, Pierre] - VERLAINE, Paul. <i>Parallèlement.</i> Paris : Imprimerie nationale & Ambroise Vollard, 1900. €30,000 to 40,000
  • <b>Bonhams New York: Fine Books and Manuscripts Including the World of Hilary Knight. December 5, 2018</b>
    <b>Bonhams, Dec 5:</b> KNIGHT, HILARY. The Original Portrait of Eloise that Hung at the Plaza Hotel. $100,000 to 150,000
    <b>Bonhams, Dec 5:</b> WARHOL, ANDY. "Iced Lemon Delight," an Original Watercolor Presented to Hilary Knight's cat, Phoebe $8,000 to 12,000
    <b>Bonhams, Dec 5:</b> SENDAK, MAURICE. <i>Where the Wild Things Are.</i> PRESENTATION COPY, INSCRIBED with drawing to Hilary Knight in the month following publication. $10,000 to 15,000
    <b>Bonhams New York: Fine Books and Manuscripts Including the World of Hilary Knight. December 5, 2018</b>
    <b>Bonhams, Dec 5:</b> NOLAND, KENNETH. Original circle painting, untitled, acrylic and ink on cloth, for cover of monograph $8,000 to 12,000
    <b>Bonhams, Dec 5:</b> TOULOUSE-LAUTREC. <i>Histoires Naturelles,</i> 1899. With 22 original lithographs. $10,000 to 15,000
    <b>Bonhams, Dec 5:</b> SHAKESPEARE, WILLIAM. <i>A Collection of Poems,</i> [1711]. The first authoritative and complete collected Sonnets.$15,000 to 20,000
    <b>Bonhams New York: Fine Books and Manuscripts Including the World of Hilary Knight. December 5, 2018</b>
    <b>Bonhams, Dec 5:</b> LONDON, JACK. <i>The Call of the Wild.</i> 1903. First edition, first state jacket. $2,000 to 3,000
    <b>Bonhams, Dec 5:</b> FROST, ROBERT. Autograph Manuscript of "Build Soil," 12 pp, 1932-1936. $15,000 to 20,000
    <b>Bonhams, Dec 5:</b> GOULD, GLENN. Glenn Gould's extensively annotated copy of Bach's Goldberg Variations $100,000 to 150,000
    <b>Bonhams New York: Fine Books and Manuscripts Including the World of Hilary Knight. December 5, 2018</b>
    <b>Bonhams, Dec 5:</b> PLATH, SYLVIA. EARLY Autograph Letter Signed, about her beginnings as a writer, Northampton, MA, 1951. $7,000 to 10,000
    <b>Bonhams, Dec 5:</b> HOUDINI, HARRY. A collection of 11 cast iron shackle and lock items from Houdini's personal collection. $20,000 to 30,000
    <b>Bonhams, Dec 5:</b> M4 ENGIMA MACHINE, with very rare RARE HYDRA KEY ENVELOPE. $400,000 to 600,000
  • <b>Sotheby’s Paris: Livres et Manuscrits. November 21, 2018</b>
    <b>Sotheby’s Paris, Nov, 21:</b> ANDRÉ BRETON, <i>La Lampe dans l’horloge.</i> Paris, Robert Marin, 1948. Binding by Rose Adler, dated 1959. €15,000 to €20,000
    <b>Sotheby’s Paris, Nov, 21:</b> ARTHUR RIMBAUD, <i>Une Saison en enfer.</i> Bruxelles, Alliance typographique, 1873. Binding by Rose Adler. €25,000 to €35,000
    <b>Sotheby’s Paris, Nov, 21:</b> TRISTAN TZARA, <i>La Bonne heure.</i> Paris, Raymond Jacquet 1955. Binding by Rose Adler, dated 1958. €8,000 to €12,000
    <b>Sotheby’s Paris: Livres et Manuscrits. November 21, 2018</b>
    <b>Sotheby’s Paris, Nov, 21:</b> PIERRE REVERDY, <i>La Lucarne ovale.</i> Paris, 1916. Binding by Rose Adler, dated 1949. €20,000 to €30,000
    <b>Sotheby’s Paris, Nov, 21:</b> RENÉ CHAR, PABLO PICASSO, <i>Le Marteau sans maître and Moulin Premier.</i> 1927-1935. Paris, José Corti, 1945. Binding by Rose Adler, dated 1947. €20,000 to €30,000
    <b>Sotheby’s Paris, Nov, 21:</b> MARCEL PROUST, Friendly correspondence to the count Louis Gautier-Vignal. 1914-1921. €20,000 to €30,000
    <b>Sotheby’s Paris: Livres et Manuscrits. November 21, 2018</b>
    <b>Sotheby’s Paris, Nov, 21:</b> JEAN COCTEAU, Portrait of the Baron de Charlus, circa 1921-1923. Original drawing signed. €7,000 to €10,000
    <b>Sotheby’s Paris, Nov, 21:</b> PAUL ÉLUARD, JOAN MIRÓ, <i>À toute épreuve.</i> Genève, Gérald Cramer, 1958. First illustrated edition. €15,000 to €25,000
    <b>Sotheby’s Paris, Nov, 21:</b> PAUL VERLAINE, PIERRE BONNARD, <i>Parallèlement.</i> Paris, Imprimerie nationale, Ambroise Vollard, 1900. €15,000 to €25,000
    <b>Sotheby’s Paris, Nov, 21:</b> GUILLAUME APOLLINAIRE, ANDRÉ DERAIN, <i>L’Enchanteur pourrissant.</i> Paris, Henry Kahnweiler, 1909. €30,000 to €50,000
  • <b>Ketterer Kunst Hamburg, Rare Books Auction on November 26th</b>
    <b>Ketterer Rare Books, November 26:</b><br>H. Schedel, <i>Buch der Chroniken,</i> 1493. Est: € 120,000
    <b>Ketterer Rare Books, November 26:</b> Latin and Book of Hours, around 1500. Est: € 50,000
    <b>Ketterer Rare Books, November 26:</b> Biblia latina, Koberger printing 1493. Est: € 4,000
    <b>Ketterer Kunst Hamburg, Rare Books Auction on November 26th</b>
    <b>Ketterer Rare Books, November 26:</b><br>P. de Medina, <i>Libro de grandezas,</i> 1549. Est: € 6,000
    <b>Ketterer Rare Books, November 26:</b><br>C. J. Trew, <i>Plantae selectae,</i> 1750-73. Est: € 28,000
    <b>Ketterer Rare Books, November 26:</b><br>A. de Laborde, <i>Voyage pittoresque,</i> 1806-20. Est: € 8,000
    <b>Ketterer Kunst Hamburg, Rare Books Auction on November 26th</b>
    <b>Ketterer Rare Books, November 26:</b><br>G. Klimt, <i>Eine Nachlese,</i> 1931.<br>Est: € 10,000
    <b>Ketterer Rare Books, November 26:</b><br>W. Kandinsky, <i>Klänge,</i> 1913.<br>Est: € 20,000
    <b>Ketterer Rare Books, November 26:</b><br>F. Léger, <i>Les illuminations,</i> 1949.<br>Est: € 2,000
    <b>Ketterer Kunst Hamburg, Rare Books Auction on November 26th</b>
    <b>Ketterer Rare Books, November 26:</b> Master binding by E. Maylander, 1945. Est: € 1,000
    <b>Ketterer Rare Books, November 26:</b> Master binding by G. Cretté, 1934. Est: € 6,000
    <b>Ketterer Rare Books, November 26:</b><br>S. Dalí, <i>Après 50 ans des surréalisme,</i> 1974. Est: € 8,000

Rare Book Monthly

Articles - January - 2016 Issue

Selling books online - CARPE DIEM: Some tips for a better bottom line in 2016

Bb79b284-eb82-4e07-bfe3-523baac5ea6b

Carpe Diem - "Seize the Day" was my mother's favorite piece of bookselling advice. A bookseller for 50 years she hung this motto over her desk and she found opportunity in many places. Here are some tips - old and new - that consistently helped me sell books and ephemera, prints, maps and other older paper online. May 2016 be your best year ever.

 

  • Try ADDALL

Before I list anything I always try to get a rough idea of what the value of the book might be and estimate how many copies are out there. Addall is my preferred first stop. used.addall.com

 

Lots of sellers use other bases including ABE, AMAZON, BOOKFINDER or VIALIBRI to check the prices, but I prefer ADDALL because it includes many book bases all at once, and let’s you filter out print-on-demand titles. It’s an easy way to get a rough idea of just how many duplicate listings of any given title may be available.

 

Many dealers list the same book on many bases, so the same book can show up four or five places. With ADDALL you’ll know it’s just one book and genuinely scarce, or it’s the same book owned by the same seller listed in a variety of places. Set ADDALL to have the results sorted by price with the most expensive first (descending) order, and then click on the binding (hard, soft, any) and click “no print on demand” and you’re good to go.

 

Use descending order because though some dealers ask a high price set by an algorithmic formula, better dealers ask a higher price because they actually know something about the book that gives it more value. These dealers are apt to put this information in their description and if you see similar info popping up in several higher priced listings (such as “The rose on p. 27 faces left.”) and your book has that point, you’ll want to include that information in your description. Likewise, if the better dealers say their copy is a “stated first edition” and your copy lacks that statement, then chances are your copy isn’t.

 

  • Dust Jackets

Lord knows why, but a great deal of the value of a used book, especially a used collectible book, resides in the dust jacket. Does it have a dust jacket? Is that dust jacket priced? (Usually on the front flap, but sometimes on the back flap). Then mention it in your description, and give the price in dollars, pounds, rupees or however it’s denominated. Also mention the condition of the dust jacket.

 

It’s often worthwhile to put it in a Brodart cello protector, especially if it’s fragile or in less than pristine condition. I use BrodartJust-A-Fold Original Cover’ in a size that fits books to 12” (Catalog Number: 10-195-004.) One roll will last quite a while. I’ve found it’s more economical to buy the big size and cut it down for smaller dust jackets than to purchase multiple sizes. Brodart sells a wide variety of book and library products, if you have more sophisicated needs ask for a catalog or view their stock on line www.shopbrodart.com (Brodart Co. USA toll-free 1-888-820-4377, Canada toll free 1-800-265-8470.)

 

  • Bookish Listservs: Here are two good ones

Listservs were one of the earliest incarnations of the digital age and though we’ve invented higher tech tools the basic text only listserv is still a very good way to exchange bookish info:

 

The Bib List

One of the longest running bookish listservs is bibliophilegroup.com aka the Bib List run by Lynn DeWeese-Parkinson lynn@bibliophilegroup.comThis is a list that has been going for at least the last 15 years. A subscription costs $30 per year payable in March. Parkinson offers a two week free trial period for potential subscribers. At any given time this list has about 1,000 members, many of whom are booksellers. Some of the Bibs sell and comment frequently. Others never post but are faithful lurkers -- and though they may be invisible they are indeed buyers.

 

Subscribers can list books and book related materials For Sale (FS), For Auction (FA) or Wanted (WTD). They can also post topics for discussion, information, news, tech support and other headers. Much valuable information is exchanged and the tone is friendly and consistently collegial. This is a very good place to sell books. There is no fee or commission besides the annual one time subscription charge. In 2015 I had sales from the Bib List every single month. If a book or lot is going to sell on the Bib List it usually is spoken for within an hour or two and sometimes within minutes.

 

Ex-Libris

Ex-libris is a very different kind of listserv. The moderator is Ev Wilkie ewilkie@ix.netcom.comand he runs a tight ship. The active users tend to be from academia, especially librarians in special collections and archives. The only day that sellers can post is Tuesday and then there are very strict rules about what is allowed and how it is to be formatted. Ex-libris does not allow actual ‘For Sale’ listings, but links to catalogs are permitted. This list is free; the best way to join is to contact Wilkie, sign up and read the rules carefully. Then it’s a good idea to lurk until you get the feel of the group. Ex-Libris is not a good place to make money, but it is a good place to see what other dealers are offering and to learn some of the more specialized knowledge shared by those who work in rare book rooms, archives, museums and the like. It is a particularly good for job postings, news of coming events, symposiums, exhibits at the various member institutions, and lots of really specialized bibliographical information. Some of the information posted on Ex-libris can be useful to people who buy and sell in less elevated spheres.

 

  • Terminology helps

There are lots of ways to describe a book. You can say: “Used ex-library copy with usual stamps and marks” or you can say “Gently read former library copy lightly marked.” It’s the same book but one sounds better than the other.

 

Some commonly used descriptive words

 

Words that indicate a BETTER copy

Good, bright, tight, clean, complete, original issue, vintage, antique, no marks, looks unread, stated first edition, stated first American (or UK) edition, priced dust jacket, signed by author, inscribed by author, index, bibliography, photos, color art, limited, association material laid in.

 

Words that indicate a LESSER copy

Discolored, freckled, foxed, toned, yellowing, brittle, chipped, tender, frayed, bumped, detached but present, missing, loose, torn, cracked, chipped, worn, rubbed, price clipped dust jacket, shabby, heavily read, name of prior owner in ink, inscription of prior owner in ink, lacks dust jacket, later printing, partial dust jacket, Book Club Edition.

 

Words that indicate a copy that’s NOT SO HOT

Musty odor, damped, pages with pronounced ripple, pages stuck together, insect damage, heavily stained, underlined in marker, incomplete.

 

  • Check the back - last page

Most beginning booksellers know enough to check the dates on both the title page and the copyright page. But a lot of people forget to check the very back of the book where there may be additional information especially related to the printing and production and sometimes to the limitation and number of copies published. If you think it might be unusual or limited don’t forget to look in the back.

 

  • FREE has a good ring to it

I find a lot of what I sell by looking around and asking what’s for FREE? What’s being given away, what’s being discarded? You’d be surprised how many sellers think the new books with the shiny covers are worth money and toss the older good stuff in the free box. Free can be almost anything but it often falls into the ephemera category, i.e. printed material that was produced to be given away and not intended to be saved. Sometimes these things can end up being worth quite a bit. This includes posters and flyers stuck to telephone poles, a box of handwritten recipe cards, old letters, old photos, or any accumulation of older paper including magazines.

 

Where to find FREE

Free is everywhere but you have to be looking for it. Want it for free? Come back at the end of the yard sale and offer to take away the leftovers. Free is seeing that box of old paper left on the curb for the trash collector and picking it up first. Free is saving the magazine with the good article or interesting story or first appearance by a talented author. Free is recognizing something that somebody else might want, saving it and writing an accurate description.

 

How to treat FREE

I treat free just the way I treat things I paid for, except there’s always a better margin on free. One of the rules in bookselling is what you paid for it has absolutely nothing to do with what it might be worth. Once it’s yours it isn’t free any more and you set the price.

 

When to pass on FREE

Pass on free when you are not sure the person giving it to you really owns it; when it has marks from a library but no deaccession (withdrawn) marks and especially when the little voice in the back of your head asks, “Is this stolen?”

 

  • PICKY - PICKY - PICKY

I’ve been selling books for almost 40 years and my parents sold books for 50 years before me. In the 1980s I’d carry a lot of inventory and it wouldn’t matter if it sold this year or next year because I was pretty sure it would eventually sell. But books, especially more recent titles in mass market editions, are mostly in a race to the bottom where prices are concerned. It’s hard to make money on things that are common. With that in mind 2016 is the year be more picky about what you take in and a lot more picky about what you actually list.



If it doesn’t have a dust jacket, if it isn’t a first, if there are lots of other copies around and priced under $10, and your copy isn’t signed or notably better in some unique way, then don’t go there -- just pass it up, or you pass it along for free. For me the short list of thanks but no thanks includes: No coffee table books, no modern Bibles, no Book Club Editions (BCE), no broken sets (with a few exceptions).

 

There’s a reason that The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing” by Marie Kondo was the #2 on Amazon’s “Top 100 list for 2015.” Some of that stuff that someone else is “decluttering” is going to come to you and at a very good price or even free. But most of that junk is really junk and even for free you don’t want it.

 

These are the trends I noticed this year in my own sales:

*SIZE - Smaller is better - very few sales of big heavy books, no matter how beautiful.

*LESS FICTION - I sold hardly any fiction.

*MORE EPHEMERA - My ephemera sales were strong, especially vintage and antique illustrated regional history. it didn’t matter what region or what period, if it was very specific, older and illustrated somebody wanted it.

*BIBLIOGRAPHY SELLS - Any time I had a decent bibliography of a collectible author or subject to offer it sold.

*OTHER DEALERS BUY - Some of my best customers and some of my top dollar sales were to other dealers

 

Some links worth checking:

 

BookThink hosted by Craig Stark is a long running site that bills itself as “resources for booksellers.” There’s a lot of interesting info here. Though not all of it is current or easily accessible it is worth a closer look. This link will take you to his Dec. 2015 article about vintage vinyl. Stark makes the point that not all displaced technology goes away. Click the red type at the bottom of the page to see other recent earlier offerings. www.bookthink.com/0175/175turn1.htm

 

ABE most expensive book sales in 2015

www.abebooks.com/rare-books/most-expensive-sales/year-2015.shtml?cm_sp=rbr-_-main_cta-_-mostex

 

100 top books on Amazon 2015- how many of these will still be around in ten years?

www.amazon.com/gp/bestsellers/2015/books

 

The publishing industry in 5 charts

janefriedman.com/the-state-of-the-publishing-industry-in-5-charts

 

Retail sales for 2015 from the ABA

Not entirely relevant to online selling but still worth a look

www.bookweb.org/btw-topics/industry-statistics

Rare Book Monthly

  • <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. November 29, 2018</b>
    <b>Forum Auctions, Nov. 29:</b> Buffon (G.L.M.L., Comte de). <i>Histoire Naturelle des Oiseaux,</i> 10 vol., large paper copy, 973 hand-coloured engraved plates drawn and engraved by Franz Nicolaus Martinet, Paris, 1770-86. £70,000 to 90,000
    <b>Forum Auctions, Nov. 29:</b> Bible (English). The Holy Bible, first edition of the King James Bible, the Great 'He' Bible, [Robert Barker], 1611. £30,000 to 40,000
    <b>Forum Auctions, Nov. 29:</b> Marlborough (John Churchill, 1st Duke of).- [Parker (Robert, army officer)] <i>[Memoirs of the remarkable military transactions from the year 1688 to 1718],</i> ?autograph manuscript, 300pp., [c. 1718]. £20,000 to 30,000
    <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. November 29, 2018</b>
    <b>Forum Auctions, Nov. 29:</b> France.- Paris.- Turgot (Michel Etienne). <i>Plan de Paris,</i> engraved maps, contemporary red morocco, gilt, Paris, 1739. £10,000 to 15,000
    <b>Forum Auctions, Nov. 29:</b> Mongolia.- Pallas (Peter Simon). <i>Sammlungen Historischer Nachrichten uber die Mongolischen Volkerschaften,</i> first edition, complete with 31 plates, St. Petersburg, 1776-1801. £10,000 to 15,000
    <b>Forum Auctions, Nov. 29:</b> Brant (Sebastian). <i>Stultifera Navis... The Ship of Fooles, wherein is shewed the folly of all States...,</i> large woodcut title and numerous woodcuts in the text, [London], [John Cawood], 1570. £8,000 to 12,000
    <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. November 29, 2018</b>
    <b>Forum Auctions, Nov. 29:</b> Aldus.- Boccaccio (Giovanni). <i>Il Decamerone,</i> Venice, House of Aldus & Andrea Torresani, 1522. £8,000 to 12,000
    <b>Forum Auctions, Nov. 29:</b> Wallace (Alfred Russel). 77pp. of Autograph letters (and 1 postcard) to various people, 1894-1904, on various palaeontological, geological and natural history matters. £8,000 to 12,000
    <b>Forum Auctions, Nov. 29:</b> DNA.- Watson (James D.) and Francis Crick, <i>Molecular Structure of Nucleic Acids: A Structure for Deoxyribose Nucleic Acid,</i> 1953 [and others]. £5,000 to 7,000
    <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. November 29, 2018</b>
    <b>Forum Auctions, Nov. 29:</b> Optics.- Molyneux (William). <i>Dioptrica nova. A Treatise of Dioptricks, in Two Parts,</i> first edition, for Benj. Tooke, 1692. £5,000 to 7,000
    <b>Forum Auctions, Nov. 29:</b> Economics.- Mississippi & South Sea Bubbles.- <i>Het Groote Tafereel der Dwaasheid,</i> 74 engraved plates and 3 maps, Amsterdam, 1720. £4,000 to 6,000
    <b>Forum Auctions, Nov. 29:</b> Asia.- Clouet (Jean Baptiste Louis). <i>Carte D'Asie Divisée en ses Principaux Etats,</i> engraved map with hand-colouring, on wooden rollers, 1782. £3,000 to 5,000
  • <b>19th Century Shop:</b> Charles Darwin on sexuality and the transmission of hereditary characteristics: Autograph Letter Signed to Lawson Tait. Down, 17 January [1877].
    <b>19th Century Shop:</b> MILTON, JOHN. <i>Paradise Lost. A Poem written in ten books.</i> London: 1667. A very rare example with the contemporary binding untouched and with a 1667 title page.
    <b>19th Century Shop:</b> Hamilton secures the ratification of the Constitution: <i>The Debates and Proceedings of the Convention of the State of New-York, assembled at Poughkeespsie, on the 17th June, 1788.</i>
    <b>19th Century Shop:</b> The social contract “Man is born free, and everywhere he is in chains”: ROUSSEAU, JEAN-JACQUES. <i>Principes du Droit Politique [Du Contract Social]</i>. Amsterdam: Michel Rey, 1762
    <b>19th Century Shop:</b> “The first English textbook on geometrical land-measurement and surveying”: BENESE, RICHARD. <i>This Boke Sheweth the Maner of Measurynge All Maner of Lande…</i>
  • <b>Swann Auction Galleries Dec 6:</b> Maria Louise Kirk, 4 pen, ink, watercolor & gouache illustrations for <i>Alice’s Adventures in Wonderland,</i> 1904. $5,000 to $7,500.
    <b>Swann Auction Galleries Dec 6:</b> H.A. Rey, <i>“Do You Want To Get Across?”</i> colored pencil, charcoal & watercolor, 1939. $10,000 to $15,000
    <b>Swann Auction Galleries Dec 6:</b> Norman Rockwell, <i>The Pharmacist,</i> study for cover of <i>The Saturday Evening Post,</i> 1939. $70,000 to $100,000.
    <b>Swann Auction Galleries Dec 6:</b> Sir William Russell Flint, illustration for Homer’s <i>Odyssey,</i> gouache & watercolor, 1914. $10,000 to $15,000.
    <b>Swann Auction Galleries Dec 6:</b> Ludwig Bemelmans, <i>“And everyone was in his bed,"</i> gouache, watercolor & ink on board, 1961. $30,000 to $40,000.
    <b>Swann Auction Galleries Dec 6:</b> Charles M. Shulz, <i>Woodstock is Searching for His Identity,</i> original pen & ink 4-panel <i>Peanuts</i> comic strip, 1972. $7,000 to $10,000.
    <b>Swann Auction Galleries Dec 6:</b> Eric Carle, <i>The Very Hungry Caterpillar,</i> painted collage, 1990. $8,000 to $12,000.
    <b>Swann Auction Galleries Dec 6:</b> Jerry Pinkney, <i>The Lion & The Mouse,</i> watercolor & graphite, illustration for <i>School Library Journal,</i> 2009. $7,000 to $10,000.
    <b>Swann Auction Galleries Dec 6:</b> Maurice Sendak, watercolor & graphite illustration for <i>Little Bear's New Friend,</i> 2001. $30,000 to $40,000.
    <b>Swann Auction Galleries Dec 6:</b> Peter Arno, <i>Circus Tricks,</i> ink, wash & watercolor, cover illustration for <i>The New Yorker,</i> 1964. $4,000 to $6,000.
    <b>Swann Auction Galleries Dec 6:</b> Garry Trudeau, Doonesbury: <i>“Is Rufus Ready for his Lesson?”,</i> watercolor, pen & ink, circa 1970s. $6,000 to $9,000.
  • <b>Chiswick Auctions: Rare Books and Works on Paper, including Judaica. November 28, 2018</b>
    <b>Chiswick Auctions, Nov 28:</b> Huttich (Johann) & Grynaeus (Simon). <i>Novus orbis regionum ac insularum veteribus …</i> FIRST EDITION, large woodcut folding map, text illustrations, folio, 1532. £8,000 to 12,000
    <b>Chiswick Auctions, Nov 28:</b> Warhol (Andy) and Frankfurt (Suzie). <i>Wild Raspberries,</i> ONE OF FEWER THAN 100 COPIES, PRESENTATION COPY, inscribed by Warhol in pencil, 1959. £10,000 to 12,000
    <b>Chiswick Auctions, Nov 28:</b> Meulen (Adam Frans, van der). Collection of Hunting, Genre and Battle Scenes, 27 copper-engraved views, folio, Paris [c. 1685]. £8,000 to 12,000
    <b>Chiswick Auctions: Rare Books and Works on Paper, including Judaica. November 28, 2018</b>
    <b>Chiswick Auctions, Nov 28:</b> Tyndale's Bible.- Bible, English. <i> [The Newe Testament yet once agayne Corrected by Willyam Tindale],</i> many woodcut text illustrations and initials, 1536. £8,000 to 10,000
    <b>Chiswick Auctions, Nov 28:</b> Jacobson (Ruth Taylor, artist). <i>Messiah's Feast,</i> original stained glass panel, image approx. 1020 x 615 mm., [c.1990]. £8,000 to 10,000
    <b>Chiswick Auctions, Nov 28:</b> Wallerstein-Braun (Gitl, sculptor-photographer). 'Jeremiah', original bronze of the Jewish prophet, approx. 210 x 470 (at base) mm., [c. 2010]. £6,000 to 8,000
    <b>Chiswick Auctions: Rare Books and Works on Paper, including Judaica. November 28, 2018</b>
    <b>Chiswick Auctions, Nov 28:</b> Kadishman (Menashe, artist). <i>Goats Head,</i> original acrylic on canvas painting, [Israel], 2002. £2,000 to 3,000
    <b>Chiswick Auctions, Nov 28:</b> Wyllie (W. L.) & Brewer (H. W.). <i>Bird's Eye View of London as seen from a balloon,</i> hand-coloured wood engraving, image 870 x 1100 mm., 1884. £1,800 to 2,200
    <b>Chiswick Auctions, Nov 28:</b> Stained glass window of Jewish interest.- Pilkington glass stained glass window from a demolished synagogue, approx. 580 x 1430 mm. [c.1950]. £1,500 to 2,000
    <b>Chiswick Auctions: Rare Books and Works on Paper, including Judaica. November 28, 2018</b>
    <b>Chiswick Auctions, Nov 28:</b> Auerbach (Tauba, artist). <i>[2,3],</i> #129 of 1000 copies, with card numbered and signed by the artist/author, 6 vol., one cut-out pop-up figure in each volume, different coloured boards. £1,500 to 2,000
    <b>Chiswick Auctions, Nov 28:</b> Costumes. <i>Costumi di Roma e dei Contorni,</i> engraved vignette title and 30 plates, Santarello, Rome, 1846; and 3 others (4). £1,000 to 1,500
    <b>Chiswick Auctions, Nov 28:</b> Morris (William). <i>The Well at the World’s End,</i> one of 350 copies, The Kelmscott Press, 1896. £800 to 1,200
  • <b>Christie’s London, 28 November:</b><br>The first edition, in the original wrappers, of the first part of Pushkin’s masterpiece – ‘a bibliographical rarity of the highest order’ (Smirnov-Sokol’skii). £25,000 to £35,000
    <b>Christie’s London, 28 November:</b><br>The very rare first edition of Gogol’s first masterpiece and his first obtainable book. £50,000 to £70,000
    <b>Christie’s London, 28 November:</b><br>The first edition of Dostoevsky's <i>Brat'ia Karamazovy</i> (1830) in a superb contemporary cloth presentation binding. £22,000 to £30,000
    <b>Christie’s London, 28 November:</b><br>The first edition of the first version of the opening of <i>War and Peace,</i> with the original paper covers. £15,000 to £20,000
    <b>Christie’s London, 28 November:</b><br>An early corrected typescript of Akhmatova's <i>Poema bez geroia</i> (July 1946) £20,000 to £30,000
    <b>Christie’s London, 28 November:</b><br>A presentation copy of the first edition of <i>Kamen</i> (1913) inscribed by Mandel'shtam to his early mentor the poet Viacheslav Ivanov. £60,000 to £90,000
    <b>Christie’s London, 28 November:</b><br>Rare autograph correspondence from Vladislav Khodasevich, including a manuscript of his long poem 'Sorrento Photographs' (1921). £10,000 to £15,000
    <b>Christie’s London, 28 November:</b><br>An important letter from Marina Tsvetaeva to the poet Nikolai Tikhonov (1935) in which she challenges Pasternak and his views on poetry. £12,000 to £18,000

Article Search

Archived Articles

Ask Questions