• <b>Arenberg Auctions: May 25 and<br>May 26, 2018</b>
    <b>Arenberg Auctions, May 25 & 26:</b> VAN ORLEY, Richard. "Les avantures de Telemaque fils d'Ulÿsse &c." Set of 86 superb ink drawings. 45,000 to 60,000 €
    <b>Arenberg Auctions, May 25 & 26:</b> Gojôraku Tôkaidô [or] Tôkaidô meisho fukei. Processional Tôkaido drawn by Prof. Moro, coloured prints in one set of 100 sheets]. 15,000 to 18,000 €
    <b>Arenberg Auctions, May 25 & 26:</b> DURAS, Marguerite. <i>Moderato cantabile.</i> Original lithographs by André Minaux. 22 lithographs. 4,000 to 4,500 €
    <b>Arenberg Auctions: May 25 and<br>May 26, 2018</b>
    <b>Arenberg Auctions, May 25 & 26:</b> ADAMS, Georges. A pair of 18-inch English globes. [London], s.n., [1766]. ORIGINAL GLOBES by Georges Adams dedicated to King George III. 9,000 to 12,000 €
    <b>Arenberg Auctions, May 25 & 26:</b> BLAEU, Joan. <i>[Atlas maior, sive cosmographia blaviana, qua solum, salum, coelum, accuratissime describuntur]. Geographia, quae est cosmographiae Blaviana pars prima [...].</i> 250,000 to 350,000 €
    <b>Arenberg Auctions, May 25 & 26:</b> VAN DER MEULEN, Adam Frans. <i>[Vues, marches, entrées, passages et autres sujets servant à l'histoire de Louis XIV].</i> 35,000 to 50,000 €
    <b>Arenberg Auctions: May 25 and<br>May 26, 2018</b>
    <b>Arenberg Auctions, May 25 & 26:</b> GALILEI, Galileo. <i>Galileo a Madama Cristina di Lorena</i> (1615). Precious copy of one of the most famous and popular miniature books. 2,500 to 3,000 €
    <b>Arenberg Auctions, May 25 & 26:</b> Biblia Vulgata. Latin. [France, last quarter 13th c.] 8,000 to 12,000 €
    <b>Arenberg Auctions, May 25 & 26:</b> Horae. Use of Rome. Latin (and a few French rubrics). [Hainaut (Mons or Valenciennes), c. 1490]. 40,000 to 50,000 €
    <b>Arenberg Auctions: May 25 and<br>May 26, 2018</b>
    <b>Arenberg Auctions, May 25 & 26:</b> GARSIAS, Paulus. <i>[Determinationes magistrales contra conclusions Joannis Pici Mirandulae].</i> (Rome, E. Silber, 15 October 1489). 12,000 to 15,000 €
    <b>Arenberg Auctions, May 25 & 26:</b> LORRIS, Guillaume de; MEUNG, Jean de. <i>Le rommant de la Rose nouuellement reueu et corrige oultre les precedentes impressions</i> [ed. Guillaume Michel]. 3,000 to 4,000 €
    <b>Arenberg Auctions, May 25 & 26:</b> LA FONTAINE, Jean de. <i>Fables choisies, mises en vers.</i> Paris, Desaint & Saillant, Durand. De l'imprimerie de Charles-Antoine Jombert, 1755<br> [- 1759]. 10,000 to 12,000 €
  • <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. May 31, 2018</b>
    <b>Forum Auctions, May 31:</b> Simcoe (John Graves). Plan of the Province of Upper Canada with part of the Adjacent Countries, manuscript map… with numerous contemporary annotations. £6,000 to £8,000
    <b>Forum Auctions, May 31:</b> Ramusio (Giovanni Battista). <i>Delle Navigationi et Viaggi,</i> 3 vol., mixed edition, 3 double-page engraved maps and 7 folding woodcut maps, Venice, Giunti, 1613. £6,000 to £8,000
    <b>Forum Auctions, May 31:</b> Dickens (Charles). <i>A Christmas Carol,</i> first edition, first issue, Chapman & Hall, 1843. £6,000 to £8,000
    <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. May 31, 2018</b>
    <b>Forum Auctions, May 31:</b> Book of Hours. Hours of the Virgin [Use of Rome] in Latin, miniature illuminated manuscript on vellum with 6 full-page miniatures and 6 large initials with borders, Flanders, [2nd quarter of 15th century]. £6,000 to £8,000
    <b>Forum Auctions, May 31:</b> G.K. Chesterton archive. Collection of poems, drawings, letters and cards sent to Enid Simon, 1920s. £6,000 to £8,000
    <b>Forum Auctions, May 31:</b> Pasternak (Boris). <i>Doktor Zhivago</i> original typescript, 2 vol., with manuscript corrections and insertions by the author, the George Katkov copy, c.1956. £100,000 to £150,000
    <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. May 31, 2018</b>
    <b>Forum Auctions, May 31:</b> Tolkien (J.R.R.). <i>The Hobbit,</i> first edition, first impression, 1937. £20,000 to £30,000
    <b>Forum Auctions, May 31:</b> Milton (John). <i>Paradise Lost & Paradise Regain'd,</i> 2 vol., one of 10 copies printed on vellum, Cresset Press, 1931. £8,000 to £12,000
    <b>Forum Auctions, May 31:</b> Electricity and the vacuum.- Guericke (Otto von). <i>Experimenta nova (ut vocantur) Magdeburgica de Vacuo Spatio,</i> first edition; bound with <i>Philosophia Universa de Microcosmo</i>. £12,000 to £16,000
    <b>Forum Auctions, May 31:</b> [The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia ...], vignette title and 42 plates from the deluxe subscriber's edition, 1842-1849 (43). £7,000 to £10,000
  • <b>Bonhams: Results from Fine Books and Manuscripts on March 9, 2018</b>
    <b>Bonhams, Mar. 9:</b> BEETHOVEN, LUDWIG VAN. Autograph Manuscript sketch-leaf part of the score of the Scottish Songs, "Sunset" Op. 108 no 2. [Vienna, February 1818]. Inscribed by Alexander Wheelock Thayer. SOLD for $131,250
    <b>Bonhams, Mar. 9:</b> Violin belonging to Albert Einstein, presented to him by Oscar H. Steger, 1933. SOLD for $516,500
    <b>Bonhams, Mar. 9:</b> EINSTEIN, ALBERT. Autograph Letter Signed ("Papa") to his son Hans Albert, discussing his involvement with the atomic bomb, September 2, 1945. SOLD for $106,250
    <b>Bonhams: Results from Fine Books and Manuscripts on March 9, 2018</b>
    <b>Bonhams, Mar. 9:</b> HAMILTON, ALEXANDER. Autograph Letter Signed, to Baron von Steuben, with extensive notes of Von Steuben's aide Benjamin Walker, June 12, 1780. SOLD for $16,250
    <b>Bonhams, Mar. 9:</b> NEWTON, ISAAC. Autograph Manuscript in Latin, being detailed instructions on making the philosopher's stone. 8 pp. 1790s. SOLD for $275,000
    <b>Bonhams, Mar. 9:</b> 1869 Inauguration Bible of President Ulysses S. Grant. SOLD for $118,750
  • <b>Archives International Auctions: U.S., Chinese & Worldwide Banknotes, Scripophily & Coins. May 23, 2018</b>
    <b>Archives International, May 23:</b> Chinese-American Bank of Commerce, 1920 "Harbin" Branch Issue Rarity. $5, P-S231s1, S/M#C271-3.5b, Specimen banknote. $25,000 to $35,000
    <b>Archives International, May 23:</b> Deutsch-Asiatische Bank, 1907 "Peking" Branch High Grade Rarity. 5 Taels, P-S280r S/M#T101-11b, Remainder Banknote. $17,000 to $22,000
    <b>Archives International, May 23:</b> Deutsch-Asiatische Bank, 1907, "Tsingtau" Branch Issue Rarity. $1, P-1a S/M#T101-40, Issued banknote. $8,000 to $16,000
    <b>Archives International Auctions: U.S., Chinese & Worldwide Banknotes, Scripophily & Coins. May 23, 2018</b>
    <b>Archives International, May 23:</b> Spanish American War - Three Per Cent Loan of 1898, $20 Bond. Issued and uncanceled. $6,000 to $10,000
    <b>Archives International, May 23:</b> Winnemucca, NV - $5 Ty. 1, The First NB of Winnemucca, Ch# 3575, Fr#1800-1. $3,000 to $5,000
    <b>Archives International, May 23:</b> National Banknote Assortment of Original 1st Charter, Plain Back and Date Back Issues. Lot of 6 notes, Includes Pennsylvania Nationals, First National Bank of Selins Grove, 1865, $1… $3,200 to $4,400
    <b>Archives International Auctions: U.S., Chinese & Worldwide Banknotes, Scripophily & Coins. May 23, 2018</b>
    <b>Archives International, May 23:</b> People's Bank of China, 1950 Issue Banknote. 50,000 Yuan, P-855 KYJ-C157a S/M#C282-, Issued banknote. $7,000 to $12,500
    <b>Archives International, May 23:</b> Pei-Yang Tientsin Bank, ND (ca.1910) Remainder Banknote. $3, P-S2527 S/M#P35-11. $5,000 to $7,000
    <b>Archives International, May 23:</b> Palestine Foundation Fund - Keren Hayesod Specimen Sacrifice Bond 1922. $1,000, Specimen Bond, "For the Up building of Palestine as a Homeland for the Jewish People". $1,500 to $2,500

Rare Book Monthly

Articles - March - 2014 Issue

Master Adam, Craftsman-Poet: If I had a hammer...

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Master Adam.

If I had a hammer, or rather a brace, I would write verses to add my humble kingpin to the magnificent work of poetry—just like Master Adam Billaut did. In the 17th century, this carpenter-poet from Nevers, France, though deprived of all literary education, as Voltaire put it, turned poet in his workshop. But he was born a commoner in 1602, and was then reduced to create verses in the middle of his tools and bottles, to quote Chaudon’s Dictionary (Lyon, 1804). This situation lasted until he was 32; then he met the Abbot of Marolles who read his verses to the Duchess of Nevers, and then decided to promote them. “I was more than willing to expose his poems to the public who would undoubtedly like them as much as I did. The following year he came to Paris where he became acquainted with many people of quality,” wrote the Abbot. Mr. Adam’s life changed for the better—but during the Grand Siècle, a leopard couldn’t change its spots, or a commoner turn a respectable poet.

 

From Nevers to Paris

 

Adam Billaut came to Paris where he eventually became a relative of Saint-Amand who introduced him to several literary salons. The court soon grew infatuated with this carpenter who prided himself on writing verses. Adam got some recognition but could never rise above the rank of burlesque or Bacchic writer. As a matter of fact, noticing he had afterwards sunk into oblivion, the 1731 edition of Moreri’s Dictionary underlined: “It was quite inevitable for an author of his rank.” Adam used his social position as a selling point, entitling his first collection of poems-The Kingpins—and got trapped. But he was probably ready to endure a certain amount of mockery, or humiliation, to finally get the recognition he wished for.

 

In The Kingpins, he sought the Approbation of the Parnassus and published a hundred pages of dedicatory epistles from various poets.He loved praises, and begged for dedicatory verses,” read Moreri’s Dictionary. Everyone complied, and those who couldn’t write them had them written by friends.” Most of them were just basic plays on words about his ambivalent condition. Saint-Amand, his mentor, wrote he could build verses as well as furniture; Scarron said he was writing verses with a plane-pushing hand. Corneille, Benserade or Quinet were among the numerous writers who said a silly word about this silly work—Mr. Scudery even wondered whether he was a genius or a monster. The then famous painter Mr. Chauveau drew the portrait of the author that was added as a frontispiece to the first edition of The Kingpins (in-4°, chez Quinet—1644). A few months later, every one in Paris was singing along his song As soon as the light comes back to gild our hills—his most popular piece of work ever. “It is said,” continued Moreri’s Dictionary, “that he obtained a pension from Monsieur Duke of Orléans, Gaston Jean-Baptiste.” He became a curiosity at court where he was called the planing Virgil, and even ventured into politics. Indeed, in 1651, he published a Mazarinade—a text against Cardinal Mazarin—entitled Le Claquet de la Fronde, as well as an epigram on the same topic. “These pieces that brought nothing to his reputation,” underlined C. Moreau in his Bibliographie des Mazarinades (Paris, 1850), “were first re-published in the 1840 edition of his works.”

 

Pensions

 

When I first came across Adam’s works, I thought it was a joke—or a literary fraud. A craftsman-poet from the 17th century who entitled his works The Kingpins or The Plane? Come on... History recalls a few working-poets, though; such as Burns, a peasant; Hans Sacks, a shoemaker; or a pastry cook from the same period, who even stated that Adam’s works made more noise, but that his own were more fiery. They were the first working-artists in a time when education was the privilege of a few, and when birth was of the utmost importance. To come from a dignified family would place you above the rest, and insure you respect and privileges. To come from the rabble, on the contrary, made a vulgar man out of you; not even good verses could save you from such damnation. No doubt these working-artists were regularly mocked and made fun at in society. Furthermore, Adam could be trivial at times. As a matter of fact, Jean Pinet, who published his complete works in 1842, cut off the incriminating passages to print them separately. Adam wrote about wine and its consequences, about farting too; some asses and whores would also pop up every now and then. Worse, some of his poems lacked polishing—or should we say planing? Ferdinand Denis, who wrote the Biographic and literary notice of the Pinet edition, blamed it on the lack of time. Several persons of quality including Richelieu and the Prince of Condé generously promised Adam a pension—but talk is cheap, and most of these pensions were never honoured. Therefore, Adam was reduced to earning a living as a carpenter.

 

Some of his poems also happened to be boring—mostly those never-ending flattering epistles from his second collection, The Brace. “Among a lot of dull verses, we find a few happy lines,” stated Chaudon. Moreri’s Dictionary added: “His works did good to him, but can’t make him a good poet.” In 1842, mentalities had evolved regarding working-artists, and Ferdinand Denis justified the author: “The centuries have been misled; Voltaire himself saw in Master Adam nothing but a cabaret poet (...). But we must speak up now! To say that Adam Billaut was a disheartened poet with elevated thoughts (...) who was forced to sing Bacchic songs, and to liven up some noisy orgies where, a miserable host, he excited both mockery and admiration.” But Master Adam genuinely enjoyed the cabaret, as confessed to a Lord who complained of his not attending his dinners: “In this place (...) everything pleases my belly, / Here I despise war heartily, / And the bottom of a whore / Ain’t worth a glass of liquor.” There was something melancholic about him too—probably since the death of his beloved mother. “Ever since the sad and fateful hour, / When the messenger of despair came to tell me: (...) Your mother has died from the plague, / I haven’t stopped sighing, I haven’t stopped crying.” Death is omnipresent in his poems, and he had morbid images reminiscent of the poetry of the middle age. He was far from the fashionable love epigrams of the time—he knew it, and didn’t care. Ronsard was his model, but he saw a rose withering with tenderness, if not with pleasure: “Even though you are but a withered flower, / How happy I am, proud Rose / To see these changes chasing my rivals away forever.

 

Adam’s favour only lasted for a time. He was in an uncomfortable position, so he walked away and came back to Nevers. As Chaudon put it: “He stuck to mediocrity to preserve his happiness.” In his dictionary, Pierre Bayle wrote he was then living in poverty, which sounds quite exaggerated as his protector, Marie de Gonzague, appointed him bailiff of the court of accounts of the Nivernais before she left for Poland. The Duke of Nevers, from his part, graciously sheltered him until his death in 1662—Mr. Adam’s house still stands today.

Rare Book Monthly

  • <b>ALDE: May 30, 2018. Books by painters, original bindings, photography, prints and drawings, illustrated books.</b>
    <b>ALDE, May 30:</b> BRETON (André). <i>Arcane 17.</i> New York, Brentano's, 1944. One of the 25 first copies with the original etching signed by Roberto Matta. 6000 to 8000 €
    <b>ALDE, May 30:</b> HÉRON DE VILLEFOSSE (René). <i>La Rivière enchantée.</i> Paris, Bernard Klein, 1951. One of the 25 first copies on japon with an original watercolored drawing signed by Léonard Foujita. 60,000 to 80,000 €
    <b>ALDE, May 30:</b> ILIAZD. <i>Pirosmanachvili 1914.</i> Paris, Le Degré quarante et un, 1972. Dry point signed by Pablo Picasso. 5,000 to 6,000 €
    <b>ALDE: May 30, 2018. Books by painters, original bindings, photography, prints and drawings, illustrated books.</b>
    <b>ALDE, May 30:</b> JARRY (Alfred). <i>Ubu Roi.</i> Paris, Tériade, 1966. 13 lithographs by Joan Miró. 6,000 to 8,000 €
    <b>ALDE, May 30:</b> LEIRIS (Michel). <i>Vivantes cendres, innommées.</i> Paris, Jean Hugues, 1961. 13 original etchings by Alberto Giacometti. 12,000 to 15,000 €
    <b>ALDE, May 30:</b> MATISSE (Henri). <i>Jazz.</i> Paris, Tériade, 1947. 20 original pochoirs by Henri Matisse. 100,000 to 120,000 €
    <b>ALDE: May 30, 2018. Books by painters, original bindings, photography, prints and drawings, illustrated books.</b>
    <b>ALDE, May 30:</b> PAULHAN (Jean). <i>De Mauvais sujets.</i> Paris, Les Bibliophiles de l’Union Française, 1958. 10 etchings by Marc Chagall. 5,000 to 6,000 €
    <b>ALDE, May 30:</b> RONSARD (Pierre de). Layout for the book <i>Florilège des Amours.</i> Paris, Albert Skira, 1948. 128 lithographs, with many corrections by hand by Henri Matisse. 80,000 to 100,000 €
    <b>ALDE, May 30:</b> TING (Walasse). <i>1¢ life.</i> Bern, E.W. Kornfeld, 1964. One of the 100 deluxe copies with the 62 lithographs signed by the 28 artists. 15,000 to 20,000 €
    <b>ALDE: May 30, 2018. Books by painters, original bindings, photography, prints and drawings, illustrated books.</b>
    <b>ALDE, May 30:</b> SUGIMOTO (Hiroshi). <i>Time exposed.</i> Kyoto, Kyoto Shoin Co. Ltd., 1991. 51 offset lithographs. 10,000 to 12,000 €
    <b>ALDE, May 30:</b> SZAFRAN (Sam). Black and brown ink original drawing. 550 x 410 mm. 5,000 to 6,000 €
    <b>ALDE, May 30:</b> KIPLING (Rudyard). <i>La Chasse de Kaa.</i> Paris, Javal et Bourdeaux, 1930. 115 colored woodcuts by Paul Jouve. 5,000 to 6,000 €
  • <b>Ketterer Kunst Hamburg: Rare Books Auction on May 28th</b>
    <b>Ketterer Rare Books, May 28:</b> Book of Hours. Workshop Vrelant, around 1460-70. Est: € 30,000
    <b>Ketterer Rare Books, May 28:</b> J. J. Marinoni, <i>De Astronomica specula,</i> 1745. Est: € 12,000
    <b>Ketterer Rare Books, May 28:</b> C. S. Lewis, <i>The Chronicles of Narnia,</i> 1950-56. Est: € 7,500
    <b>Ketterer Kunst Hamburg: Rare Books Auction on May 28th</b>
    <b>Ketterer Rare Books, May 28:</b> G. W. Knorr, <i>Regnum florae,</i> 1750. Est:<br>€ 15,000
    <b>Ketterer Rare Books, May 28:</b> A. M. S. Boethius, <i>De philosophico consolatu,</i> 1501. Est: € 8,000
    <b>Ketterer Rare Books, May 28:</b> J. Joyce, <i>Ulysses,</i> 1922. Est: € 5,000
    <b>Ketterer Kunst Hamburg: Rare Books Auction on May 28th</b>
    <b>Ketterer Rare Books, May 28:</b> Ornaments by H. Vogeler, 1900. Est:<br>€ 4,000
    <b>Ketterer Rare Books, May 28:</b> <i>Biblia Germanica,</i> 1490. Est: € 15,000
    <b>Ketterer Rare Books, May 28:</b> F. M. Regenfuss, <i>Auserlesne Schnecken und Muscheln,</i> 1758. Est: € 18,000
    <b>Ketterer Kunst Hamburg: Rare Books Auction on May 28th</b>
    <b>Ketterer Rare Books, May 28:</b> Einband Henry van de Velde, 1929. Est: € 4,000
    <b>Ketterer Rare Books, May 28:</b> <i>Hortus Sanitatis,</i> 1517. Est: € 12,000
    <b>Ketterer Rare Books, May 28:</b> R. Crevel and J. Miró, 1957. Est: € 3,500
  • <b>Sotheby’s Books & Manuscripts<br>Marcel Proust – Collection Marie-Claude Mante<br>Auction Paris 24 May 2018</b>
    <b>Sotheby’s Paris, May 24:</b> Marc Chagall. <i>Daphnis & Chloé</i>. Paris, Tériade, 1961. 42 original lithographs. One of the 10 copies for the collaborators. 80,000-120,000 €
    <b>Sotheby’s Paris, May 24:</b> [Marcel Proust] — Gaston Gallimard. Very important letters to Marcel Proust. 1912-1922. 100,000-150,000 €
    <b>Sotheby’s Paris, May 24:</b> JESUITS. <i>Relation de ce qui s’est passé en la Nouvelle France en 1635</i> […] 1672. Period calf binding. Very rare set of letters about life in the French territories among warring Indian tribes. 12,000-18,000 €
    <b>Sotheby’s Books & Manuscripts<br>Marcel Proust – Collection Marie-Claude Mante<br>Auction Paris 24 May 2018</b>
    <b>Sotheby’s Paris, May 24:</b> Gustave Flaubert. <i>Madame Bovary</i>. Paris, Michel Lévy Frères, 1857. One of the few deluxe copies, with inscription to Adolphe Gaïffe and a letter. 30,000-50,000 €
    <b>Sotheby’s Paris, May 24:</b> A. von Humboldt. <i>Essai politique sur le Royaume de la Nouvelle Espagne.</i> Paris, 1811. Period binding. Complete with the large California/Mexico map. 10,000-15,000 €
    <b>Sotheby’s Paris, May 24:</b> [Affaire Dreyfus] — Georges Clemenceau. <i>Démosthène</i>. Paris, Plon-Nourrit et Cie, 1926. Exceptional copy with an inscription to Mathieu Dreyfus, Alfred Dreyfus’ brother. 8,000-<br>12,000 €
    <b>Sotheby’s Books & Manuscripts<br>Marcel Proust – Collection Marie-Claude Mante<br>Auction Paris 24 May 2018</b>
    <b>Sotheby’s Paris, May 24:</b> Guillaume Apollinaire. <i>Les trois Don Juan</i>. 1914. Unpublished inscription to Madeleine Pagès and 2 original drawings. 25,000-35,000 €
    <b>Sotheby’s Paris, May 24:</b> Marcel Duchamp. <i>L.H.O.O.Q. shaved</i>. [New York, 1965]. One of the 100 deluxe signed copies. With an autographed envelope. 15,000-20,000 €
    <b>Sotheby’s Paris, May 24:</b> Francis Bacon — Michel Leiris. <i>Miroir de la tauromachie</i>. [Paris], Daniel Lelong, [1990]. With 4 signed lithographs. 40,000-60,000 €
    <b>Sotheby’s Books & Manuscripts<br>Marcel Proust – Collection Marie-Claude Mante<br>Auction Paris 24 May 2018</b>
    <b>Sotheby’s Paris, May 24:</b> Gilbert & George. <i>The Red Sculpture Album</i>. [Londres, Gilbert & George], 1975. One of the 100 existing copies, signed by both of the artists, comprised of 11 original photographs. 10,000-15,000 €
    <b>Sotheby’s Paris, May 24:</b> Pablo Picasso — Honoré de Balzac. <i>Chef-d’œuvre inconnu</i>. Paris, Ambroise Vollard, 1931. One of the 65 deluxe copies on Japan paper, with an extra suite of the etchings. 35,000-<br>45,000 €
    <b>Sotheby’s Paris, May 24:</b> Marcel Proust. <i>Les Sources sur Loir</i>. Ca 1907-1908. Handwritten manuscript. Rough draft of one of the more beautiful passages of Swann’s Way. 30,000-50,000 €
  • <b>19th Century Shop:</b> Charles Darwin on sexuality and the transmission of hereditary characteristics: Autograph Letter Signed to Lawson Tait. Down, 17 January [1877].
    <b>19th Century Shop:</b> MILTON, JOHN. <i>Paradise Lost. A Poem written in ten books.</i> London: 1667. A very rare example with the contemporary binding untouched and with a 1667 title page.
    <b>19th Century Shop:</b> Hamilton secures the ratification of the Constitution: <i>The Debates and Proceedings of the Convention of the State of New-York, assembled at Poughkeespsie, on the 17th June, 1788.</i>
    <b>19th Century Shop:</b> The social contract “Man is born free, and everywhere he is in chains”: ROUSSEAU, JEAN-JACQUES. <i>Principes du Droit Politique [Du Contract Social]</i>. Amsterdam: Michel Rey, 1762
    <b>19th Century Shop:</b> “The first English textbook on geometrical land-measurement and surveying”: BENESE, RICHARD. <i>This Boke Sheweth the Maner of Measurynge All Maner of Lande…</i>
  • <b>Chiswick Auctions: Modern First Editions, Illustrated Books & Limited Editions. May 30, 2018</b>
    <b>Chiswick Auctions, May 30:</b> Hammett (Dashiell). <i>The Maltese Falcon,</i> FIRST EDITION. A very good copy of this most influential detective fiction novel. £8,000 to £12,000
    <b>Chiswick Auctions, May 30:</b> Hemingway (Ernest). <i>In Our Time,</i> FIRST EDITION, NUMBER 137 OF 170 COPIES on Rives handmade paper. £15,000 to £18,000
    <b>Chiswick Auctions, May 30:</b> Hemingway (Ernest). <i>A Farewell to Arms,</i> FIRST EDITION, inscribed by the author to Mike Murphy, a Hemingway biographer and scholar. £4,000 to £6,000
    <b>Chiswick Auctions: Modern First Editions, Illustrated Books & Limited Editions. May 30, 2018</b>
    <b>Chiswick Auctions, May 30:</b> Kerouac (Jack). <i>On the Road,</i> FIRST EDITION, New York, Viking, 1957. £2,000 to £3,000
    <b>Chiswick Auctions, May 30:</b> Ransome (Arthur). <i>Swallows and Amazons,</i> FIRST EDITION, ownership inscription to half title. Only 2,000 copies of the first edition printed. £3,000 to £4,000
    <b>Chiswick Auctions, May 30:</b> Sewell (Anna). <i>Black Beauty: His Grooms and Companions. The Autobiography of a Horse. Translated from the original Equine,</i> FIRST EDITION, engraved frontispiece. £3,000 to £4,000
    <b>Chiswick Auctions: Modern First Editions, Illustrated Books & Limited Editions. May 30, 2018</b>
    <b>Chiswick Auctions, May 30:</b> Capa (Robert). <i>Omaha Beach D-Day, June 6th, 1944,</i> gelatine silver print, printed under the direct supervision of Cornell Capa, 40 x 50.5 cm. £3,000 to £5,000
    <b>Chiswick Auctions, May 30:</b> Cartier-Bresson (Henri). 'Loudres – Pilgrims Assemble', silver print, stamps and annotations on verso, very slight scratch, 170 x 240 mm, 1950. £2,000 to £3,000
    <b>Chiswick Auctions, May 30:</b> Carroll, Lewis [Dodgson, Charles Lutwidge]. <i>The Nursery Alice,</i> FIRST EDITION, a very rare inscribed, dedication copy. £8,000 to £10,000
    <b>Chiswick Auctions: Modern First Editions, Illustrated Books & Limited Editions. May 30, 2018</b>
    <b>Chiswick Auctions, May 30:</b> Potter (Beatrix). <i>The Tale of Peter Rabbit,</i> FIRST EDITION, FIRST PRINTING, limited to 250 copies [with] the FIRST PUBLISHED EDITION. £12,000 to £15,000
    <b>Chiswick Auctions, May 30:</b> Wells (H. G.). <i>War of the Worlds,</i> original Danish manuscript, the text written out in block script ink, with over 620 original drawings in ink and watercolour. £1,800 to £2,200
    <b>Chiswick Auctions, May 30:</b> Toulouse-Lautrec (Henri de).- Clemenceau (Georges). <i>Au Pied de Sinai,</i> NUMBER 104 OF 355 COPIES, with the suite of 10 lithographs by Henri de Toulouse-Lautrec in 2 states. £1,500 to £2,000
  • <b>Christie’s 29 May:</b> MARE-BONNARD. Les Pastorales de Longus, or Daphnis et Chloé. Paris, 1902. Exceptional copy with a magnificent binding by André Mare. €50,000 to €70,000
    <b>Christie’s 29 May:</b> REDOUTE – L’HERITIER. Stirpes novae, illustratae iconibus. Paris [1784-1791]. Great paper copy with additional color touches on several plates. €10,000 to €15,000
    <b>Christie’s 29 May:</b> TOULOUSE-LAUTREC – IBELS – MONTORGUEIL. Le Café -Concert. Paris, [1893]. Famous Belle Epoque illustrations by Toulouse-Lautrec and Ibels. €5,000 to €7,000
    <b>Christie’s 29 May:</b> MANET – MALLARME – POE. Le Corbeau. The Raven. Paris, 1875. First edition of Mallarmé’s translation. Inscribed by Manet and Mallarmé to Gambetta. €60,000 to €80,000
  • <b>Swann Auction Galleries June 5:</b> Charles Addams, <i>Penguin Convention,</i> watercolor, cover for <i>The New Yorker,</i> 1977. $15,000 to $20,000.
    <b>Swann Auction Galleries June 5:</b> Ludwig Bemelmans, <i>Agreed! No whiskey anywhere is more deluxe than Walker's DeLuxe,</i> pen, ink & watercolor, 1957. $10,000 to $15,000.
    <b>Swann Auction Galleries June 5:</b> Charles Schulz, <i>Do you like Beethoven?,</i> pen & ink, 9-panel <i>Peanuts</i> comic, 1970. $20,000 to $30,000.
    <b>Swann Auction Galleries June 5:</b> Russell Tandy, <i>The Secret in the Old Attic,</i> watercolor & gouache, cover for <i>Nancy Drew,</i> 1944. $15,000 to $25,000.
    <b>Swann Auction Galleries June 5:</b> Arthur Rackham, <i>Danaë & the Infant Perseus,</i> watercolor, ink & wash, for Hawthorne's <i>A Wonder Book,</i> 1922. $10,000 to $15,000.
    <b>Swann Auction Galleries June 5:</b> Tom Lovell, <i>I believe in magic too,</i> oil on canvas, published in <i>Woman's Home Companion,</i> 1947. $7,000 to $10,000.
    <b>Swann Auction Galleries June 5:</b> Enoch Bolles, <i>With Love...,</i> watercolor & gouache, cover for <i>Wow!</i> magazine, 1931. $7,000 to $10,000.
    <b>Swann Auction Galleries June 5:</b><br>Rick Meyerowitz & Maira Kalman, <i>New Yorkistan,</i> pen, ink & watercolor sketch for a <i>New Yorker cover,</i> 2001. $10,000 to $15,000.
    <b>Swann Auction Galleries June 5:</b> Jessie Willcox Smith, <i>Touching,</i> watercolor for <i>The Five Senses</i> by Angela M. Keyes, 1911. $12,000 to $18,000.
    <b>Swann Auction Galleries June 5:</b> Edward Gorey, <i>ABA 75,</i> watercolor & ink, cover for <i>Publisher's Weekly,</i> 1975. $5,000 to $7,500.
    <b>Swann Auction Galleries June 5:</b> Aubrey Beardsley, <i>Shelter,</i> pen & ink, for <i>Bon-Mots,</i> 1892. $8,000 to $12,000.
    <b>Swann Auction Galleries June 5:</b> Tedd Arnold, <i>I think it was three days ago...,</i> colored pencil & watercolor, for <i>Parts,</i> 1996. $4,000 to $6,000.

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