• <b>Results from Bonhams’ sale of <i>Fine Books & Manuscripts Featuring Exploration and Travel</i></b>
    <b>Bonhams, Sep. 26:</b> Columbus. De Insulis nuper in mari Indico repertis. Basel, 1494. SOLD for $751,500
    <b>Bonhams, Sep. 26:</b> Cook in Tahiti. [Playbill]. [Germany, c.1840.] SOLD for $6,250
    <b>Bonhams, Sep. 26:</b> Aa, Pieter van der. Naaukeurige versameling der gedenk-waardigste zee en land-reysen. Leyden, 1706-8. SOLD for $35,000
    <b>Bonhams, Sep. 26:</b> Dürer. Underweysung der messung [and two more]. Nuremberg, 1525-8. SOLD for $175,000
    <b>Bonhams, Sep. 26:</b> Cortes, Hernan. A Pleito signed by Antonio de Mendoza in the case of Hernan Cortes. 1542. SOLD for $8750
    <b>Results from Bonhams’ <i>The Air and Space Sale</i></b>
    <b>Bonhams, Sep. 27:</b> Russian Kholod 5D67 HFL Rocket Engine. SOLD for $25,000
    <b>Bonhams, Sep. 27:</b> Neil Armstrong Apollo Era Training Glove. SOLD for $50,000
    <b>Bonhams, Sep. 27:</b> Full Scale Sputnik-1 EMC/EMI Lab Model. SOLD for $847,500
    <b>Bonhams, Sep. 27:</b> SOLRAD GREB Spy Satellite Engineering Dummy. SOLD for $10,000
    <b>Bonhams, Sep. 27:</b> Soviet LK-3 Lunar Lander Model. SOLD for $25,000
  • <b>Announcing a new Books for Sale platform hosted by Biblio!</b>
    <b>List your books simultaneously on Rare Book Hub and Biblio!</b>
  • <b>Forum Auctions:<br>The Moon: Vintage NASA Photographs 1964-1972 (Online Only). Now through October 18</b>
    <b>Forum Auctions, Now thru Oct. 18:</b> "The world's first view of the Earth taken by a spacecraft from the vicinity of the Moon" (NASA), Lunar Orbiter 1, 23 August 1966. Est. £600 to £800
    <b>Forum Auctions, Now thru Oct. 18:</b> Anders (William). The first Earthrise seen by Man, Apollo 8, December 1968. Est. £1,500 to £2,000
    <b>Forum Auctions, Now thru Oct. 18:</b> Armstrong (Neil). The first photograph taken by Armstrong after setting foot on the Moon, Apollo 11, July 1969. Est. £600 to £800
    <b>Forum Auctions:<br>The Moon: Vintage NASA Photographs 1964-1972 (Online Only). Now through October 18</b>
    <b>Forum Auctions, Now thru Oct. 18:</b> Aldrin (Buzz). Aldrin's bootprint in the pristine lunar dust, Apollo 11, July 1969. Est. £600 to £800
    <b>Forum Auctions, Now thru Oct. 18:</b> Armstrong (Neil). Buzz Aldrin with the LM and Armstrong reflected in his visor, Apollo 11, July 1969. Est. £1,000 to £1,500
    <b>Forum Auctions, Now thru Oct. 18:</b> Full Moon seen from the receding spacecraft, Apollo 13, April 1970. Est £300 to £500
    <b>Forum Auctions:<br>The Moon: Vintage NASA Photographs 1964-1972 (Online Only). Now through October 18</b>
    <b>Forum Auctions, Now thru Oct. 18:</b> Craters Copernicus and Reinhold, Apollo 12, November 1969. Est. £300 to £500
    <b>Forum Auctions, Now thru Oct. 18:</b> Conrad (Pete). The photographer reflected in Alan Bean's gold-plated sun visor, Apollo 12, November 1969. Est. £800 to £1,200
    <b>Forum Auctions, Now thru Oct. 18:</b> Scott (David). James Irwin and the Rover, Mount Hadley beyond, Apollo 15, August 1951. Est. £400 to £600
    <b>Forum Auctions:<br>The Moon: Vintage NASA Photographs 1964-1972 (Online Only). Now through October 18</b>
    <b>Forum Auctions, Now thru Oct. 18:</b> Duke (Charles). John Young's jumping salute in lunar gravity, Apollo 16, April 1972. Est. £600 to £800
    <b>Forum Auctions, Now thru Oct. 18:</b> Cernan (Eugene). Harrison Schmitt with the flag, the Earth overhead, Apollo 17, December 1972. Est. £800 to £1,200
    <b>Forum Auctions, Now thru Oct. 18:</b> Evans (Ronald). The last Earthrise over the Moon seen by man, Apollo 17, December 1972. Est. £800 to £1,200
  • <b>19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop:</b> Exodus 10:10 to 16:15. Complete Biblical scroll sheet in Hebrew, a Torah scroll panel. Middle East, ca. 10th or 11th century.
    <b>19th Century Shop:</b> Copernicus Refuted. (Astronomy.). Scientific manuscript of a course of studies at Collège de la Trinité, Lyon. 1660s.
    <b>19th Century Shop:</b> Israel’s War of Independence and the Early Days of the IDF. 58 photographs presented to Israel Ber, IDF officer and later convicted spy.
    <b>19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop:</b> Early Unpublished Darwin letter on the races of man. Autograph Letter Signed [to Henry Denny]. Down, Kent, June 1, [1844].
    <b>19th Century Shop:</b> Classic Image of American Slavery. Kimball, M. H. <i>Emancipated Slaves</i>. New York: George Hanks, 1863.
    <b>19th Century Shop:</b> (Underground Railroad.) Scaggs, Isaac. Important Runaway Slave Poster: $500 Reward Ran away, or decoyed from the subscriber…

Rare Book Monthly

Articles - December - 2014 Issue

Cartouche’s skull, the ultimate trick?

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Cartouche's skull, or is it?

The story of the most lovable French rascal Louis-Dominique Cartouche (1693-1721) became a personal obsession after I first wrote about him on this very website two years or so ago. I had bought an early 19th century copy of his classic biography that brought back childhood memories: the movie of Philippe de Brocca (1963), and especially my gorgeous Claudia Cardinale. But reading many informative and interesting books about the first Public Enemy No. 1 in French history, I felt frustrated by their overall poor literary quality. Indeed, the lives of petty criminals was yet a vulgar topic left to second-rate writers. But that was until I eventually came across Les Amours & la Vie de Cartouche, a fake anonymous autobiography printed at an unknown date (circa 1789), supposedly at London (a printer’s trick to tell the readers his book contained some sulphurous details), by an anonymous bookseller. At last, I could smell gunpowder, hear horses running away through the pages and the laughter of Claudia Cardinale in the background. Curiously, most historians and printers have overlooked this treasure for the past 150 years. That’s what determined me to reprint it a few days ago, adding historical notes and a few rare contemporary engravings (www.la-vie-de-cartouche.fr). Doing so, I led various and thorough investigations that led me to... the authentic skull of Cartouche! This silent and mysterious remain didn’t tell me much about Cartouche’s life, but it told about the incredible story of his death.

 

Cartouche’s ultimate trick

 

Philippe Mennecier, technical supervisor of the collections of anthropology of the Museum of Natural History in Paris, led me through the corridors of his office, just across the Jardin des Plantes. He stopped in front of a metal cupboard, smiling: “Here are our special guests,” he said. Inside, some piles of cardboard boxes, like shoeboxes. “We have several famous skulls here, including Descartes’, and... this one.” He slowly took a skull from its box, and then put it on the table in front of me. Just like that. I was mesmerized at the simplicity of the instant, of the meeting. I had expected—what? Some protocol, maybe? A sort of ritual—but none of that. I felt a bit uneasy in front of the empty stare; a brother’s skull, or Man reduced to his simplest expression. On the left side, a number written in black ink, 24.860; and a name, Cartouche. “So, this is... he?” I said. “Hum, most likely,” answered Mr Mennecier. “But I find André Plaisse’s demonstration quite convincing.” The late historian André Plaisse indeed questioned the authenticity of our skull in 1995: “Nothing, as an historian, predestined me to study this skull,” he wrote. “My work was more about the Hundred Years war, and more specifically the rebellion of Godefroy d’Harcourt and his partisans.” This story takes us to another scaffold, indeed; erected in Paris in 1344 for three rebels who were beheaded on the orders of King Philippe de Valois VI. Their heads were then sent to Saint-Lô to be exposed on the walls of the city where they remained for 27 months; they were put on an iron spit with a hook on the top and a sort of iron plate at the bottom. After all this time spent in the open air, there was probably not much flesh left when the rebels were eventually rehabilitated by the whimsical wheel of fortune in 1346. Their skulls were then buried in the church of Saint-Lô and left at peace until rediscovered in 1734. That’s when they were sent to the library of Sainte Geneviève in Paris, where, according to André Plaisse, one of them was probably mistaken for Cartouche’s skull; the latter having ended up in the same place at an unknown date, and by an unknown way—if it ever did. “We know little about several items that entered the cabinet de curiosités of the library in the 17th and 18th centuries,” confesses Yannick Nexon, head of the department of storage of the library. “It’s true that the abbey of Saint-Lô was a dependency of Sainte-Geneviève and that the priories outside Paris used to send some historical curiosities to the mother-abbey—so why not the skulls of these rebels, if they were in good condition? The skull was probably attributed to Cartouche through oral history. It is mentioned for the first time in an inventory of 1850.” Could our skull be nothing but a fraud—Cartouche’s ultimate trick?

 

Cartouche’s body was still warm

 

André Plaisse thought the authentic skull of Cartouche actually belonged to one of the three rebels of the 14th century, mainly because of the rusty stains left around the top orifice and alongside the jaw. He had them analysed, and the results were convincing. The concentration of rust even proved that “some iron object was stuck into the head shortly after death, when there was still some soft organic tissue around.” The iron stick would have left the stains on the top of the skull while the iron plate those on the jaw. About the confusion between the two skulls, André Plaisse hadn’t much to say: “Why was the skull attributed to Cartouche in the late 19th century? Probably because nobody knew where it came from.” It’s true that the skull left few—and contradictory—traces in its wake. Cartouche’s body was still warm when people started to exploit it: “His corpse was left with the executioner’s jack, who received the orders to bury him,” reads Histoire de la Vie et du procès du fameux Louis-Dominique Cartouche et de ses complices. “But he didn’t follow these instructions (...) For several days, he showed it to the curious. The amount of people who avidly rushed to the scene is unbelievable. The jack asked one sol per viewer.” The jack claimed to collect the money in order to buy the bandit a coffin. But he changed his mind, and sold the body to the surgeons of Saint Côme instead. The Mercure de France of December 1721 reads: “Cartouche’s corpse was carried to Saint Côme; and its dissection became the masterpiece of Meunier Callac, son of Meunier Callac, so expert in rare diseases.” The amphitheatre of Saint Côme, inaugurated in 1693, enabled the students to attend various surgical operations. But history recalls Meunier Callac for nothing but his celebrated miraculous infusion. What did Callac do with the body? Did he send it to the common grave? It disappeared all of a sudden at the time, and I could find no trace of it until 1865, when a peculiar article was published in the news stories section of the Confédéré du Valais: “On the Boulevard Saint-Martin, in Paris, is to be seen not the skeleton but the corpse itself of the famous Cartouche, who died in 1721.” The anonymous journalist claimed to have made some researches, but was probably only quoting the owner of the corpse. Meunier Callac, he wrote, had embalmed Cartouche’s body after the dissection. “The corpse then ended up with Professor Brallouet, who eventually gave it to the Athénée Royal in 1791. In 1793, it was stolen from the Athénée. In 1848, it was showed a third time, then bought by an antique dealer from the Faculty of Medicine, who sold it for 10,000 francs to the man who currently shows it.” The news was reprinted in England, Italy and even in the New York Times (November 12, 1865). But the skull was mentioned on the inventory of Sainte Geneviève as soon as 1850—at least the one we consider today as the authentic skull of Cartouche.

Rare Book Monthly

  • <b>Sotheby’s Paris: Books & Manuscripts. 30 October 2017</b>
    <b>Sotheby’s Paris, Oct. 30:</b> MARCEL PROUST. Du côté de chez Swann. Grasset, 1913. First edition. One of 5 copies on Japan paper, inscribed by the author to Louis Brun. Est. €400,000 - 600,000
    <b>Sotheby’s Paris, Oct. 30:</b> Saint-Exupéry. <i>25 Autograph Illustrated Letters to his Friend Charles Sallès</i>. Est. €30,000-50,000
    <b>Sotheby’s Paris, Oct. 30:</b> French Revolution, 1793. Déclaration des droits de l’Homme. 2,55 x 1,30m. A monumental wallpaper poster of the 1793 version, with hand-colored highlights. Unique copy. Est. €100,000 - 150,000
    <b>Sotheby’s Paris, Oct. 30:</b> GIAMBATTISTA PIRANESI. <i>Vedute di Roma</i>, 1748-1775. 107 etchings. An exceptional copy, printed and bound before 1780. Est. €50,000 - 80,000
    <b>Sotheby’s Paris, Oct. 30:</b> Picasso, Pablo -- Fernando de Rojas. LA CÉLESTINE. [PARIS, EDITIONS DE L'ATELIER CROMMELYNCK, 1971.] One of the 30 copies hors commerce (n° X). 66 original etchings by Picasso. Signed. Est. €30,000 - €35,000
  • <b>Sotheby’s London: Fine Autograph Letters and Manuscripts from a Distinguished Private Collection. Part I: Music. 26 October 2017</b>
    <b>Sotheby’s London Oct 26:</b> Beethoven, Ludwig van. Autograph Manuscript of the Canon "Ewig Dein" Woo 161, signed at the end ("...[Ewig] Dein...Freund Ludwig Van Beethowen"). Est. £120,000 to £150,000
    <b>Sotheby’s London Oct 26:</b> Brahms, Johannes. Autograph Manuscript of the "Geistliches Wiegenlied", Op.91 No.2, for Contralto, Viola And Piano, the original version of 1864, signed and inscribed at the end by the composer. Est. £200,000 to £250,000
    <b>Sotheby’s London Oct 26:</b> Chopin, Frédéric. Autograph Manuscript of the Opening of the Étude Op.25 No.2, in A-Flat Major, signed and dated ("Paris Ce 28 Avril F. Chopin"). Est. £100,000 to £150,000
    <b>Sotheby’s London: Fine Autograph Letters and Manuscripts from a Distinguished Private Collection. Part I: Music. 26 October 2017</b>
    <b>Sotheby’s London Oct 26:</b> Haydn, Joseph. Autograph Letter Signed ("Jos Haydn[Paraph]"), to the Baden Choirmaster Anton Stoll, 30 July 1802. Est. £20,000 to £30,000
    <b>Sotheby’s London Oct 26:</b> Verdi, Giuseppe. Autograph Working Manuscript of a scene from Ernani. Est. £100,000 to £150,000
    <b>Sotheby’s London Oct 26:</b> Verdi, Giuseppe. Highly Important Series of Thirty-Six Autograph Letters Signed to The Librettist Salvadore Cammarano, written between 1844 And 1851, the greater part unpublished and unrecorded. Est. £250,000 to £300,000
  • <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b><br><i>The Centenary Edition of the Works of Ian Fleming</i>, one of 26 lettered sets, 18 volumes, London, 2008. $25,000 to $30,000.
    <b>Swann Auction Galleries Nov 14:</b> William Faulkner, <i>The Marble Faun</i>, first edition, signed & inscribed to Dorothy Wilcox by Faulkner & Phil Stone, Boston, 1924. $18,000 to $25,000.
    <b>Swann Auction Galleries Nov 14:</b> Maurice Sendak, <i>Where the Wild Things Are</i>, first edition, signed & inscribed to William Archibald, New York, 1963. $10,000 to $15,000.
    <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b> Anne Frank, <i>Het Achterhuis</i>, first edition, in first state jacket, Amsterdam, 1947. $12,000 to $18,000.
    <b>Swann Auction Galleries Nov 14:</b> Roald Dahl, <i>Charlie and the Chocolate Factory</i>, first edition, signed, New York, 1964. $6,000 to $9,000.
    <b>Swann Auction Galleries Nov 14:</b><br>Ray Bradbury, <i>Fahrenheit 451</i>, first limited edition bound in Johns-Manville Quinterra, New York, 1953. $7,000 to $10,000.
    <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b> Benjamin Graham, <i>The Intelligent Investor</i>, first edition, in original dust jacket, New York, 1949. $4,500 to $6,000.
    <b>Swann Auction Galleries Nov 14:</b> Anna Sewell, <i>Black Beauty</i>, first edition, inscribed, London, 1877. $7,000 to $10,000.
    <b>Swann Auction Galleries Nov 14:</b> Arthur Conan Doyle, <i>A Study in Scarlet</i>, first American edition, Philadelphia, 1890. $6,000 to $9,000.
    <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b> James Fenimore Cooper, <i>The Last of the Mohicans</i>, first edition, two volumes, Philadelphia, 1826. $5,000 to $7,500.
    <b>Swann Auction Galleries Nov 14:</b> Amelia Earhart, <i>20 hrs. 40 mins. Our Flight in Friendship</i>, limited first edition, signed, New York, 1928. $4,000 to $6,000.
    <b>Swann Auction Galleries Nov 14:</b> Philip K. Dick, <i>World of Chance</i>, first edition, signed, London, 1956. $3,000 to $4,000.
  • <b>Sotheby’s New York: The Magnificent Botanical Library of D. F. Allen. October 26, 2017</b>
    <b>Sotheby’s NY, Oct. 26:</b> Redouté, Pierre Joseph, and Claude Antoine Thory. <i>Les Roses</I>. Paris: Firmin Didot, 1817–1824. Est. $225,000 to $325,000
    <b>Sotheby’s NY, Oct. 26:</b> Trew, Jakob Christoph. <i>Hortus Nitidissimis Omnen Per Annum Superbiens Floribus</i>… Nuremberg: Johann Joseph Fleischmann, 1750 [–1786]. Est. $200,000 to $300,000
    <b>Sotheby’s NY, Oct. 26:</b> Trew, Christoph Jakob, and Benedict Christian Vogel. <i>Plantæ Selectæ</i>…[Nuremberg:] 1750–1773; Supplement, [Augsburg:] 1790 [–1792]. Est. $200,000 to $300,000
    <b>Sotheby’s New York: The Magnificent Botanical Library of D. F. Allen. October 26, 2017</b>
    <b>Sotheby’s NY, Oct. 26:</b> Jacquin, Nikolaus Joseph von. <i>Plantarum Rariorum Horti Caesarei Schönbrunnensis Descriptiones Et Icones.</i>Vienna; London; Leiden, 1797–1804. Est. $180,000 to $250,000
    <b>Sotheby’s NY, Oct. 26:</b> Weinmann, Johann Wilhelm. <i>Phytanthoza Iconographia; Sive Conspectus Aliquot Millium, Tam Indigenarum Quam Exoticarum</i>… Regensburg, 1735–1737–1745. Est. $120,000 to $180,000

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